Wednesday, June 18, 2025
Dangerous Animals (2025)
Monday, June 2, 2025
Final Destination Bloodlines (2025)
I've said it before, including a mention on the LAMBcastt, there must be something about us that is just wrong for enjoying these movies. The main reason that somebody goes to see a “Final Destination" film is to watch people die in elaborate convoluted accidents. The fascination with this sort of thing is easy to understand, since everybody does some rubbernecking when they pass that accident on the highway, or watches videos online where people get hurt doing stupid things. I suppose we can excuse this behavior in regard to the movie because we know it's an elaborate fiction, and that there is some malevolent force behind it. Still, when you hear people cheering for some gruesome moment in one of these Rube Goldberg execution methods, it does make you question Humanity.
A month ago on the podcast, we covered the entire “Final Destination” franchise. The people on that show all enjoyed it so much that they volunteered to come back and talk about the new installment, which arrives here 14 years after the last Edition. “Bloodline”s has a couple of twists on the formula which helps make it feel fresh and worth investigating. The biggest innovation is that the original disaster is in fact completely avoided, which leaves a whole lot of deaths unaccounted for in the Grim Reaper’s Ledger book. The storytelling gets a little convoluted and the explanation of how death is just catching up with everybody at this point is awkward. Almost 30 years after he was denied all those earlier deaths he is finally getting around to the main family involved. Those of you who have seen the previous Final Destination films know that there is an order in which the deaths are supposed to occur, and we get a trick here that shows how that has been pushed back for several decades. As you know however, the bill is going to come due.
One of the things that makes “Bloodlines" work is that we get some characters that we do in fact care about. The hero of the original disaster turns out to be the linchpin for this story, and once that plug is pulled we return to the inevitable line of disasters. Interestingly enough though, there are a couple more turns which create some humor in the story and a lot more suspense. Many of these come at the expense of audience expectations from previous entries in the series. Sudden bus deaths are narrowly avoided, and a complex series of events that is reminiscent of two elaborate scenes in the earlier films, turns out to be a red herring.
If you take the time to listen to the podcast that I'm going to post here, you'll hear everybody ranking their favorite deaths. Once again, our entertainment values are pretty morbid, but they are also satisfied with a well plotted story, some pretty effective character work, and a lot of fan service that turns out to work pretty well.
As horror films, these movies undermine the suspense and thrills a little bit, because we know eventually everyone is in fact going to die. The only questions we have concern how they're going to die and whether or not it will be entertaining enough to wait around for. This film is just about 2 hours and that's 30 minutes longer than most of the other entries. I never found my attention lagging, but I did wonder sometimes if in an attempting to create some dread, the filmmakers stepped on their own jokes. For example a character that's been holding off death for decades is holed up in a cabin that is surrounded by a yard full of things that would be happy to kill her. It feels like the exact opposite of what the character would probably choose. If you want an example of this you can go back to Final Destination 2 and see how Clear Rivers tried to do the same thing.
Minor quibbles aside, this film was a blast and it was exactly what I was looking for. What it says about me that I enjoyed it so much is not clear, but I suspect that most of you who love horror films will find plenty to justify spending your money and your time on “Final Destination Bloodlines”.
Tuesday, February 18, 2025
Heart Eyes (2025)
Friday, February 7, 2025
My Bloody Valentine (1981) Revisit
How some films become cult classics is beyond me. It's obvious that a film like "Rocky Horror Picture Show" was picked up by fans because of the obvious opportunities to participate in the fun. I never understood why "The Adventures of Buckaroo Banzai Across the 8th Dimension" wasn't a hit in the first place, but it makes perfect sense that it is revered now because it's concept and execution are finally recognized. There however is little reason to believe that "My Bloody Valentine" from 1981 will ever be seen as a hidden gem. The remake from a dozen years ago was far superior in every way. How does that happen?
This Canadian film as little going for it, except the title. The production values on the movie are not great, the script is at times preposterous, and frankly the acting is atrocious. I know they were working on a small budget, and the actors are relatively inexperienced, but it never seems like they got a second take to fix things in their original line deliveries. Sometimes the presentation is so wooden you think the movie is a parody of horror slashers. It's not a parody, it's simply not a very good. Maybe the final song and the demented fade out account for whatever credence the film has.
