Sunday, April 11, 2021
Voyagers
Saturday, April 3, 2021
Godzilla vs. Kong
Sunday, March 28, 2021
Nobody
Ok, let's see here, nondescript older guy, precious family possession taken away, fearful looks from Russian mob figures when they discover who is after them, a secret horde of gold, flamboyant car stolen, yep, this is indeed from the producers of John Wick. They have taken a number of components from that series, transported them to a different context, rearranged them in the story and produced this film from the mix. You know what, in this case I'm alright with it. A little photo copying works sometimes and if you have the right lead to carry it off, the audience will follow. Done.
Bob Odenkirk has the quiet voice that sounds like a man defeated. Very quickly we learn how he finds himself in a rut. He has lost intimacy with his wife, respect from his son and the daughter who still looks up to him is the apparent real victim of a home robbery that he lets go by without taking a violent action. In addition to his voice, his face is hangdog frustrated and the routine that we see tells us that the domestic tension is mounting. A quick view of the trailer reveals that there is more to him than can be seen on the surface. It takes this random act of violation to tip him back into a life that he has tried to leave.
Conveniently, he takes his frustrations out on a group of drunken thugs who board a bus that he seems to be trolling for the purpose of releasing his pent up frustrations. Naturally, they turn out to be associated with the Russian mob, and a vendetta ensues. One man against an army of gangsters, hey it was no match for Keanu Reeves and for the most part, Bob Odenkirk, who is not known as an action star, manages to sell us on the concept.
At first, Hutch Mansell, Odenkirk's character, has to work hard at making the combat successful. He is not built like a superman, he is older and a little more weary, and the bad guys rough him up quite a bit in the process. About mid-way though the story however, the director and writers just give in and make him into the implacable foe that the story demands. There are a couple of nice sequences with Hutch and his wife , played by Connie Nielson, which suggests that there is some personal drama to what is taking place, but for the most part the adrenaline mainlining starts and it is the focus of the rest of the film.
Maybe Hutch doesn't kill quite as many mobsters as Keanu in John Wick 3, but it is still an impressive number and for the most part, Odenkirk is up to it. The Dolph Lungren doppelganger who leads the Russian mob in this vicinity, is an extroverted narcissist who really does not care about his partners but knows that they will not tolerate his failure to extract revenge for the insult that has been tossed in his lap. This is basic macho posturing done with the stylized balletic movements that the action films of the last two decades have been mining repeatedly, and it looks great.So there is nothing very original here, but what is presented is very satisfying. Both Michael Ironside and Christopher Lloyd show up in the movie, and someone cleverly thought to switch their obvious roles for one another. RZA, a guy who can't really act but has managed to turn some hip hop cred into a film career, shows up near the end, with just about as much screen time as he can carry. The next day I suffered a little from Popcorn belly because I finished the whole tub, and that was completely worth it. I will be looking forward to watching large chunks of this movie at random in the future. I think anyone intrigued by the trailer will feel satiated.
Sunday, March 7, 2021
Raya and the Last Dragon
Saturday, March 6, 2021
Chaos Walking
Wednesday, February 24, 2021
It's Still Strictly Personal: A Book Review
I like the fact that Eric ties events in his life to the movies that he is seeing. Sometimes they are moments of revelation, such as discovering a foreign language film that moves you when you have not been immersed in that world before. I appreciate when he connects the dots between a film makers style and the movie he is writing about at the time. Often the movie is just background for the personal story of his college years and disappointing romantic entanglements. Even if you are indifferent to Eric as a person, which I don't think I can be, you will still find merit in the story he tells about the times. I think he is honest as hell about the women in his life. That sort of thing matters so it is relevant. I did sometimes feel short changed by not hearing more about the friends in his life. I know some of their names, but I don't always feel like I know how they influenced Eric. A couple of exceptions occur when he has a vastly different reaction to a film than his companion does, and I wish I'd been more of a fly on the wall for the conversations he had with them about the movie. The problem is that he is in his fifties, recalling events from before he was twenty one, and who can remember what we said over coffee thirty plus years ago after a night at the movies?
