Showing posts with label #blackpanther. Show all posts
Showing posts with label #blackpanther. Show all posts

Monday, November 14, 2022

Black Panther Wakanda Forever


Faced with the loss of their charismatic and talented lead actor, the team at the Marvel Studios was faced with a crisis of huge proportions. Do they recast the part or do they find another way to proceed with one of the most important surviving character lines after the pinnacle of Endgame? I think most fans who see this will agree they made the right choice. By acknowledging the death of T'Challa and creating a new path to becoming the "Black Panther", they have cleared the way for new stories on this path while still respecting the legacy that Chadwick Boseman had helped to create. Director Ryan Coogler and his co-writer Joe Robert Cole have handled the transition gracefully. There are still issues with the film but none of those will diminish the memory we have of our original Panther star.

The movie does have an interesting perspective with a political angle that will sound familiar as we go along. Wakanda has lost it's King and his guilt ridden sister is angry at the world and herself. The Queen seems to rule with confidence but is struggling to show her daughter a way to grieve that will strengthen her rather than weaken her. There are some good action scenes that surround an attempt by other nations to obtain access to the resource vibranuim , the source of Wakanda's power. Queen Romanda, has a stronger case than Colin Powell was able to make, since they present the captured mercenaries to the U.N. in person. Her warning to the world reveals that she has a steel backbone and a sense of righteousness to go with it. Angela Bassett has the kind of dialogue in this scene that should launch a thousand memes.

It does not give away anything to say that a new power appears on the scene with some legitimate gripes about how the late King T'Challa has created a problem for their world. Namor, the ruler of the undersea kingdom of Talokan, has a spine as unbending as Romanda, and the two powers find confrontation in the ultimatum, because a moral choice has to be made. Shuri, the princess of Wakanda chooses an ethical path at first, but manipulation and deception are required to free herself and an innocent scientist from captivity, and the consequences trigger a moral crisis. The fact that Wakanda is not a colonial power per se gives them some perceived high ground in the clash between the rest of the world and Wakanda, but that position seems shaky when Talokan enters the picture and the Wakandans react the way any powerful nation must with a display of power of their own. As with many grievances between nations, there is a valid point of view on most sides, but resolving the differences requires diplomacy which is not enhanced by belligerence. Everyone gets to suffer a bit in the process.

 Vibranium has been the McGuffin in other MCU plots and that is one of the drawbacks for me. Although it makes perfect sense that it would be a continuing issue, as the power stones were for the Avenger's movies, it feels a little tired. The scientist who creates a tool for locating the resource in potential underwater locations, is of course a young student, far in advance of her own instructors and not able to realize the dangers of her own work. This is a trope of dozens of stories, and the fact that she becomes the plot driving device also seems to be a bit old. However the action scenes involving her kidnapping, second kidnapping and subsequent rescue, are all solid moments for a comic style action film.  I do have a complaint about the look of the movie. In these days of high definition, it is a regular occurrence that stories take place in the dark. More than two thirds of this film take place underwater, or at night, rendering several dim sequences that just look washed out. Apparently, this was also shot for 3D presentations and lighting for that effect frequently contributes to a less than stellar sharpness to the images. 


Namor as an antagonist is convincing and strong, with some self justifying principles. When he leads the final confrontation and the way to defeat him is basically a giant hair dryer, that power seems less intimidating. It's as if retreating to Death Valley would solve Wakanda's problems with Talokan. It was not clear to me how the lakes and rivers of Africa would give a sea based power access to a landlocked nation, but that is just comic book exposition that does not matter much. On the podcast this week, we heard an interesting perspective on the original Black Panther, and many of the issues raised by that point of view are addressed by this film. I will say however that if you think that Killmonger's solution was the appropriate one, you have given up the high moral ground and accepted the notion that "might makes right" which is the antithesis of the story. Replacing one imperial power with another is not a good solution. Shuri has to learn that lesson as well, and that is the real journey of this plot.  


Saturday, February 17, 2018

Black Panther



We can be honest with each other right? You are going to see this movie regardless of what my comments on it happen to be. Hell, everyone seems to be on their way to see this. There is a huge anticipation that it will set new box office records for an opening weekend and the early reports are promising so it's likely you don't need my perspective. As friends though [even if it is just virtually] it is right to spend some time talking about our impressions of the movie and maybe providing a more tempered view or an alternative perspective. That is essentially what this is going to be. I liked the film quite well and there are characters and aspects that are very rewarding and nicely put together. It is however not the second coming, not a cultural revolution and not the best film in the MCU.

