Showing posts with label Paul King. Show all posts
Showing posts with label Paul King. Show all posts

Tuesday, December 26, 2023

Wonka

 


To say I was dubious about the new Wonka film starring Timothée Chalamet would be an understatement. The original film with Gene Wilder is of course a favorite of my childhood, and even the Tim Burton version with Johnny Depp is well liked in this household. I've never been a huge fan of 
Chalamet he seems to be a little wan and a sort of the Hipster version of what's hot right now. This has led me to be skeptical of any of his films.

Chalamet was however, solid in the Dune film and I look forward to seeing the second part next year. So it was with uncertainty that I approached this movie. I tried to avoid reading reviews before I see a film for myself, but sometimes the general tone of a review can come across in a single sentence on a Facebook post or in an Instagram message. The ones that I did see in regard to this film we're a lot more promising. Most of the comments seem to suggest that the film was exactly what it was supposed to be a light frothy holiday entertainment. To my great pleasure that is an accurate assessment. Wonka was a complete delight and exactly the kind of film that a family can enjoy in the holiday season. It may not be serious, or a great piece of art, but it was a great entertainment.

Those of you who are not aware of it, let me point out that Wonka, is also a musical. The idea that there would be singing and dancing through the film raise some suspicion, but our lead is talented enough, and the songs for the most part are tuneful full of play and fit the story. I was especially impressed by the opening song and the choreography that went in putting together the dances that accompany it. As it is, the director of this film, Paul King, directed two of my favorite films from the past several years. He is responsible for putting "Paddington" and its sequel "Paddington 2" up on the big screen and both of them have a wondrous, friendly, attitude which made them completely delightful. Although there are hateful villains, and obstacles to be overcome, the optimism and positive attitudes of the lead characters of all three films make each of these movies so much easier to enjoy than other films in the family market.

Happily this film is not merely a repeat of the story that we have come to know. It is in fact it kind of prequel story so that we get a sense of what Willy Wonka was like as he started his chocolate factory. The idea presented here is that Wonka has always loved chocolate as a result of his mother's care and recipes. He has become a world Traveler by working on cargo ships traveling the seven seas and finding amazing ingredients to add to his chocolate concoctions. At the start of the story he is prepared to join the chocolate producing community in the heart of the big city and is trying to connect with his potential customers. This stacks him up against three rivals who have in essence, created a cartel to reduce competition. The three owners of the of the competing chocolate companies are clearly the villains of the piece, they have no connection to their customers and see them as somebody available to fleece rather than people that they want to please. This means that Wonka's approach will be completely different and a threat to their status.

One of the complications that Willy Wonka faces is that he has become indentured inadvertently to a cruel mistress and a thoughtless Brute. He has in essence been Shanghaied into working in a laundry, under slave-like conditions. So his approach to trying to begin a chocolate Empire also requires him to overcome these circumstances. The woman who has him in her thrall is played by Olivia Colman and she is impressively vile and funny. Wonka finds himself in the company of others who have become similarly trapped, and they form an alliance to both escape their circumstances and create a candy Utopia.

There are several nods to the original Willy Wonka and the Chocolate Factory, some of which are very noticeable but a few of which are very subtle. Among the most noticeable is the design of the chocolate store which strongly resembles the main room in the original film's Chocolate Factory. Also Willy is dressed in the same kind of velvet purple set of tails that adorned Gene Wilder back in 1971. Here he also walks with a cane that is in affectation rather than a necessity. Much like the magician that he is suggested to be, the cane becomes a prop that he uses to Dazzle his customers and to establish an identity. I did notice that the start of the film does have a similar kind of setting that Paddington did. Alone in a strange city our protagonist is taken in by strangers. Of course in the Paddington stories The Strangers turn out to be a benevolent family, but here in Wonka, it is a much darker turn.

Throughout the film there are many clever characters who provide humor and something for Willie to struggle against. Much like the original film Slugworth, is presented as a competitor and a threat. In this film it is much more direct in the way the character of Slugworth is presented. There is also a police official who is bribed by the cartel to run Wonka off. He is bribed by chocolate, because he has a sweet tooth that can never be satisfied. Hysterically his character gains weight throughout the film to the point where he actually has difficulty moving, standing up, or getting out of a car. It may be a little indelicate to present a character as having a weakness that makes him fat, but it does make us laugh and the actor, Keegan-Michael Key, plays it hysterically.


Production design is another big selling point of the film. Some of the candies are whimsical, the boarding house/laundry, is grim, and the Chocolate Factory at the end we'll make everybody who is a fan of the original film happy. Also the musical score borrows heavily from the original films songs and we get a reprise of Gene Wilder's showpiece song from 1971, presented with genuine affection and respect by Chalamet.  I have no hesitation and suggesting this movie to any of my readers. You will be very happy walking out to the theater with a smile on your face, even if it is just from the cantankerous Hugh Grant playing an Oompa Loompa who has attitude and his own individuality. I think a little Hugh Grant adds in measurably to the Delight that this film creates. He is not overused, but the CGI transformation of him into the character is amusing, and contrasted with his lines and behaviors should make you laugh.

I was not expecting it, but I'm happy to say that Wonka will be going on my list of favorite films from 2023. And in the long run Timothy Charlemagne Maybe making even greater inroads in my opinion toward him. However director Paul King is in my opinion a real treasure, and I hope that he and his co-screenwriters continue to come up with enjoyable fanciful ways to entertain the audience, I appreciate it.