One of the most unusual reactions I had to his story came from a movie that his family saw together several times, and that I would require a big incentive to sit through again. "The Woman in Red" is a small blemish on the career of Gene Wilder. I dislike the film but I do like how Eric explains his families fascination with it. I like that his folks wanted to sit through it a second time. Whenever I went to the movies with my family, and that happened, it was a special moment for me. A story like this is a bit like watching the lives of your neighbors through the living room window. We get a glimpse into how others live, and it is often very different from the way we live ourselves. That's the value of a book like this. I never lived in Manhattan, I never had to trade schools midway though my education, I never went to summer camp for weeks at a time. This is a life very different from mine, but I still understand it because movies let us share references and feelings and the ability to empathize is enhanced as a result.
Someday, Eric and I will meet in person. I hope we can take in a James Bond movie together and then talk about it afterward at a diner that he knows or a Mexican restaurant like El Coyote. We are movie lovers who tell the story of our life through the films that shaped us. I feel like we are old pals because I know his history of hurt and success. Life is not all sunshine and cupcakes, and we all have to grow up. "It's Still Strictly Personal" let's us see how we are doing that. And there were movies...
Wednesday, February 10, 2021
Top Ten List for My Birthday #1
I have been writing this blog for over ten years now, and I have resisted putting up a list of my favorite films for that whole time. As the Borg say "Resistance is Futile!"
This year I am marking another year in my sixth decade of life. I did several birthday posts in the past and enjoyed them immensely. The last two years my heart has just not been into it. This year however, I am trying to push my way back into normalcy, but I don't have the energy to generate 63 things for a list. So what I am going to do is a ten day countdown of my favorite films.
Every year when I have posted a top ten list, I always point out that it is a combination of quality and subjective enjoyment that creates that list. Those are the guiding principles here as well. I will not claim that these are the ten greatest movies ever made, although I know several of them would be deserving of a spot on such a list. Instead, these are my ten favorite films as it stands at the moment. In a month, I could reconsider or remember something that I have tragically left off the list, but for this moment here is how they rank.
#1 The Adventures of Robin Hood (1938)
I've had a few people who indicated surprise that "Jaws" was not in the number one position. Apparently, you have not read the stand alone page on this site that identifies this as my favorite movie. The reasons it ends up in that place of honor are coming, let me first tell you about the film.
"The Adventures of Robin Hood" starring Errol Flynn and Olivia De Havilland is one of the most beautiful films from the Golden Age of Hollywood. As an early all color feature, they literally used every color camera that existed in town to make the movie. The story was developed originally with another actor in mind, but studio politics and the successful paring of the two stars in a previous film resulted in the decision to cast Flynn. There was never a more perfect match between character and actor. The insouciant Flynn and the Devil-may-care Robin of Locksley were made for each other.
I have a healthy respect for films made in my lifetime. Seven of the ten films that appear on the current list were produced and released after the date of my birth, but I have always felt an affinity for the Hollywood of the past. The studio heads may have been tyrants, but they were also titans who took risks. The "factory" that created dreams is a mythology I romanticize and wish I could have seen up close. I have never made it a secret that I am a sentimentalist, I love movies that stir me, touch my heart or make me cry. Robin Hood does all of those things. The sentiment that all men should be free and treated fairly, the loyalty to the crown and country, and the passion and sacrifice inspired by love are all abundant in this movie. What is also abundant are the characters and plethora of actors that fill those roles. It is no surprise to me that Claude Rains appears in three films on my top ten list. He is the only actor who is in more than one film on my list, and he is the epitome of the golden age.