This criticism should be seen as a reason not to see the film. I still enjoyed being in the theaters the other night, sort of experiencing a nostalgic rush of '80s Horror. As long as you don't mind a horror movie that is not particularly frightening, and is not very titillating, then you can enjoy this film. The main thing that it has going for it is that preposterous concept. A crazed miner, rescued from a cave in after surviving by cannibalizing other coworkers while awaiting rescue, became a spree killer. Now 20 years later, it seems that the spree killer has returned, provoked by the Valentine's Day celebrations which ignored the lead up to the disaster two decades earlier. The pickaxe that is used to kill some of the victims is a good concept but it's not visualized in a very interesting way. Which is why the movie fails to satisfy fans of gore. The kills are relatively tame, and most of them lack of jump scare to pull them off.I can see what this movie wants to be, and I can also see where it misses the mark on a regular basis. The 2009 3D version at least had the good sense to include an eyeball impaled on the end of the pickaxe, in a 3-d effect. That's a movie that knows what it's supposed to be doing. So for nostalgia and for setting up the concept, "My Bloody Valentine" is adequate, the problem is it never gets to be insane until the last moment when the crazed killer is finally revealed and runs off screaming curses and a vow to kill again. That's sort of the delivery which could have made this a lot more entertaining.
Thursday, January 30, 2025
Wolf Man (2025)
Updating a classic monster to contemporary times sometimes requires a little creativity. The Wolfman from 1940, was a Universal horror movie that featured a Sad Sack leading character slowly being turned into a murderous animal. He had a fairly warm relationship with his father, he met a girl he was interested in, and he was way laid by a werewolf and thus began his own transformation. The formula for the movie today varies this a little bit. The main protagonist is still a bit of a sad sack, but he has a great relationship with his daughter, a strange relationship with his father, and is married to a woman that he loves but is growing distant from. His transformation doesn't wait for a full moon, and it is a slow build. We don't have to wait for a silver bullet, we just know that there are monsters out there and that our main characters are going to be threatened.
It's a little bit odd that I saw this movie the night after I saw Flight Risk. Both movies are essentially three character stories, mainly set in one location. A lot of horror movies benefit from the simplicity of such a setting because it forces the directors to become creative how Danger can be just about anywhere. Director Leigh Whannel, is an Old Pro at making horror films, and does a pretty good job at tightening the screws up. Wolfman is a Slow Burn is but it is generally effective.
My reservations about the film are mostly due to the casting and performances. The lead actress, Julia Garner, who was so wonderful in the TV series Ozark, is miscast in this role. She seems to be too young for the kind of character she is supposed to be portraying. She is also not as emotionally engaged in the first part of the film if she needs to be to make the second part of the film work. She does fine with the fear elements of the script, but her characters connection with her husband feels detached and Lacks energy. I did think however she had a good moment when the family picks up a neighbor as they are trying to locate instead. That may have been her best scene in the film.
The husband , played by Christopher Abbott, is also so low-key that it takes us a while to recognize anything is really a danger to him. His physical transformation is put off for quite a while, and well there are animalistic characteristics, it is mostly his physical activity rather than his appearance that makes him wolf like. There are two or three really good bits of business that illustrate this transformation without his face growing hair. I don't want to give too much away let's just say when he investigates a noise upstairs in the house his discovery of its source is one of the best surprises in the film. The other element of the movie that works well in showing how he is losing his Humanity and ability to relate to his family, is the 180° camera move that changes perspectives from the husband to the wife and Back Again. The filters used, and the visual effects as well as the sound editing are very clever it explaining exactly what's going on.
There are a few jump scares, and there is quite a bit of screaming and panic as dangerous characters Chase the family around The Farmhouse and barn that are the primary locations of the film. By the way the film is set in Oregon, produced in New Zealand, and largely shot in Ireland. I'm sure this hybrid of locations is a result of financing rather than artistic choices. I did mention that there are primarily three characters in the story, but they aren't the only ones that do play A Part. Early on, we get a sequence that sets up our main character as a young boy, and tells us of the life he led with a paranoid prepper father. I suppose it is supposed to set up the characters actions later in the film, but I found the sequence to be the most suspenseful and interesting in the movie. Too bad it's over in the first 10 minutes.
This is not a bad film, it's just not as good as it ought to be. The characters are sympathetic but I never felt particularly engaged by them, with the exception of the relationship between the little girl and the story and her father. It's just too bad that most of the suspense elements of the film focus on the mother's actions, and it simply feels like any other horror chase film where the character is being pursued they can to improvise and get away from the monster that's chasing them. The movie sets up the idea that there is a subtext, but never delivers on that. It stays at a very surface level, which is okay for a horror film, but keeps it from being particularly distinctive.
