Remember that TV holiday film from "Scrooged"? You know, "The Day the Reindeer Died"? Well, someone missed the sarcasm and they have attempted to make it as a theatrical film. Instead of Lee Majors as the hero, we get Dwayne Johnson. It's probably because he lacks the irony skills for the snark required by the script, "The Rock" gets supplemented by Chris Evans. Now if they could just keep their tongue in cheek, this could be fun. Unfortunately, they can't and it isn't.
Casting J.K. Simmons as a fit and upbeat Santa is a great first decision. Taking him off screen for ninety percent of the movie was not. Simmons was the best thing this movie had going for it. At the start, he delivers the right kind of humor and the fresh take on Santa, that could make this work. The problem is the plot takes over, and it is essentially a straight comic book adaptation, complete with CGI villains at the climax. There are a couple of fresh points along the way, but they are so infrequent and they get sidetracked, that the fun to be had there gets lost.
As hard as it is for me to say, the weak link here is Johnson. As the loyal major domo of Santa, he is getting set for the last Christmas before he retires. You know it is not going to go well when anyone says "this is my last..." whatever, because it will either be literally true when the character dies, or the events in the story will discount the declaration of being finished completely. So no suspense her, Dwayne Johnsons character Cal, does not die. Instead, he gets to run up against a number of obstacles that he must overcome to save Santa and Christmas. Evans as Jack O'Malley, a cyber hustler who has helped the bad guys inadvertently by locating the secret North Pole location of Santa. Which makes no sense because every kid knows Santa is at the North Pole. Why does the antagonist, who also has history with Nick (that's Santa for those who don't get it) need Jack to locate Santa's factory town? So that Johnson can have a wise guy sidekick to trade quips with during the action.
The movie started out with a promising set up and fun characters, but the more it gets into the actions of the plot, the less interesting it became. The one exception was a detour into Krampus world, where for most of the segment, we get back to having a good time. The mythos here was sort of interesting, and they played with it a little bit. Cal and Jack become Sam and Dean from Supernatural for a few minutes, but it doesn't last.
The wrap up at the end attempts to return to a schmaltzy sentimentality that the film eschews for most of it's runtime. That's too bad because the schmaltzy stuff is really what we want in a Christmas Movie. So you can put this on the shelf with "Santa Claus: The Movie" and "Jingle All the Way". It is a shiny bauble that someone poured a lot of money into making, but they forgot to make it charming and relevant. This years lump of coal in your stocking.
So before I talk about the movie itself, a little bit of background on the film, exhibitors and myself. This is an expensive Netflix production, that is getting a limited theatrical release ahead of it's debut on the Netflix steaming service. The reported budget was near $200 Million and that looks like it made it to the screen. The Directing brothers Anthony and Joe Russo, who did some of the most successful MCU films, were in charge for this show. The reason that the release is limited probably has something to do with the fact that several film chains require exclusivity to theatrical for a set amount of time, and Netflix was not prepared to accept those conditions. AMC is one of those exhibitors who will not play a movie that is going to compete with itself, at least not after the pandemic restrictions which had call most bets off. I am happy to see a film on streaming, but I much prefer the theater experience, so when given the opportunity, I took it and traveled to a nearby town to be able to see this since it was not within a ten mile radius of where I now live. With rare exceptions, this site is devoted to the cinema experience. There is too much content on streaming for me to keep up with, and I don't want to review TV. However, since Netflix make the effort to put this in theaters and I made an effort to see it in one, it will get some attention from me here.
"The Gray Man" is a spy film, which focuses on the assets that are primarily in place to kill someone. Although there may be comparisons to Mission Impossible" or the James Bond films, this is really closer to "Atomic Blonde", "The Hitman's Bodyguard", "The Accountant" or "The Eiger Sanction", which all pretend to be spy films but are really cat and mouse games between paid killers. "The Gray Man" is not a character that works in intelligence, they do not infiltrate conspiracies to bring them to an end, there is not really much suspense in the work they do. The Gray men exist in the shadows, executing directions that have been given to them rather than forging their own path. Sierra Six, Ryan Gosling's character in this film, is basically a weapon for action, not a tool of investigation. As long as you keep that in mind, you will probably be able to enjoy this film for what it is.
