Showing posts with label Fede Alvarez. Show all posts
Showing posts with label Fede Alvarez. Show all posts

Friday, August 16, 2024

Alien Romulus (2024)

 


Ever since James Cameron's "Aliens" I have been excited about a new entry into the franchise, and then disappointed with the product. The second film was the last time I walked out of an Alien movie, completely satisfied. That pattern is not entirely eliminated by the new entry "Alien Romulus", but I can say that the level of disappointment was much lower than the previous two films produced. "Romulus" is basically a remake of the original premise, but after a strong first half, it falls into rapid action sequences that don't satisfy the tension levels the way I would like. People, study your Spielberg/Hitchcock films a little more, you are imitating but not replicating the suspense.

Director Fede Alvarez has tread this territory before. In 2013, he took the original "Evil Dead" movies and remade them as a smashing example of horror and practical effects. That film not only stuck to the formula, it upped the ante on suspense. With "Romulus", he has basically replayed the same plot in a slightly different location, with a slightly modified crew, but ultimately, you can pick out the beats of the film that follow exactly from the original. We get six characters (plus one) in search of a death by Aliens.  

One of the reasons that I like the slow burn first hour, is that it contains the biggest difference in the plotline from the original. Instead of going down to a planet to investigate a derelict ship , our crew is going up from the planet surface to ransack a derelict space station. The artificial person starts of as benign, and has a surprising story arc. The Weyland/Yutani Corporation continues to be the enemy in the story, but in the initial launch of the plot, they do so in a completely different way. Somehow, indentured servitude has become a legitimate employment practice.  Ridley Scott's film "Blade Runner" could easily be a companion piece to what is going on here. If someone wanted to make a political thriller out of these two film conceits, it would be a great story.

That slow build structure is a lot like the original movie, with an opportunity to meet and start to care about the characters we are doing to watch be massacred. None is given a complete backstory, but we get a good sense of who they are during act one. The young colonists are determined to obtain the material on the station, to facilitate their exit from the mining world they are trapped on. It is not essential to know some things, but I would like to understand why Rain, our lead character and Tyler, her ex-boyfriend broke up. What is Tyler's job on the planet and why does he have a spacecraft? Bjorn is the designated ass, and we get a little about his resentment of synthetics, but nothing about why he and Navarro are together. Kay is Tyler's sister, and she just seems to be along for the ride as non-essential personnel. The most interesting character is the artificial person, Andy. When so much energy is put into making the robot the sympathetic character at the start of the film, you know there are going to be some manipulative moments later on.


I liked that the film tried to use practical effects as much as possible. Including, up to a point, a second artificial person. When we finally get a closer examination of that character, who is named Rook, we know that A.I. has crept into bed with the puppets and models that have been the mainstay of the film up to that point. There are lots of Aliens as the story goes along, many of them in the form of face-huggers that add the earliest creep elements to the movie. When we get to the climax, there is a big shift in the imagery and our suspension of disbelief is sorely tested.

If I were ranking all of the Alien Films, this one would come in behind "Alien" and "Aliens", but quite a ways behind them, although in front of all the others.  I don't think there was a jump scare that got me, and only a couple of the fx moments were gruesome enough to make this feel like a horror film. Go see it, you will probably have a good time, but keep your expectations in check.


Saturday, August 27, 2016

Don't Breathe



Hold on everyone, I know this film is highly rated on Rotten Tomatoes and it comes with a great pedigree. The trailer is absolutely smashing and that's what sold me on it. The film is solid, BUT,       I think it is getting a little over-hyped and that may contribute to a let down when you see the actual product. No one wants a great horror film to finish off the season any more than I do. "Don't Breathe" will provide some shocks, a lot of tension but no horror and at times it will have a very mixed message.

To begin with, the premise is that three young people are going to rob a blind Army Vet of his cash. Now you may have all kinds of empathy for the young lady in the group, her mother is the real horror show, but she is egging some of the others on to do this particular crime. The other character we are asked to empathize with is a spineless outsider who betrays the one close link he has to the community with his actions. The final member of the home invasion team is a mental midget reprobate whose idea of fun is to pee all over the homes of the people he rips off. Writer/Director Fede Alvarez has created a problem for himself, and the fact that he almost overcomes it is a credit to his effort, but in truth, we might very well want to do to these crooks ourselves, some of the things that happen in this film.

Obviously there is a twist or two in the story, or else there would be little suspense and no surprises. The less said about these the better for the film.  Once again, the mind set that we get here tries to place all the sympathy on the perps who get the tables turned on them, but as deranged and sick as some elements of the story might be, there is a mind coming up with a rationalization for what happens, compared to the simple greed motivation on the other side. This is not a justification, simply an observation of some of my own reactions.

There is a turning point in the film when it goes from credible to a bit over the top. I liked a couple of the twists and you can see how they make sense after the fact, but a lot of what occurs after a certain point comes down to "Unstoppable Boogeyman Syndrome". Such overused story telling turns diminish what creativity the film built up. Actress Jane Levy is a veteran of Alvarez's take on "Evil Dead", a film I thoroughly enjoyed. She does a good job and has a very traumatic scene in the last third that plays out really well. Stephan Lang as The Blind Man, is convincing both as victim and antagonist. For most of the film he is silent, but after one of the twists, he speaks and it takes a lot of the energy of the horror away. There were ways to present the exposition that would not have required him to break what to that point was a silent force to be feared.

So the movie starts with a good premise, undermines that premise with characters to root against, but still manages to be engaging and tense most of the time. The big twists are reasonable but the execution of the last act loses all the good will the film had built up for me. If you are not shouting a little bit at the very last payoff, you are too programmed to accept the preposterous as a part of film characters. I don't usually give scores or ratings because I think you might want to come to those conclusions without my preconceptions getting in the way. Because I have been so critical of what is a pretty good film, let me offer this guideline...B-. OK, now decide for yourself if the movie gets it wrong or I did.