Friday, October 25, 2024
Panic at the Paramount! Rosemary’s Baby (1968)
This is one of those films that I hope I’ll be able to draft tomorrow on my Lancaster show. We are having a draft of horror films made and released prior to 1973. Rosemary’s Baby from 1968 not only fulfills the requirement okay in the appropriate time, but also being a truly creepy horror film, and one that is extremely well made. It was produced surprisingly, by William Castle, who was Notorious for making the budget gimmick horror films, like The Tingler, 13 Ghosts, and the House on Haunted Hill. He snapped up the rights to make the movie, by buying a book for adaptation before anyone else could get to it. Unfortunately for him, he spent all of his money buying the rights, and had none left to make the movie, which forced him to seek financing, and resulted in a studio-based film, and the studio insisted on hiring their own director. Roman Polanski is notorious nowadays, but at the time he was one of the hot directors in Europe, and this is a movie that put him in the top ranks.
The film is a very literal story about the birth of Satan’s child. You can struggle to look for metaphor or allegory here, but when it comes to the main plot line, Satan rapes a young woman and she is forced to carry out a pregnancy it is going to result in the birth of what is likely to be the Antichrist. This movie came out 5 years before The Exorcist, and 8 years before The Omen. It has very few horror effects, there is one death on screen, and a couple that are implied which take place off screen. The makeup in the film is not full of Prosthetics and goo with blood, there’s only a hint of the devil’s actual appearance with some close-ups on demonic eyes. Most of the makeup involves showing star Mia Farrow as becoming somewhat emaciated in the early stages of her pregnancy. Instead of glowing like a pregnant woman would she seems to be disappearing, pound by pound.
Mia Farrow gives on heroic performance as Rosemary, loving wife of a struggling New York actor, who is befriended by some oddballs in the somewhat sketchy apartment building she and her husband have taken up Residence in. Early acquaintance, when Rosemary has met in the laundry room basement, ends up dead and that is the most gruesome scene in the film. The young woman was staying with the older couple who lives next door to Rosemary and her husband. And it seemed that they were helping her recover from a sordid life of drug use and promiscuity. We never really learn why she died, but it is strongly suggested that the appearance of Rosemary suddenly was a opportunity that was a lot more promising for the coven of witches that occupy the building. Yes that’s right, I said witches.
The older couple next door, take up a particular interest in Rosemary and her husband, and begin to insert themselves into the young couples lives. To some degree Rosemary is happy to have some company, but she does seem to recognize that her husband is taken an unhealthy interest in their neighbors life story. He frequently spends time with the older couple, well Rosemary tries to maintain some distance. Rosemary’s husband is played by the great John Cassavetes, and at times he is a solicitous husband, but at other times he’s an insensitive prick. He and rosemary seem sexually compatible and happy, but he struggles with career uncertainty, and the fear that comes from where your next job is going to be coming from. Things get a little desperate when he loses a part in a play that could have brought him some much-needed attention. Like Cassavetes himself, the actor resents having to work for money, particularly in television commercials. His luck suddenly changes when tragedy strikes the actor who had been cast in the role that he was up for, and the part defaults to him.
This is all my way up set up, because this is really a character based film more than a plot based movie. Rosemary is driven to preserve her marriage in the face of the economic uncertainty that the two of them are confronted by. She also is in the process of nesting, and the desire for a child feels very natural at this point in their relationship. Once it is discovered that Rosemary is pregnant, the old couple next door begins to offer assistance. Ruth Gordon is an eccentric woman who has what appear to be friendly intentions, and some odd cooking skills. Her husband insists that Rosemary see the obstetrician that he is friends with. So the story focuses on this vulnerable young woman, being prayed upon with affection by her husband and Neighbors, and she doesn’t realize how much she is being manipulated. The doctor she sees is played by Ralph Bellamy, and he seems the picture of a wise and comforting older doctor, full of credibility. He needs all of that credibility because he keeps dismissing the problems the Rosemary is facing in her pregnancy. It’s hard for us to imagine the pregnant woman will allow her health to deteriorate the way it did in the early stages of the pregnancy, without seeking some substantial Medical advice. The assurances of her doctor only carry weight because of his reputation. It takes the intervention of some of her younger friends to convince her that she needs to see the original doctor she visited with in order to get a second opinion. Conveniently at that point the negative symptoms she’s experiencing cease, and it seems that the doctor was right all along, which reinforces The credibility he had originally.