The Russos have managed, along with the screenwriters and editors, to cut the story down to the minimal outline required in order to have a plot, and then filled in that skeletal structure with as much screen action as is possible, staying just this side of the nonsense that shows up in the "Fast and Furious" franchise. There are wild shootouts in crowded locations every few minutes. There are also over the top car chases on city streets between the shootouts and while they are happening. Cars don't fly between buildings or swing from one cliff to another, but people do emerge from wrecks that would kill most of us at half the speed, and they simply jump up, dust off and get in the next ride. The foot chases are sometimes tough because of the shaky cam that is used to film them, but the car chases are problematic so often because the use of frequent close ups keeps us from observing the context and knowing what the risks are.
There are certainly joys to be had in the overkill that is employed in providing mayhem on screen. All of that is OK for an audience interested in pyrotechnics only. Any viewers who were looking for a plausible story with characters facing consequences for their choices will be disappointed. It is as if the CIA, sent it's own forces en masse to London, to collect Julien Assange or to Moscow to get Edward Snowden, and along the way they wiped out half of the security services of those countries and there were no ramifications. That's because this movie is not about anything, it is simple a diorama for moving the toy soldiers around and blowing things up. If you have seen the MCU films the Russo Brothers have directed, you will see that they are quite capable of showing interesting mayhem. They continue to be able to do that.
Gosling is delivering an understated character as an action hero pretty well. He keeps the sardonic quips to a minimum and provides a voice that is exhausted, injured or optimistic as the situation calls for. His co-star and fellow agent Ana de Armas, is proficient physically as she was in "No Time to Die", but her character here lacks the joyful enthusiasm of that character and she is simply another action figure without much personality or purpose. That was certainly not the actress's fault, it is the screenwriting team that left her high and dry. Chris Evans plays against type in this film, as he did with his previous effort which starred Ana de Armas, "Knives Out". The antagonist Lloyd Hansen is a psychopath with skills but no off switch. The notion that the CIA deputy director that turns him loose had any idea what was coming, undermines the credibility of the plot. Evans is not required to do much, but his hostile passive aggressiveness, combined with actual torture, will make you hope he gets what is coming to him. As usual, the gravitas of a film he appears in is provided by Billy Bob Thornton, who in the last couple of decades has become one of my favorite on screen performers.
This film seemed to have a stink on it before it opened. I'm not sure why. It is not great but it is certainly not a terrible picture. It is an action film that goes all in on that avenue and abandons any attempt to make us care much about who gets killed except for the two leads. If you see it in a theater, you will get your entertainment value, but not much else.
In spite of the hype and overdone praise that this film has received, it is still a pretty basic "Who Done It?" Maybe there is a slight hint of a criticism of the 1% to make it seem socially relevant and topical. There is one scene where there is a direct discussion of current political events, but that feels like it will date the film rather than make it relevant. Writer/Director Rain Johnson would probably have been better off sticking to the traditional focus of a murder mystery, rather than trying to make it woke by including jabs at immigration policies and tax brackets.
The creative part of the film is the overlapping story of who is behind the investigation rather than who killed the victim. As told in a series of flashbacks, we see how the victim died, and it appears that there was a cover-up of an accident rather than a murder. It is only after motives get investigated that it becomes clear a crime really did occur. The intricacies of the plot are manifest in a series of vignettes that reveal what happened, what the suspects say about what happened, and what took place after those events. All of this gives a variety of actors a chance to strut their stuff on screen and create a collection of self centered privileged characters that we can smirk at for their foibles.
Christopher Plummer gets a second chance to play a rich octogenarian with issues surrounding his heirs. He turns in a slight but joyful performance. While he is not in the film long, there are some great moments that he shares with each of the main characters. Harlan Thrombey does not seem to be malicious in the decisions he is making regarding his family, but he is less concerned with his family than he is with his personal desires. Jamie Leigh Curtis, Don Johnson, Michael Shannon, Chris Evans, and Toni Collette all are given reasons to want to see him dead, but is he really murdered? What Johnson has done with his story is to find an alternative approach to the primary motivation. Daniel Craig as celebrated private detective Benoit Blanc is brought in to determine what really happened, but why he is there and who is paying is the mystery.
