The Summer Movie Series at the Paramount Theater finished off on Saturday with one of the most enjoyable movie experiences of the summer. Director and local hero Robert Rodriguez again hosted an event that he programmed. The idea that a Barbara Streisand comedy from 1972 was his selection is intriguing, but it was easy to understand when he revealed why. This was a family favorite of his parents when he was young and they were big fans of the singer/avtress. After the film Rodrieguez shared some stories that I will share at the end of this post.
Director Peter Bogdanovich had an amazing trifecta of films to launch the decade of the 1970s. "The Last Picture Show", "What's Up Doc?" and "Paper Moon" were all critical smashes and financial successes. "What's Up Doc?" may be the most unusal of the three films because it mines the classic screwball comedies of the 1930s for it's material and sensibility. "Bringing Up Baby" and "Ball of Fire" are a couple of the films that this movie cribs from, and it does so quite effectively. Slapstick is an art that does not alwasys get much credit because some see it as easy humor, but ask anyone who has participated in a play or movie that is a slapstick and you will find that timing is the essential ingredient to make things work. The actors and plot points have to synchronize or else the result will be painful rather than joyous.
Fortunately, Bogdanovich found three essential actors to carry off this elaborate farce and make us laugh in delight. Ryan O'Neil has been criticized for years as a dull actor who got by on his looks and the huge success of "Love Story". Well anyone seeing this film will know he was capable of being an hysterical straight man and counterpart to the crazed characters he was playing against. Barbara Streisand was a Broadway sensation in comedic roles and transitioned to movies smoothly, and with her fast paced delivery, you will be reminded of Rosalind Russel in "His Girl Friday". She has to do most of the heavy lifting on the comedy, but carries it off with grace and perfect timing. Finally, in her first film role, Madaline Kahn, practically steals the move in the gender reversed Ralph Bellamy part. Kahn shines so much in this film that you just knew she was going to be a comedy star.
When Robert Rodriguez talked about the film after it was done playing, he outlined the fact that the comedy bits all centered around five particular scenes. The sequence in the drug store is all about the two leads and they completly own the scene with their by play and word games. The scene in Howard Bannister's hotel room, that ends with it being completely destroyed is a master class in building mayhem. The scene though, that most people will remember is the elaborate chase sequence through San Francisco on a bicycle with taxis and town cars in pursuit. There is a wonderfully choregraphed piece with a large pane of glass that comes close to destruction by the vehicles and of course the payoff is that it gets done in by something else.
The theater must have had six or seven hundred people filling the seats on Saturaday, but surveying the audience would tell you less about the capacity than listening would. The sound of laughter was loud and it was consistent. The audience was laughing at the jokes and stunts in the moments that were planned by the film makers, and the combination reminds me so much of why seeing a movie with an audience is the reason I love films so much. The shared experience and communal response is not something that gets replicated, even if you are having a watch party at home with your friends. Six hundred people, laughing together is a wonderful sound.
Our host came out after the movie and talked about how the film was a family favorite. He also told stories of becoming friends with Bogdanovich and a particularly delightful encounter he had, along with his parents, at the wedding of his friend Josh Brolin who is Barbara Streisand's step son. The fact that his Mom got to meet Steisand and that the star convered with her like they were old friends is just heartwarming. I was most amused by the bit of information about a stunt early in the film. As Barabara's character is being tracked by the camera as she approaches the hotel, she is nearly run over by a car in the street. That is followed up by a crash between two other vehicles. The budget was generous but they had to be careful about spending. Bogdanovich had the production crew rent two cars from an agencey and purchase the damage insurance that they always up sell customers with. They did the stunt and returned the cars the next day, and simply said there was an accident. That story got a big laugh out of all of us.
We were fortunate to seel this movie back in 2017 at the TCM Film Festival, the late Peter Bogdonavich was there to be intervied about the film, so I have seen it twice with some expert commentary and incites, and both experiences have been worth savoring. This screening brought the Summer Classic Film Seroes to a close. This was the 49th year the Paramount Theater has done this film series, but it was my first. I made it to twenty-five screenings it the theater this summer, and I was able to attend four of the five films that Robert Rodriguez presented. It was a spectacular experienec and I look forward to the Halloween and Christmas Series as well. You can bet I will be back for year 50 of the terrific tradition.