Probably everyone who reads a site like this can remember the movie that made them fall in love with movies. This is the one that did it for me. As much as I love "Jaws", I might not ever have seen it if I were not the movie fanatic that Robin Hood turned me into. So like your first love, the pattern of your life may be imprinted by that experience and I freely confess it here. This film, filled with the artifice of Hollywood, and the glamour of the studio system, is in my veins and it is the plasma that keeps me coming back.
I hope all of you have a film like this somewhere in your heart.
Previous Posts on The Adventures of Robin Hood
A Love Letter to a Movie Classic
Academy Conversations TCM: The Adventures of Robin Hood
Tuesday, February 9, 2021
Top Ten List for My Birthday #2
I have been writing this blog for over ten years now, and I have resisted putting up a list of my favorite films for that whole time. As the Borg say "Resistance is Futile!"
This year I am marking another year in my sixth decade of life. I did several birthday posts in the past and enjoyed them immensely. The last two years my heart has just not been into it. This year however, I am trying to push my way back into normalcy, but I don't have the energy to generate 63 things for a list. So what I am going to do is a ten day countdown of my favorite films.
Every year when I have posted a top ten list, I always point out that it is a combination of quality and subjective enjoyment that creates that list. Those are the guiding principles here as well. I will not claim that these are the ten greatest movies ever made, although I know several of them would be deserving of a spot on such a list. Instead, these are my ten favorite films as it stands at the moment. In a month, I could reconsider or remember something that I have tragically left off the list, but for this moment here is how they rank.
#2 Jaws
This should be the biggest non-surprise of the list. I have never made a secret of my love for this movie, and if you look at the masthead for this site, you will see how clear that affection is.
Jaws changed the motion picture industry. It turned Summer into Blockbuster time, it lead the charge to wide releases of films on their opening day, and viral marketing could not have been better. This was a movie that everyone was talking about and everyone was seeing. I did not see it with my late wife the first time either of us saw it, but I know it had a big impact on her. For the summer and Fall of 1975, she seriously thought about oceanography as a college major because of this movie. I was never entranced in that way, instead I was absorbed in how the film was being marketed. Toys, t-shirts, lunchboxes, games, and of course, the theme that has universally become a harbinger of sharks everywhere. This soundtrack was mimicked by other films for decades. The title instrumental theme made the Billboard top 40.
One of the greatest instances of professional jealousy was demonstrated by the Academy of Motion Picture Arts and Sciences when the Film was nominated for Best Picture, but the young genius responsible for it was snubbed. This movie works because of the choices that Spielberg made and the solutions to problems that he employed. He got fantastic performances out of his lead actors and the main character is only seen occasionally, and it still dominates the movie.
This may be the film I have seen start to finish, the most in my life. Every Independence Day there is a screening that this house indulges in, and there are three or four additional viewings a year, it has been that way for almost thirty years. When you do the math, that is a lot of fish.
Modern film technology would destroy this film. Half the suspense comes from not seeing the creature, which would be rendered by CGI in today's world and it would show up on screen every five minutes. Many people classify this as a horror film. It certainly has horror elements but it is really an adventure film, a political story, a family drama, and a human tragedy with a heroes journey. The film also does something that is incredibly rare. It turns out to be better than it's source material.
This is Steven Spielberg's masterpiece and one of the greatest cinema achievements of the last 100 years.
Monday, February 8, 2021
Top Ten List for My Birthday #3
I have been writing this blog for over ten years now, and I have resisted putting up a list of my favorite films for that whole time. As the Borg say "Resistance is Futile!"
This year I am marking another year in my sixth decade of life. I did several birthday posts in the past and enjoyed them immensely. The last two years my heart has just not been into it. This year however, I am trying to push my way back into normalcy, but I don't have the energy to generate 63 things for a list. So what I am going to do is a ten day countdown of my favorite films.
Every year when I have posted a top ten list, I always point out that it is a combination of quality and subjective enjoyment that creates that list. Those are the guiding principles here as well. I will not claim that these are the ten greatest movies ever made, although I know several of them would be deserving of a spot on such a list. Instead, these are my ten favorite films as it stands at the moment. In a month, I could reconsider or remember something that I have tragically left off the list, but for this moment here is how they rank.