Ana de Arnas plays the old man's nurse/companion who becomes a prime suspect but also the victim of persecution. The fact that she comes from an immigrant family and is not part of the rich inner circle is the thing that tries to establish some social credentials. It's a shorthand plot device that works but in the long run, her families legal status is a distraction to the story rather than a justification for giving this movie any weight. Michael Shannon and Toni Collette are the quirky spice in the blend. Don Johnson could have been playing the Chris Evans role thirty years ago, so it does feel like the casting decisions were right. Craig's accent is laid on a little thick but since so much of the film attempts a comic edge I guess it works well enough.
About halfway through, I figured out who the antagonist really is, it's not hard given the story structure. The real question is what are their motivations for choosing the course of action that was taken. The complex legal conundrum is brought up in the funniest scene where a welcome performance by Frank Oz, addresses the consequences of the dead man's will. The extended scene is where half of the laughs in the movie can be located, not because there are jokes but because characters act out of their natures. This is a place where Johnson's ideas stretch us a bit but do entertain us.
The film is a solid mystery puzzle and there are some good laughs to be had, but people suggesting that this is one of the great films of the year are over selling it to you. Go in with reasonable expectations of being entertained and you will be fine.
We have come to rely on Marvel to kick off the summer movie going season with a big splashy comic book adventure. Ever since "IronMan" eight years ago, there has been a steady stream of comic book product from this creative team. Fortunately we have been provided compelling stories and great characters for the most part. From my point of view, the weak link has been the standalone "Iron Man" sequels. Tony Snark, oops, Stark, is a great film personality who has often had to flounder in average material. Traveling in the opposite direction for the most part has been Steve Rogers. Cap has gotten more effective plot lines and more interesting dilemmas to deal with. The Avengers movies have been a good way to bring these characters together, but this is the best mash up of these two characters so far. Lots of other Avengers appear, but this is an "Iron Man" "Captain America" film.
As usual, I will dispense with a recap of the plot, you'll go see the movie and why would you want someone else to tell you the story you are about to pay $15 bucks to see? I will mention as few plot points as necessary to convey the idea of the film, so that yo have a bit of context for the commentary. The world gets a little paranoid about the collateral damage that occurs when the Avengers are called on to act. The idea that someone in charge should be calling the shots, rather than the extraordinary people who make up the team, has surfaced, and it seems like a necessary compromise to some of the Avengers, but others disagree. This is not a political blog and I don't want folks to be too irritated by what I'm about to say, but it seems very obvious to me. Tony Stark and Secretary Ross are stand ins for an ascendant view of foreign policy and military intervention. Extreme caution and world wide consensus before acting. Steve Rogers and his allies are the old school version of cowboy diplomacy, act when yo see a threat and live with the consequences of your actions. "Civil War" is not just a clash between the superheroes, it is a clash over ideologies. The film is also not subtle about which side it favors, probably because we want super heroes to act rather than debate in our entertainment.
Neither side is blameless in the confrontation that ensues and neither is malicious in their position. One of the things that makes this movie so much more fun than the recent "Batman V. Superman" is that the characters recognize the righteousness that their opposition feels and the awkwardness of the confrontation. Only The Winter Soldier seems undisturbed by having to face down and fight friends. Of course he has not got the same investment in relationships that the other characters have. In one fight sequence, a character accuses another of pulling their punches, and in essence that is what all of them are doing. No one is trying to destroy their former partners, it is just Bucky Barnes that has the full force of one side directed at him. Everyone else is trying to walk on egg shells (OK, maybe not Black Panther either). As an illustration of the conflicting tones that the film manages to walk a tightrope on, two new characters are brought into the Avengers Universe and end up on opposite sides. Both provide comic relief and still fight with all of their skills and both also know that they don't want to do permanent damage to the opposition. Paul Rudd is charming and a bit star struck as he backs up the Captain. Somehow, Disney has managed to wrestle Spiderman away from Sony's complete control, and the new guy, Tom Holland, has the potential to get that franchise back on track as long as the creatives in this universe can keep control. [There is great hope that they will do so given the final credits crawl.]