Chadwick Boseman is an actor that I have raved about for a couple of years now. I thought he was great in '42 and while "Get On Up" had some issues, he was a perfect James Brown. I missed "Marshall" last year but I certainly hope that while he might be good in it, he needs to be careful about getting pigeon holed as the go to guy for black biopics. These days you need to be able to do a lot of different things to keep a career going and too many checks in one column might make you seem limited. His being cast in "Captain America: Civil War" as T'Challa, King of Wakanda and the hero known as Black Panther is a great opportunity for him. He can build some action credentials to go along with his chameleon impersonations. This film however took a while to get his character in sync. The story calls for him to be a bit tentative taking on the role of his late father, but he still needs that persona to shine through and it does not really happen until the third act. For the first two thirds of the movie he is overshadowed by the antagonist, who has far less screen time than Boseman does.

The reason that it takes so long for us to see the true hero that Black Panther should be is that the villain of the piece is played by Michael B. Jordan, an actor who is rapidly turning his charisma into big screen gold. He may not be Johnny Storm but he is definitely Adonis Creed. He dances through an opening heist like the featured player, although in this scene he is mostly a by-stander. When he makes his way to Wakanda, he struts in like Errol Flynn with a deer over his shoulders and drops a big dead bird on the party. By the time we notice that his personality and goals are warped, we are more than halfway to agreeing with him in his assessment of T'Challa as King. The part is written well and he runs with it.

Another reason this film succeeds is that the supporting cast is composed primarily of women who strike the right note of independence but also partnership with the nation. Wakanda has it's own version of the C.I.A. running ops in Africa, that spy may be the future Queen. . The General of the capital army is an Amazon style warrior who would fit right in on Themyscira with Diana Prince and her family of warrior women. T'Challa's little sister is basically the Wakanda version of MI6 Q Branch. All of these characters and more are part of elaborate rituals, cultural practices and grand battles that climax the film.

So, having said that about the characters in the film, let's talk about the world building of this culture. One of the reasons that this movie is being touted as a cultural touchstone is it's emphasis on strong African characters who define the world in which they exist without conceding to the non-African world. Director and co-screenwriter Ryan Coogler is attempting something admirable with this film, but he fails in a couple of important elements.Excuse me for pointing out a stereotype of these communities in films made by non-Africans in the past, does an African kingdom really need to pass it's royal heritage from one group to the next through mortal combat? This sounds like the Lions in "The Lion King" or Celtic clans from a millennia ago. It does not seem like a system that would still be followed by a society capable of the technological advances this film gives to them. Maybe part of the story is to confront the tribes that make up the kingdom that "Game of Thrones" style succession is perhaps past its' time.

I'm also a bit flummoxed by all the technology and cultural magic standing side by side. Shuri, T'Challa's sister and the chief engineer of the hidden society, pooh poohs  the suggestion that magic had anything to do with the recovery of a C.I.A. operative from a near fatal wound. She proudly proclaims that Wakanda is built on technology. At the same time, people are commiserating with the dead over the past and the future of the country. The spirit of the Black Panther is added and removed through rituals that certainly are not technological in their presentation. I like the idea that the people of this nation are spiritual, but to try to play both sides without acknowledging an inconsistency seems like a story weakness to me.

The visualization of the hidden nation of Wakanda is another thing that bothers me about the film. Take away the dirt streets and the graffiti, and the capital city of the country could be Asgard, home of Thor and his family. It is as if everyone in the comic book world looked at pictures of modern London, superimposed a cultural patina over it and then laid on some technology that works for no apparent reason. I know these are comic book films, but there needs to be a bit more grounding to reality. Billionaire genius Tony Stark, or Bruce Wayne have nothing on King T'Challa, except that they do have limitations of science holding them back. All the magic that Dr. Strange, Loki and the Scarlet Witch are bringing in to the universe is beginning to make it a little less urgent. This movie is pushing for the same kind of agenda. I know that when the Infinity  War gets here, something needs to give our planet an edge, I just what something more tangible than a miracle tool that is going to show up in the last minute. The  Rube Goldberg look of the cities of the world remind me of several scenes from the Star Wars Prequel Trilogy, and I don't mean that as a compliment. Maybe a little less "Wow" factor in the home-worlds would help make us care about them more.

I hope this has not rained on anyone's enjoyment of the film too much. I like the character of Black Panther and I like his people. The part of the world they live in is so beautiful that it seems a shame to try and top that with some CGI polish. The film is a juggernaut that earns some respect for trying to expand the horizons of the comic book universe it occupies. Let's just not pretend that it is perfect simply because of those aspirations.