#3 Lawrence of Arabia
Next to my Number Two choice, this may be the film I have written about the most on this site. I first saw it in a truncated form on an ABC Sunday Night Movie, at least I think I did. For me though, the film came to my consciousness in the 1989 restoration. I took my father to see it in the old Century City Mall, he was a big fan of Doctor Zhivago. We drove across the county in the middle of a weekday to get to a screening because it was not widely released. A couple of years later, I owned a beautiful Criterion Laserdisc of the restoration that I must have played a dozen times.
One of the reasons that this has become a top three film for me is that my youngest daughter has embraced it wholeheartedly. Her first viewing was in ideal circumstances at the Cinerama Dome in Hollywood. She has made me take her to see it whenever we have found it presented on a big screen in a theater. Those opportunities have continued even though we are now far away from Hollywood and the American Cinematique. Last October was our most recent theatrical visit.
I try to see something different in the film every time I watch it. That is not hard to do. There are so many interesting choices made by director David Lean. From the title sequence to the end, there are clever edits, sound design, action scenes and dialogue. The cast, all men in the speaking roles, is as deep as you could get. Newcomer Peter O'Toole is sharing screen time with Claude Rains. Alec Guinness would never be given the role today, the brown face casting could not fly in these times, but the performance that he gives in a supporting part is subtle and note perfect.
Lawrence of Arabia 70mm at Egyptian Theater
Lawrence of Arabia at the Cinerama Dome
Lawrence of Arabia/Vertigo Double Feature Vlog
Sunday, February 7, 2021
Top Ten List for My Birthday #4
I have been writing this blog for over ten years now, and I have resisted putting up a list of my favorite films for that whole time. As the Borg say "Resistance is Futile!"
This year I am marking another year in my sixth decade of life. I did several birthday posts in the past and enjoyed them immensely. The last two years my heart has just not been into it. This year however, I am trying to push my way back into normalcy, but I don't have the energy to generate 63 things for a list. So what I am going to do is a ten day countdown of my favorite films.
Every year when I have posted a top ten list, I always point out that it is a combination of quality and subjective enjoyment that creates that list. Those are the guiding principles here as well. I will not claim that these are the ten greatest movies ever made, although I know several of them would be deserving of a spot on such a list. Instead, these are my ten favorite films as it stands at the moment. In a month, I could reconsider or remember something that I have tragically left off the list, but for this moment here is how they rank.
#4 The Godfather/The Godfather Part II
I freely admit that I have cheated here. This is two films not just one. They are inextricably linked to one another however, and the idea of separating them from each other and elevating one above the other is abhorrent to me. A little bit like Alien and Aliens, the question of which one of these two films I think is better, depends entirely on which one I have seen most recently.
Art is a bit subjective. and as the saying goes, beauty is in the eye of the beholder, yet these two films transcend the subjective. I believe they objectively are two of the finest motion pictures ever to come out of Hollywood. The original Godfather, takes what could have been a simple mob movie and turns it into a family tragedy that will haunt our memory. Captain Michael Corleone, a war hero, has returned to the family he is holding at arms length, with the intention of declaring his independence from them by marrying the Waspish Kay. Yet, when his father is gunned down, the family loyalty takes over and he is drawn into the business that he wished to avoid.
As the reluctant savior of his family, Michael has to reject the life he was planning and put his emotions under control. The problem is that every time he gets emotional, the tragedy gets deeper. The more he tries to grip his passion and hold it down, the greater the sacrifices he makes. Not only does he murder his enemies, he takes out family loyalists who have betrayed him, including his brother in law, and ultimately his own brother. Vito Corleone was a man who followed a code of honor, ruthless as it was, to achieve family security. Michael however becomes a monster of dispassionate violence, who wants to remain all business but like his brother Sonny, can be influenced by his emotions. When Michael feels betrayal from anyone, it leads to further destruction.
