Practical Magic 2 (2026)

 

I had hoped to do a Lamcast with my two daughters where we discussed this movie. I had chosen it as the subject of one of our weekly discussions because it was my memory that “Practical Magic” had an almost cult-like following among people of that generation, and I had hoped then my fellow Lambs who grew up in the 90s would have rushed to join in on the conversation. They did not.

As it is, it is just as well, because although the movie is doing very well at the box office, from a critical point of view it's sort of a mess. In the story they basically trashed the conclusion of the original film, and deny that a curse has been lifted, the main reason for this is to make it possible to make the two children of Sandra Bullock's character, have to endure the same situation that both Bullock and Nicole Kidman faced in the first film. Much like the ffatal flaw of “Alien 3”, where everything that had been accomplished in the second movie is erased in the first 5 minutes, completely undermining our desire to see the story followed through on, “Practical Magic 2” destroys the Goodwill that was left over from the first film.  28 years later in attempting to create a legacy sequel, the film hopes that we forgot everything that happened in the original movie.

It's not too big a surprise to recognize that this film is going to skew heavily toward female audiences of the Gen X and millennial categories. I'm glad that they are all coming out to the movies still, even if it is to see something as mediocre as “Practical Magic 2”. The movie repeats certain beats almost exactly as they were created in the first film. Apparently dancing with Margaritas in your hand and the Stevie Nicks song on the soundtrack is sufficient to get your Nostalgia feels up, and let you accept what's going on on the screen.

I did appreciate that Diane Wiest and Stockard Channing have parts in the movie, and they do a pretty good job maintaining the original characters' tone. It's pretty obvious but the emotions of the audience are being manipulated at the start of the movie and at the end of the movie with the arcs of their two characters. I guess however when your movie consists of nostalgic memories being forced into a contemporary story, you take what you can get.

Sandra Bullock is 62 years old and as far as I'm concerned she still looks great, the work that she's had done has not destroyed her face but it is somewhat apparent. Nicole Kidman is also of a certain age and she looks good too but it's a little bit more obvious that she's had work done and in contrast to the two older actresses and their willingness to appear on screen in realistic age appropriate characters, this is perhaps another thing that undermines any sense that this is a movie that cares about making sense.

Actor Lee Pace shows up about halfway through, and I thought he was very well cast and looks great on the screen . To be honest I'm only familiar with him through a couple of the Marvel movies and the remake of “The Running Man”. The idea that he might be a romantic lead had never occurred to me, but that it actually works pretty well. I haven't checked his age but he looked appropriately matched with Sandra Bullock.

The two younger actresses who play Sally's children, who have now grown up into adulthood, are both accomplished performers, who are largely wasted in the film. Maisie Williams, especially, gets left aside for the vast majority of the second and third Acts. There were probably other ways that they could have gone with this film story and then been successful at keeping the audience that they had but also expanding it. As it is, this movie will probably stall out after a couple of weeks because all those millennials have gotten used to seeing their movie fixes on streaming, and this movie really feels like a film that was made for streaming. Relatively low cost, well photographed, and full of nostalgia bits that will satisfy the original audience.

Hope (2026)

 

This is a South Korean action, science fiction, horror film that is apparently the most expensive South Korean movie ever made. I can say that it is a pretty handsome movie, and makes the locale look more appealing than I had expected. It also has quite a bit of humor in it which makes it go down a lot more easily than otherwise might have at almost 3 hours in length. What the hell is a movie like this doing running for 3 hours? It makes no sense. 

Speaking of making no sense, the second half of the movie serves up a variety of moments that can be fun to watch but will be difficult to justify from a story point of view. But I will get to that in a moment. Let me start off by talking about the thing that works best concerning the movie, and that's the first 45 minutes. As usual when there's a monster, the frightening moments all take place before we actually see the monster. In this case, although they were heavy action moments as we were getting set up, the movie does shift from a horror film to a straight action movie. And that's because the horror of the unknown is undone by the horror of the CGI that is used to create the antagonists.

My description of the plot is very brief. The police chief of a small South Korean fishing Village, is confronted by destruction that seems to suggest a massive monster is loose and at first he assumes it is a bear or a tiger. The size of the damage created in the wake of the monsters movement through the village tells us that this is no Earth-like mammal but rather something of enormous size and Power, and as we ultimately discover it originates someplace else in the universe. Yes it is an alien movie, I don't think that's the biggest spoiler. 

The thing that spoils the movie is not the reveal of the origin of the monster, but rather it is the abandoning of the mystery around the monster and what it looks like and what it is after. The story is a little confusing, because it turns out that there may be two different alien species that are involved. At least that's the way it seemed to me when we get a more extensive look and a set of alien creatures that are not in the village but rather are in the nearby Woods. They look distinctly different from the creature that created all the havoc in the village and at the conclusion of the film there's reason to believe that more than one set of visitors is present.

I think the movie is supposed to also play as a comedy, there are simply too many ridiculous things that happen in the story to take it seriously all of the time. One of the characters is tossed about, slapped and squashed in so many ways that it's impossible to believe that he survived. Like the Energizer Bunny however, he keeps showing up and fighting on. Improbably he starts out as a somewhat unsavory character, but morphs through sheer survival into a heroic figure.