The whole movie is about atmosphere, and the old apartment building that’s a couple moves into is full of it before we even meet the characters that fill it up. There’s a long sense of dread in the last third of the film, but they’re also some comical moments with the witches coven struggling to deal with playing nursemaid to hell spawn. Mia farrow’s expression when she finally gets a chance to see her baby is one that is perfectly horrifying, and ultimately maternal which is the real horrific twist in the film. Roman Polanski Maybe a horrible human being but he was a hell of a director, and as noted in another film, this movie made him the biggest director in the world at the time.
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Tuesday, July 23, 2024
A Quiet Place Day One (2024)
This is a worthy follow-up to the two previous films, set in the world that suddenly has to be silent. The original "A Quiet Place" was one of the best films of its year and continues to inspire us in the performance of Emily Blunt. She does not make an appearance in this film which is set in New York City on the day that the aliens first arrived on Earth. Our new protagonist is named Samira, and she has a different set of problems that she has to manage. She doesn't have children and she's not pregnant, but she does have a cat and I don't think this is much of a spoiler, but she is also terminally ill. This puts a new face on the survival theme of the movie, and the perspective is an interesting one especially when contrasted with the other characters she encounters.
Samira our lead character is played by actress Lupita Nyong'o, who speaks sparingly and communicates so much with her eyes and body language. She is a defiant patient at a hospice facility, she is much younger then most of the other clients there, and this displacement has given her additional attitude toward the world around her. It may in fact be that defiant attitude that helps her navigate the crumbling city as the auditory predators are taking out the population rapidly.
The characters in this version of the story don't have the advantage of speaking sign language, they have to rely on descriptive gestures, pointing, and occasional notes on whatever surface is available for them to write on. This adds an extra wrinkle to the story and makes every potential attempt to communicate a bigger threat because of the high concentration of aliens in the city. Having established that the waterfall effect blocks the aliens ability to hear low-spoken dialogue, there is an interesting sequence where Samira encounters two children hiding inside of a water fountain and she tries to direct them to a safer spot. In the long run we never discover what happens to the vast majority of people that she encounters. We do get a dramatic moment with some of the people that she knew from the hospice, but those folks on the streets are not likely to make it to the next scene, at least not for long.
It is probably essential that another person be involved in the story for us to be able to engage with the character. About a third of the way into the film Samara encounters a frightened law school student from Great Britain who is so uncertain about what to do that he is practically in tears. The two of them form a tenuous alliance in order to navigate the treacherous streets of New York City in an attempt to reach a pier on the river. Supposedly boats are being used to transport survivors off of Manhattan Island, where it appears that the aliens have trapped themselves due to their inability to navigate water. We know from other films that this is it best a short-term solution, but that's not really part of this particular story. (Although there is one link to the second film)
The first act of the film sets up the conflict and establishes Samira's character, it also provides us with a lot of action beats. During the second act the action moments are more subdued but there are occasional outbursts of violence and more people are sacrificed to the narrative of overwhelming odds facing them. One of the best moments in that opening act involves Samira taking in a marionette puppet show, that she has been maneuvered into attending with other patients at the hospital. Although very resistant to the idea, she did become entranced by a couple of moments in the show, which of course is exactly the point at which the alien invasion arrives. The contrast between human ability to create something beautiful and the aliens ability to destroy everything that humans have created is exactly what was needed at the start of the story. We also get a sense of how headstrong Samira is because of the way she handles being dragged to the puppet show.
The movie is not quite as frightening as it's two predecessors, in large part that's because we already know what the rules are concerning the aliens. We also see the alien creatures far too much in the light of day, and up close. So it is mostly the sudden lightning-like appearance of the aliens when alerted by a sound that gives us a jump scare or two along the way. Most of the fright that takes place in this film is a result of anxiety as we watch the characters that we are growing to care about, struggle to hide and remain silent in the face of the threat. Djimon Hounsou has two brief scenes in the film, in the first act, a moment of desperation changes him forever, but in the final act, we see that fear and survival instincts have not eliminated his humanity.