The construction of the second film as both prequel and sequel simultaneously, is an amazing innovation that allows the second film to be part and parcel of the first while still standing on it's own as a piece of art. The production design between the films shows a progression not only of the family but of America in the 20th Century. The critique of soulless capitalism is complete as a metaphor when the corporations cut up the cake with the image of Cuba on it. The question of what cost comes from success is answered by the hollow posture of power that closes the second chapter of this story.
My personal history with the film includes one of my favorite stories about dating my wife. I took her to a double feature playing the two films, and when the first one ended, we began to stand to take a break and use the facilities, but instead of an intermission, the lights went down immediately and the second film began. We both sat back down immediately and waited another three hours and twenty minute to relieve ourselves. The fact that she was willing to do that, sealed her fate, I had to marry that woman.
Saturday, February 6, 2021
Top Ten List for My Birthday #5
I have been writing this blog for over ten years now, and I have resisted putting up a list of my favorite films for that whole time. As the Borg say "Resistance is Futile!"
This year I am marking another year in my sixth decade of life. I did several birthday posts in the past and enjoyed them immensely. The last two years my heart has just not been into it. This year however, I am trying to push my way back into normalcy, but I don't have the energy to generate 63 things for a list. So what I am going to do is a ten day countdown of my favorite films.
Every year when I have posted a top ten list, I always point out that it is a combination of quality and subjective enjoyment that creates that list. Those are the guiding principles here as well. I will not claim that these are the ten greatest movies ever made, although I know several of them would be deserving of a spot on such a list. Instead, these are my ten favorite films as it stands at the moment. In a month, I could reconsider or remember something that I have tragically left off the list, but for this moment here is how they rank.
#5 Singin' in the Rain
I have always been a classic movie fan. Sunday afternoons in Southern California were filled with Sherlock Holmes movies staring Basil Rathbone. Weekdays, after school, before the idea of afternoon strip talk shows sucked up all the air time, local stations would fill the day with edited versions of classic films, and I would put off my homework to watch. In 1974, my best friend Art Franz and I went to see "That's Entertainment", an MGM cornucopia of musical sequences from the golden age. One of the films heavily featured was "Singin' in the Rain". Now I had seen that movie a couple of times on TV, put when I later found it on a pay channel, there were sequences that I never knew existed.
Some films are intellectually challenging. Some films break your heart emotionally or make you question right and wrong. "Singin' in the Rain" doesn't really do those kinds of things. This movie is an emotional injection of joy that celebrates some great entertainment traditions, singing and dancing.
Watching Donald O'Conner and Gene Kelly performing their routines on the vaudeville stage is simply wonderful. Gene and Donald and Debbie Reynolds singing Good Morning, would be the greatest way to start the day ever. The famous title song performed on a soundstage that looks like a Los Angeles street and features rain on the pavement and in puddles, this was simple movie magic but it was still magic.
Let's not forget that the story of the film is also the story of films. The transition from silents to sound changed movies forever. Today we see similar sorts of changes although primarily the delivery systems. The only thing constant is change, if only this kind of entertainment could be constant as well. I don't think I ever turn down a chance to watch this when it comes up on TCM.
Friday, February 5, 2021
Top Ten List for My Birthday #6
I have been writing this blog for over ten years now, and I have resisted putting up a list of my favorite films for that whole time. As the Borg say "Resistance is Futile!"
This year I am marking another year in my sixth decade of life. I did several birthday posts in the past and enjoyed them immensely. The last two years my heart has just not been into it. This year however, I am trying to push my way back into normalcy, but I don't have the energy to generate 63 things for a list. So what I am going to do is a ten day countdown of my favorite films.
Every year when I have posted a top ten list, I always point out that it is a combination of quality and subjective enjoyment that creates that list. Those are the guiding principles here as well. I will not claim that these are the ten greatest movies ever made, although I know several of them would be deserving of a spot on such a list. Instead, these are my ten favorite films as it stands at the moment. In a month, I could reconsider or remember something that I have tragically left off the list, but for this moment here is how they rank.
