Companion (2025)

 

[The above trailer is the teaser that does not reveal too much. Avoid the second trailer entirely]

I've been looking forward to this film for a couple of months now, based on an early trailer which suggested it was a horror film involving a toxic relationship. I didn't want to know too much about it, and that first trailer made me anticipate the film without giving anything away. Sadly, the night before we were supposed to see this movie we went to another film and there was a new trailer for "Companion", and it gave away a major plot point. I am a little pissed. Overall I enjoyed this film very much but I know I would have enjoyed it much more if that twist had not been revealed to me less than 24 hours before I first saw the movie.

"Companion", is in fact a type of horror film but it is also a social commentary, a science fiction story, and a dark comedy. Writing about this without giving away the plot twists is going to be complicated. I want people to go into this movie knowing less than I did so they'll enjoy it more than I did. Let me just say, that there is indeed a toxic relationship in this film, but it is quite a bit different than any that you've seen in other movies. I'm not even going to mention some of the films I would compare it to because that would spoil some of the surprise. The plot takes us in several different directions, and those shifts in direction are result of actions that happen in the film that feel completely earned.

Self Generated Poster
because the official poster
 gives away too much as well

The young actress who appears in this film, Sophie Thatcher, was also in the movie "Heretic" which I saw near the end of last year. She has a quality to her voice and mannerisms that come across as sincere and innocent, while at the same time being able to convey a steely resolve. I thought she was excellent in both films. Her co-star in this film is Jack Quaid, who I know mostly from the Prime video series "The Boys". He also has an innocent quality, and a geeky charm, that is used quite deceptively in this story. Some of the turns that take place are surprising enough, but they are more surprising in the way that our characters have been set up.  

This is something like a cabin in the woods scenario, where a group of friends is spending the weekend in an isolated location and bad things start to happen. Unlike a horror film though, the bad things happen because of deliberate choices made by our characters. Technology also plays a role in the story, and I was on edge from the very beginning when our main couple is riding in a car is completely autonomous. I see those types of vehicles here in Downtown Austin whenever I'm going to the Paramount Theater, and I actually saw one picking up a couple at Lawry's when I was in LA at Christmas time. It's going to be a long time before I am ever comfortable enough to step into a vehicle that is being driven by a computer rather than a human being. My reticence about embracing technology that can do these kinds of things is part of the reason that I'm willing to call this a horror film.

This will probably be the final film I see in January, and interestingly enough everyone I've posted on this year I have seen in a single week. It's still early, but I'm happy to say "Companion" has been my favorite film of January. Go see it, but close your eyes and plug your ears if the trailer comes on at another film before you do. 

Heretic (2024)

 

Suffering from the flaws of many horror films these days, "Heretic" still manages to be a fascinating variation on the premise. This is in large part due to the casting of Hugh Grant as the antagonist and the charming performances of the two lead actresses, Sophie Thatcher and Chloe East. This is basically a three person set piece, but the setting is an elaborately designed house with a subterranean structure that will add to the mystery and sense of dread that pervades the first half of the movie. The deceptively inviting bait includes the charming Mr. Reed, played by Grant, who at first seems the most innocuous of potential threats.  

Thatcher and East play two Mormon missionaries, Sister Paxton and Sister Barnes, out for the day on their bicycles, looking to spread their faith. The opening section includes the uncomfortable cold calls and interactions with locals on the street. Sister Paxton, has no new converts and seems to be losing confidence, especially after she is humiliated by some teen girls that she had approached in a friendly manner. Sister Barnes is a little more pragmatic, and maybe weary of proselytizing, but both she and Sister Paxton seem committed to their beliefs, even as they discuss some world challenging truths around them. They are not just doing cold calls however, they have a list of homes that have indicated an interest in their faith, and one of those is the house off the beaten path of Mr. Reed.  Set in an idyllic property, off the road, boarding a forested area, the Reed house looks friendly enough and when the mature, somewhat distracted Hugh Grant, answers the door in his patterned old style cardigan, the girls are nonplussed at his invitation to converse in the house. When they learn that his wife is supposedly baking in the kitchen, they accept the invite with very little trepidation. 

This is all set up for the most interesting part of the film. Mr. Reed confronts the girls with a series of questions and challenging statements about faith and their beliefs in particular. As the purported wife does not appear, there is hesitation by the young women about proceeding. The dawning realization that they have been trapped in the house forces them to continue the facade of their visit. The carefully crafted politeness of the girls runs into the mildly rude but intellectual challenges of Mr. Reed. Grant is perfectly cast for this section of the film, he is clear in his beliefs but expresses them with the stuttering pace that he has been well known for in his other roles. He treats the girls like students in his own introduction to theology lecture, and paints a nasty image of organized religions based on their similar origin myths. His attempts to sow doubt in the girls seems plotted to force them to make a choice, which is ultimately meaningless in his eventual plans. His whole spiel is really just a cruel twist of a mental knife in the minds of the victims he is trying to create.  

The living room and then the study of the Reed house, are decorated to invite confidence in the visitors, but as they move deeper into the house, the production design makes the floorplan more ominous. Once the girls pass the threshold into the basement structure, the film becomes a much more traditional film. Although there are a few twists thrown in to tie the escape section to the theological discussion in the early part of the film, those plot points make little sense. My friend Lisa Leaheey has said you can't judge a horror film by it's ending. If she is correct, we should disregard the last act of this movie, because it feels like an overworked attempt to vindicate what came earlier with a tradition horror element. I will say that I had an interpretation of the final resolution that was different from others, so maybe there is something here that is a little more challenging. 

Because it is shooting high and tries to do something different, and it has three excellent performances, I am going to recommend the film. If you want a more complete and intelligent exit to the movie, you will be a little disappointed. I often find that I like movies in spite of their flaws and this would be one of those. I compared it to a film from two years ago, "Barbarian". A terrific opening is squandered by conventional horror tropes in the second and third acts. "Heretic" is not quite as egregious in it's failures, so in contrast it is the better film. I also think the difference is enough to recommend it.  

[I have included the video of the podcast from the LAMBcast, which featured this film, in case you want to hear and see more.]