I can recommend the film as a piece of tense theater with two central performances that are very effective. Our terminally ill hospice patient and her frightened companion the British law student, are an unlikely match, but in the long run they show us that humanity can exist even in the worst circumstances, and even between people with very little to connect them, that is ,except maybe a cat.
Monday, May 20, 2024
Abigail (2024)
This is a movie that would have worked so much better if the premise had not been given away in all of the advertising and the trailer. What starts off as a tense kidnapping story, takes a turn a quarter of the way into the movie, and it's a very clever twist. The problem is that we all knew it was coming, which undermines a lot of the stuff they get set up at the start of the film. That said, there is still fun to be had here because when it hits the fan, there's a glorious amount of Gore, violence, and ironic comedy.
Basically this is a variation of 100 other horror stories over the years. 10 Little Indians, Alien, The House on Haunted Hill, and dozens of other movies where a group of people are trapped in a situation where they will be picked off one at a time. Will they be able to figure out a solution? Will the antagonist reveal a motive? Is there any point to the story? The answers to these and other questions will come if you stay to the end of the movie. As in a lot of contemporary films, the people involved are not particularly pleasant, and we may very well feel that as things go along that some of them are getting what they deserved. Let's face it, everybody in this house was there because they were kidnapping a little girl. Maybe some of them are worse than others, and maybe there is possible redemption, but we're going to have to get a lot of dead bodies before we get to the point where we're glad that anybody is surviving.
Imagine if you were Claudia from the film "Interview with the Vampire", and you had to spend your eternal life as a child. What kinds of amusements could you come up with to keep you interested and at the same time allow you to continue your cover as an innocent child? Well that's basically what this film attempts to answer. The fact that the house it's full of booby traps, secret passages, and dark foreboding images adds to the fun. Characters betray one another and sometimes they actually support one another, but we're never sure of which outcome we're going to get before the events play out. This is where some of the fun comes in. This movie is not quite as engaging as "Ready or Not", the film from the directors that preceded this, but it's unlikely that you'll feel ripped off by watching it. Especially if you enjoy over the top monster action that results in blood splattered all over the screen on the set.
Actor Kevin Durant is a Canadian performer that I have seen in movies since the late 1990s. He's a big guy with a distinctive face and I've enjoyed most of his performances. This week, after not having seen him in films for several years because he was working regularly on on several television series, he turns up in two movies that I saw back to back. In "Abigail" he is the muscle on the team of kidnappers, and in "Kingdom of the Planet of the Apes", he performs and voices the King, Proximo. It's strange sometimes how little things line up and create interesting coincidences. He's actually very good in this film trying to be a sympathetic monster of a human when faced with a real life monster it's even more evil than he is.It's true that in most survival stories, the participants are going to be faced with choices that they have to make which involve moral dilemmas. It's also true that we can probably pick out some of the characters who will not have any moral qualms about stabbing their fellow survivors in the back in order to be the ones who are still standing at the end of the story. We got a couple of those in this film, Complicated by some storytelling that is a little shaky. The resolutions come however they're kind of satisfying.
Don't be too panicked, the people who deserve to go will. Some people who don't deserve to die will. And logic will go out the window pretty quickly, actually just as fast as the windows are shut to close people into the house. Then all bets are off and you should just enjoy the bloody Mayhem.
Wednesday, August 9, 2023
Talk to Me
Friday, March 10, 2023
Scream VI (2023)
Friday, February 10, 2023
Knock at the Cabin
Thursday, February 9, 2023
KAMAD Throwback Thursdays 1975 "The Rocky Horror Picture Show"
Throwback Thursday #TBT
Throwback Thursday on the KAMAD site will be a regular occurrence in the next year. As a motivational project, to make sure I am working on something, even in a week where I don't see a new film in a theater, I am going to post on movies from 1975. Along with 1984, this is one of my favorite years for movies and it is full of bittersweet memories as well. 1975 was my Senior Year in High School and my Freshman Year in College. The greatest film of the last 60 years came out in 1975, as well as dozens of great and not so great cinematic endeavors. Most of the films in this weekly series will have been seen in a theater in 1975, but there are several that I only caught up with later. I hope you all enjoy.
The Rocky Horror Picture Show
Friday, January 27, 2023
Infinity Pool
Tuesday, January 10, 2023
M3GAN
Thursday, December 1, 2022
The Menu
Saturday, October 1, 2022
Smile
Saturday, July 23, 2022
Nope