#6 Casablanca
All of us are influenced by where we come from. My parents were interesting people from the greatest generation. My Dad fought in WWII, my Mom was his High School Sweetheart, and they both had a favorite movie. They loved this movie so much, they named me after the lead character. Although with most people these days I go by Richard, when I was a kid, it was Rick. My Mom only called me Richard when I was getting middle named also, in other words when I was in trouble.
The story of the movie Casablanca is complex and surprising. It's based on a play, was cast multiple times, started shooting without a complete script and still ended up perfect. This may be the most romantic film ever made, and the romance does not end happily ever after like most romantic comedies. This is a story of sacrifice, made by people who were in the midst of one of the greatest historical calamities ever. Rick says it in the movie, "it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world", but of course they do. Individual actions are what make the difference.
I think this may be the most quoted movie in history. There are so many lines that work in just the right situation, that it will inevitably come up at some point. Myself, I have been shocked to find that there is gambling going on in here, on a weekly basis. And if I gave you any thought, I would probably despise you.
I make no secret of the fact that I am a sentimentalist. When Victor Laszlo commands the band to "Play the "Marseillaise."... Play it!, and the whole club stands and out sings the Nazis, I get a lump in my throat that takes five minutes to subside. As Rick laments the fact that his is the gin joint she has found, my heart is breaking. When Captain Renault utters the line "round up the usual suspects" indicating he has found his spine once more, all of our characters are redeemed. Hell, I am tearing up as I write this.
All of the cast is spot on, and every supporting player feels essential to making the movie work. The Max Steiner score, and the song "as Time Goes By" will thrill you and break your heart. I'm not one of those movie snobs who believes if you don't agree with me that you are automatically wrong. However, if you don't love this film, I do think there is something wrong with you and you probably need medication.
Previous Posts on Casablanca
TCM/Fathom 70th Anniversary Casablanca
Thursday, February 4, 2021
Top Ten List for My Birthday #7
I have been writing this blog for over ten years now, and I have resisted putting up a list of my favorite films for that whole time. As the Borg say "Resistance is Futile!"
This year I am marking another year in my sixth decade of life. I did several birthday posts in the past and enjoyed them immensely. The last two years my heart has just not been into it. This year however, I am trying to push my way back into normalcy, but I don't have the energy to generate 63 things for a list. So what I am going to do is a ten day countdown of my favorite films.
Every year when I have posted a top ten list, I always point out that it is a combination of quality and subjective enjoyment that creates that list. Those are the guiding principles here as well. I will not claim that these are the ten greatest movies ever made, although I know several of them would be deserving of a spot on such a list. Instead, these are my ten favorite films as it stands at the moment. In a month, I could reconsider or remember something that I have tragically left off the list, but for this moment here is how they rank.
#7 Amadeus
When I was a kid, I took piano lessons for two years, and classical music was at the heart of what I was learning. That endeavor has been largely wasted in the subsequent time. I can't remember anything about playing, I can't read music, and for a long time I was ignorantly avoiding that style of music. I college I did take a class in concert music, but I skated by with as little effort as I could put into it. In 1984 however, my love of this genre returned with the release of this film.
I'd seen the stage play of this story earlier in the year, but it did not prepare me for the onslaught of beauty and awe that Mozart's music is. The film wallows in it. The opening use of music from Don Giovani sets the stage for everything that happens later. It is dramatic, closely tied to the visuals and it moves the audience in the way the director intended. There are a dozen moments like this in the film, and the music is as big a co-star as any of the actors.
Of course the actors are not too shabby either. Tom Hulce and F. Murray Abraham dance a duet of acting performance that may never have been matched since. Mozart is a callow self centered genius who is only appreciated to the degree he deserves by the resentful mediocrity Salieri. Every time Hulce laughs, we are amused but also indignant. Why is this master at music so awkward at life in the court? Salieri allows jealousy to spoil his pious and grateful love of God and turn him into a smooth monster, determined to stifle the greatness that he himself lacks.