With every welcome appearance of another loved character, the audience was responsive but the movie really does come down to the Tony/Steve relationship and confrontation. I know that Robert Downey Jr. was born to play this part because even in the weak sequels he is the compelling feature. He does a nice job selling the idea that there is some vulnerability behind that cynical facade he projects. The absence of Pepper Potts actually makes him a warmer character because he notices how much her absence effects him. He even recognizes that it is his faults that make their relationship a rocky one at times. Chris Evans continues to impress at bringing dimension to what might have been the flattest character in the original source material but one that has become the moral center of this Universe. The fight that is the climax of the film involves a confrontation that we saw early in the first Avengers movie. Captain America and Iron Man are two strong willed individuals who are willing to throw down for their beliefs. The resolution of this fight is tempered by the motivation that one character has for pressing it. No one wants these two to be defeated, but a conflict like this needs an outcome to keep credibility. I found the solution to be very satisfying.
This film is clearly a success. No one will have to offer half-hearted justifications for it like I heard so often for "The Age of Ultron". It is not perfect; I found the underlying plot that motivates the mysterious figure behind some of the events to be murky and sometimes implausible. There are characters that would have been fun to have in the film a bit more organically. I thought the willingness to concede to a group of authorities outside of the team, despite whatever guilt he felt about Ultron, to be out of character for Tony Stark. Once again, I am a little dismayed at the amount of mayhem in large cities is required to keep audiences coming to the cinemaplex. To counter those minor misgiving, we do get a discussion of the morality of that mayhem, and we have an intriguing new character in Chadwick Boseman's Black Panther. As long as the "team up" movies live up to this standard, and as long as we get some breathing room with well placed and reasonably plotted stand alone films, I will be able to stay with the "Mighty Marvel Marching Society."
I can't imagine anyone would be encouraged to see or discouraged from seeing this movie on the basis of any film goers comments. This is a movie that sort of demands a first hand experience from anyone who is interested. It is likely to be the biggest film of the year, there is a good chance that it will be one of the biggest films of all time, and critical assessment by professionals or amateurs is not going to change that fact. So, that having been said, let me weigh in on the film and if anyone wants to talk about it, I'd be happy to go into greater depth. As of this moment I can say it is a terrific popcorn film that has moments of greatness. It is also overstuffed and convoluted to the point that unless you were to write a near synopsis of the story, it is still not likely to be very clear.
A few problems that I had with it to start with and then we can get to all the good stuff that makes it worth seeing. "Age of Ultron" is a continuation of the concepts in the first Avenger movie but we have had four Marvel Universe Films in the time period between and many of the other films have pieces of business in them that play small parts in the story and actions displayed here. I know these are comic book tales but the way that events speed through, get resolved and a new set of threats pops up without much establishment is a little frustrating. the stand alone films (with the exception of the IronMan movies) have generally taken their time building up a set of characters, revealing a plot or plan slowly and then the movies get to the action stuff in the last third of the film. This movie feels like the third act of a bigger story, but not necessarily the story we have been watching in the other movies. I'm glad that Pepper Potts does not show up and impersonate Ironman, but the end of that film seemed to be moving away from Tony Stark as hero and center square. Yet that is exactly what continues in this film, with a twist on his intentions that is being reworked and repeated over and over again in the films he is featured in. He is a conflicted War profiteer who loves and loathes his job and he creates as much havoc as he solves. When you arrive at the end of this film, we play out the same scenario again, and everybody sees this except him. Ironskull might be a better nickname since he seems incapable of learning from his own mistakes. I have said many times that "Experience" is the only teacher that some people will listen to (including my oldest child) but Stark is not capable of listening to experience at all.