No one should take this as history, it is a fiction using real characters but everyone can see how it might have been this way (it wasn't). The production uses Prague as a substitute for Vienna, and it works for me. The costuming is amazing and there are musical moments in the film that you might wish to have as a complete concert or opera. Sir Neville Marriner and the Academy of St. Martin in the Fields supply the music and there were two double albums released to allow us to celebrate it.
Anytime someone has a top twenty list of films, and this does not appear on it. I doubt their credibility or taste. I am still not an classical music connoisseur, but I am a fan, and this film brought me back to that world. I wish I could sit in the theater again, waiting for the first time to see this film. The moment of euphoria it provided has led me to decades of pursuing the same high in movie theaters and concert halls. And that is something a film should aspire to do.
Previous Posts on Amadeus
Wednesday, February 3, 2021
Movies I Want Everyone to See: Triple Scoop of Westerns
We begin our journey with the most revolutionary of the Western films of 1969, "The Wild Bunch". This Sam Peckinpah splatterfest begins with a robbery gone wrong. An entire small town gets shot to hell as a group of bandits make their escape from a hired posse that had set them up. Dozens are killed in the slow motion mayhem and the hired lawmen turn out to be worse scum than the bad guys. The old ways are dying and old loyalties die hard as well.
This is a mediation on masculine values. What really makes a man a good friend, when is the right time to fight, what sacrifices are you willing to make, and how reckless can you be and still thrive? The story focuses an a group of hardened men who are aging and still living life as outcasts and criminals. They have each others back for the most part, but sometimes they are capable of betrayal as well. "The Wild Bunch" is filled with macho posturing and is frequently broken up by scenes of hearty male laughter, signifying a grim but understood humor.
William Holden stars as the leader of the bunch, Pike Bishop. The rest of his gang consists of some of the great character actors of the 60s and 70s. Ben Johnson and Earnest Borgnine go back to the 50s. Warren Oates is a treasure that we should have had for a lot longer. Edmund O'Brien drops in as a mentor/passive partner of the gang. The band of mercenaries hired to get them is led by Pike's old friend and partner "Deke Thorton" played by longtime movie vet Robert Ryan. He can barely tolerate the low lifes that he has been given for the task and would much rather be riding with his old cohorts. The two most recognizable vermin on his crew are "Coffer" and "T.C." played by gritty western stalwarts Strother Martin and L.Q. Jones.
Holden and Borgnine form the nucleus of the film and their mediations on the changing ways of the world hold the key to the point being made here.
Pike Bishop: What would you do in his place? He gave his word.
Dutch Engstrom: He gave his word to a railroad.
Pike Bishop: It's his word.
Dutch Engstrom: That ain't what counts! It's who you give it *to*!
The final walk to the confrontation to rescue their captured friend is a moment of macho swagger that was added at the last minute but has survived for an eternity since then. If you think the line walking, laid back attitude of the hoods in "Reservoir Dogs" is cool, take a look at this image and remember that what follows was the most bloody and controversial moment of violence ever shown in a mainstream film up to that time.
Part two of our post today is almost a mirror image of the story from "The Wild Bunch". We still have two main outlaws who trade philosophical dialogue, they are part of a dying breed and time, and they are pursued by a relentless posse. In the reverse image however, the stars are not hardened aging men but handsome young guys. The posse is not made up of ragged scum but rather well trained professionals who are dedicated and law abiding. Instead of masculine posing we get a light hearted bromance with a dash of clever adventure thrown in.
"Butch Cassidy and the Sundance Kid" is an Academy Award winning script by the talented and prolific William Goldman. It has the advantage of mostly being true. The lives of the real outlaws were very much as depicted in the film. The romantic interest played by Katherine Ross was a real but unidentified woman and the "Whole in the Wall Gang" (in real life referred to as The Wild Bunch) did exist and carried out robberies of trains and banks across the west. The end of the story in real life took place in Bolivia, just as it was located in the film.