The opening of the film features a battle sequence at a fictional castle in a fictional country with characters that may have been in another film but if they were, it was for a nanosecond. The Avengers are on the attack and it is hard to believe they would be slowed down by the conventional forces they face after the alien invasion they repelled in the first movie. Faster than you can say "Who the heck is that?" the main bad guys appear to be disposed of and the secondary mutants "Quicksilver" and the "Scarlet Witch" are introduced as traumatized volunteers in another super soldier program that is "Hydra/SHIELD" based. The fight is exciting although the CG animation in the opening actually looked noticeable for this sequence. It worried me but the rest of the movie settled down a little. The money shot of the Avengers in action in the first movie, waited until the third act. In this film it is almost in the third minute of the movie.
It would be difficult to give plot points away, since there is another one every two minutes. The Avengers are damaged by some early contact with the new characters, the secret plans are partially revealed, Artificial Intelligence takes over, another battle sequence begins, the Avengers are manipulated into internal strife, a love affair springs up between characters, secrets of one of the Avengers are revealed, another character reappears, Avengers fight each other, they discover part one of a plot hatched by Ultron, they discover part two of the plot hatched by Ultron, they secretly search for answers on their own, they come together again,...whew, it is simply exhausting. There is so much narrative and it is so rapidly delivered that there is virtually no time for emotional connection to any of it.
Now that those issues are out of the way, here is some of the good stuff. Ultron, the A.I. creation of Stark (with a little push from the Tesseract), is played perfectly by the voice work of James Spader. His tone and wit are dry and the moments of high camp drama are delivered with suitable venom and at times anger. The script use of the song from Pinocchio is exactly right and sets up a macabre attitude whenever the Avengers encounter one of his many forms. While the visuals might be a bit confusing as to which robotic character has the true Ultron persona at any time, Spader manages to make it work with the right amount of cynicism and philosophy.
Once again, Captain America is a standout character that manages to influence the group productively even though he is not the smartest, strongest or most cunning of the lot. He manages to be the butt of a joke about language use that someone of my generation can appreciate, even though I'm one generation behind him. His character works well with all of the other characters and in the fight scenes he manages to stay relevant because of that. He also has the high ground on ethical issues and seems to be the voice of reason much the way Tony Stark is an exuberant puppy dog willing to try out everything.
Jeremy Renner as Hawkeye, gets a better part this go round and his interaction with the the Scarlett Witch near the end of the movie is one of the few pieces of drama that works in the story, while everything else is in a rush to show us what is next. I don't know that the background story he is featured in is necessary, in fact I'm pretty sure it could be cut and no one would really miss it. This would have been a place to go in a lower budget stand alone movie with his character, but I get the impression that those kind of films will not be a part of the Marvel Cinematic Universe.His character has the most interaction with the new Avenger characters and there is a pretty good payoff for both of those figures.
There is a lot of humor in the film and I suppose because it is comic book based, we should expect that. Everyone has a one liner to throw down and most of them hit the funny bone but they do tend to take away from any sense of danger or drama that is going on. Another new character is introduced late in the film. It's nice that the actor who has been in most of the earlier films gets a chance to show up on screen, but it was confusing and rushed and not altogether certain that the character is reliable. Ultron's plan for global eradication of humans is an interesting one, but like so many other elements of the film it is rushed. The story is a little more coherent than that of Furious 7, but both films are designed for visceral visual junkies to get a fix from. Avengers: Age of Ultron works more effectively because the universe it operates in is contained in the fantastical galaxy of super heroes, aliens, and technology.
That's my two cents. I enjoyed the movie quite a bit, but it did not impress me the way "The Winter Soldier", "The First Avenger" and "The Avengers" did. I commented in my review of "Guardians of the Galaxy" that I did not need to see Peter Quill and Tony Stark trading barbs with one another. After this movie, I can see it happening, I still don't think I will like it. Hope you all enjoy the film, I know you will see it whether you read this or not.
I loved the first Captain America movie. I thought that the World War Two setting and the idealistic persona of Steve Rodgers was exactly what it should have been. The movie was very straightforward about the good guys and the bad guys. I'm also a big fan of The Avengers, I thought the splicing of the character into the modern story and the SHIELD organization took what we were given and ran with it. The mix of the super heroes helps keep some of the issues that Cap faces in the background, but the groundwork was being laid for future stories and an inevitable conflict between the Dudley Doo Right manner of our idealistic super hero and the harsh realities of the modern world and the spies that inhabit it.