Unlike "The Wild Bunch", most of "Butch Cassidy" is charming rather than grim. Butch appears to be able to talk himself out of having to resort to violence most of the time. His cleverness becomes a running gag because his plans often are fouled up despite how intelligent they seem to be. He literally cannot believe that the posse can keep following them after a half dozen tricks he uses to throw them off the track. The famous scene of Newman and Redford jumping off the cliff is a result of necessity when his ingenuity leaves Butch and Sundance with no alternative.
There is a lot of humor in the film. As the characters migrate to South America, they struggle with the language differences and resort to using crib notes when holding up a bank. In order to throw off pursuers, they take legitamate jobs as payroll guards but are mocked by their employer for being so alert and trigger happy before there is any payroll for them to guard. Strother Martin appears once again, as the mining engineer Percy Garris, who hires the two to watch his back in retrieving the payroll for the mining operation. His character is also based on a real life acquaintance of the two outlaws.
There are a lot of modern film goers who don't seem interested in westerns. This is the western made for them. The plot is not based on a traditional showdown between the good guys and the bad guys, there are no Indian sub-plots, and the movie is funny as all get out. It is difficult to imagine a more mainstream film that will satisfy non-traditionalists as much as this movie does.
Most of you have probably seen the Coen Brothers version of "True Grit". While the Coens dismiss the idea that their version is a re-make, it has the same plot line and character arc from the book it is based on as this one does. The difference is that their film is a lot less sentimental and Rooster Cogburn is not nearly as charming, although he still has grit. I love both versions of the film but being an old guy, John Wayne is going to be my favorite.
There are several wonderful scenes that have much of the same arcane dialect found in the Coen film. There are also some amazing character actors in the film that should be noticed. Robert Duvall was not a star at this point, and he plays Ned Pepper as an ornery crook without much charm. His defiance of the Marshall at the end leads to that great showdown on horseback that everyone probably knows:
Ned Pepper: What's your intention? Do you think one on four is a dogfall?
Rooster Cogburn: I mean to kill you in one minute, Ned. Or see you hanged in Fort Smith at Judge Parker's convenience. Which'll it be?
Ned Pepper: I call that bold talk for a one-eyed fat man.
Rooster Cogburn: Fill your hands, you son of a bitch!
It is also fitting to note that once again, Strother Martin appears in a 1969 western. This time he is Col. Stonehill, the horse trading merchant that Mattie Ross trades barbs with as she prepares to follow the two lawmen in pursuit of Tom Chaney.
Mattie Ross: Do you know a Marshal Rooster Cogburn?
Col. G. Stonehill: Most people around here have heard of Rooster Cogburn and some people live to regret it. I would not be surprised to learn that he's a relative of yours.
Late in the picture John Fiedler shows up as Lawyer Dagget, a name Mattie has bandied about like a Colt six shooter and he is nothing that anyone would have expected. Looking at IMDB, it seems Wilfred Brimley has an uncredited role in the film as well. One of the great joys in westerns are the supporting performances that help make a story more interesting and realistic. It is not always the Sheriff facing down the bad guy in the last reel that makes the film work. All three of these films have unconventional stories, great supporting performers and completely different voices in describing the western experience. Whether you prefer the gritty violence of "The Wild Bunch", the romantic nostalgia of "Butch Cassidy and the Sundance Kid", or the sentimental traditional western take of "True Grit", it was clear that 1969 was stocked full of western movies that everyone should see.
Richard Kirkham is a lifelong movie enthusiast from Southern California. While embracing all genres of film making, he is especially moved to write about and share his memories of movies from his formative years, the glorious 1970s. His personal blog, featuring current film reviews as well as his Summers of the 1970s movie project, can be found at Kirkham A Movie A Day.