"The Winter Soldier" puts Steve Rodgers back into the complicated position he found himself in during the Avenger's film. He sees that there are enemies, but he also has to question the methods of those charged with fighting those enemies. A confrontation between Rodgers and SHIELD's Nick Fury is brewing and we are being lead to believe that the spy organization is more malevolent than it originally appeared. It has been a popular pastime since the War on Terror became an official and public mandate, to question the means by which that war is being fought. Heck, those challenges have always existed even before 9/11. Bruce Willis and Denzel Washington went head to head over strategy on terror in "The Siege" back in 1998. Last year in "Star Trek Into Darkness", another allegorical story questioning the wisdom of aggressive policies on terror was crossed with a pop culture icon. I was somewhat concerned about the moralizing that goes on, getting in the way of a story about a good man, given a chance to do good, being lost in this symbolism. Fortunately, it works out for the best because the story here subverts that self questioning canard, with an insidious plot that allows the hero to be the good guy by actually fighting actively against an identifiable conspiracy rather than his own left hand.
Chris Evans was born to play this part. Like Hugh Jackman before him, the character is molded to fit the actor and the actor submerges himself in the character. The Wolverine character has often been better than the movies he was featured in, and this film has the same double edged sword. "The Winter Soldier" is not on a par with "The First Avenger", but the character of Captain America and the performance of Chris Evans, raises it to a level of excellence that will satisfy the fans. The plot is very convoluted and the twists are best left out of the discussion so that an audience can discover their pleasures and frustrations on their own. I will say that there are two things that are set up as reverse twists, that you will see coming a mile away. So, it is not quite as clever as it wants to be. That aside, the motivations and actions of the characters are even less clear than those in the first big screen "Mission Impossible" which was famously filled with "huh?" moments. You will ultimately figure it out, but it will confuse you and there is still at least one major question that does not get clarified. It is only of minor concern for the film because ultimately this will be judged as an action piece and at that it succeeds admirably.
The early action sequence involves Cap and the Black Widow, again played by a nicely amusing Scarlett Johansson, engaging in a rescue mission on the high seas. It turns out that the mission has multiple components to it that set up the rest of the plot, but the execution of the action was fun and the combination of teamwork by the SHIELD insertion group and the Captain was just enough to get us started and to show what we will eventually see as a necessary precursor to the plot. Later in the film, Samuel Jackson's Nick Fury gets a long chase segment and he uses the technology and wily experience available to a spy to bring off a pretty impressive stunt based scene. There are two follow up sections in the movie that also involve driving chases and they are solid as well but sometimes feel a little repetitive. The final battle scene is long and complicated and it looks spectacular, even though it is a little over the top. There are some clever plot twists that take place during the battle that make it a lot of fun as well. The movie does manage to keep some of the spirit of fun that made the first Captain America so effective. There is some sparring dialogue between Cap and the Widow, and a new character adds some comic relief as well as some grounding to the proceedings.
The plot line of the character of "The Winter Soldier" is set up dramatically, and the payoff is realistic in the end rather than sentimental. Key players from the first movie make welcome returns here and the conditions of each of those characters is a nice realization of the goals of the story. Fans of the comics will already know one of those characters but the other two were solid resurrections that while not essential for plotting, do contribute to giving the stories a sense of continuity. I could still use a few more light hearted contributions from a Tommy Lee Jones or a Stanley Tucchi like character. The presence of Robert Redford adds some gravitas to the story but not the energy that a movie like this could really use. I did enjoy the sudden insertion of a more engaged Jenny Agutter for a moment or two, and Emily VanCamp could be a successful addition to the franchise with the right follow up. The real hero of the story is the honest soul of Captain Steve Rogers. His impromptu speech and rallying of the troops is exactly the kind of leadership that his character is supposed to inspire. I for one am completely ready to follow him on the next adventure.