The Village police chief is a reluctant hero, and sometimes he is a little feckless, but that doesn't mean that he is unsympathetic. I don't have a huge amount of experience with Korean filmmaking , but I have noticed there's a tendency to have some slapstick moments and annoyingly over the top characters appear in awkward situations. The chief runs into several locals, and some members of his own Department, that are laughably annoying. His character however is required to be annoying without the humor, and that makes the story frustrating at times because if anyone would  listen to somebody, maybe we would get to the point a little quicker.

There are two extremely long Chase scenes that take place in the film. In the First Act you have the excellent one, which follows the police officer in Pursuit of the monster as it smashes through the village with impunity, and kills dozens residents in the process. We see the Mayhem from his perspective as the monster stays just out of his view, around corners, below the horizon or on the other side of a wall. There's some horrifying visual images which also provoke some laughter because they are so over the top. This is a pretty gruesome film. Once the target of the monster, the police chase reverses itself, and continues on for another long sequence.  These scenes are shot with great clarity and occasionally with lenses that make the edges of the film feel like they're bending in scope, which influences  the way the audience is watching the action. In the last Act of the film there's an equally long Chase and the police chief is again involved, but here it doesn't feel original or is interesting because they repeat the same moment a dozen times. The monster chasing them gets close, they shoot something at it or it misses a turn and it falls back a little but then we repeat the process. It got a little redundant.

Consider this a spoiler warning, which I usually try to avoid but which I think is essential in talking about this movie and letting you decide whether or not you want to see it. In the last 15 minutes, the focus changes and the aliens begin to be our protagonists as opposed to our antagonists. It feels like a completely different movie has started, and there is not really a very clear transition to it. My guess is that this film is supposed to be the first in a series of movies portraying what is essentially an alien invasion. The trouble is we don't quite know why they're here, and we certainly don't know why there are more than one of them, including crashing spaceships. It's as if we're repeating the mystery of the second set of aliens but they're not recognizing and showing them. I don't think you can do that trick twice and get away with it. 

I was not unhappy that I saw the movie, but I was surprised how long it ran. Both of the chase sequences I mentioned could have been cut in half in the film would be just fine. Just be glad that we're not in charge of deciding whether to make the second film a sequel to this movie. I don't have a strong desire to see what happens next, and if you're going to end on a cliffhanger that really feels like something that you want to do, make us care. This movie seems to think that by putting words in the mouths of the aliens we will change our perspective and want to see it resolved. I think they're wrong. 

Jetty Maguire (1996) Re-visit

 

How I almost completely forgot that I saw this movie at the State Theater this summer is beyond me. It was actually a very pleasant screening and my memories of the movie were validated by how much I enjoyed it and admired the writing. There are times when Tom Cruise comes in for heavy criticism, but this movie was an example of one of the few times that people seem pretty confident that he had done a good job and deserved some recognition for it.

The story of a sports agent who grows a conscience and tries to find a way to make his life work within the confines of those guidelines is a surprising one. Cutthroat operations around him and the competition he gets from his former colleagues it's easy to despair and feel that people are only out for a buck and will stab each other in the back regardless of what they say. Of course it should have raised a red flag, when the number one draft pick prospect agrees to be represented by Jerry but his father refuses to offer a written statement of such an agreement. Fortunately it's not our agent character who breaks his word, and it's an example of one of the things that forces Jerry to confront his own unwillingness to commit fully.

Renee Zellweger practically steals the movie as the assistant who has a heart of gold and is willing to give it to Jerry both personally and professionally. The fact that Jerry is unable at first to recognize that he has in fact fallen in love is one of the most frustrating things in the story. The thing that makes it so satisfying at the end is that Jerry's realization comes before he has made the crucial decision to end his marriage. He really did commit to the relationship because of his love of the little boy and the feeling that it gave him, but the more he struggled to succeed with his lone client, the more he begins to recognize how a commitment such as he is made professionally really is comparable to the one that he has in his personal life. When people give romantic comedies a bad name, I think all you have to do is throw this movie down on the table and challenge their presumptions. 

The reconciliation scene is often mocked because of the two great lines that make it work so well. * you complete me" is one of the best expressions of love that I've heard in a screenplay.. The only reason people can continue to joke about it, is because it is a true statement of love which stands up to any mocking they might try. The follow-up from Dorothy's character is also parodied, " you had me at hello", is the release of a pressure valve in Dorothy and Jerry's relationship that makes us feel great. It's another one of those lines that Cameron Crowe deserved all the credit for and earned the award he did not get. (He had to wait until “Almost Famous”).

Cuba Gooding Jr. steals whatever movie Renee Zellweger didn't get, with his egotistical self-centered receiver, who also learns that commitment goes two ways. He always had it at the personal level, but not so much at the professional level. After all, the key line that everybody remembers from the movie, is" show me the money", and it takes a moment on the field connecting with the crowd to make him realize that he needs a commitment to the audience as well as his family. This movie may seem light on the outside but then on the inside it's pretty deep. I'm not sure you can ever go wrong recommending “Jerry Maguire" to anybody..

Star Trek III: The Search for Spock (1984) Star Trek Anniversary

 

Since I have clearly been on a nostalgic kick, traveling back to my hometown in Alhambra and visiting my houses in South Pasadena and El Sereno as well, it is an interesting coincidence that this is the 60th anniversary of the premiere of Star Trek the television series. Star Trek was one of the first TV shows I saw in color after we got a color TV and connected it to the antenna on the roof. My brothers and I had watched TV upstairs in our house on Kendall Avenue on an old black and white, and I remember my dad struggling with one of his friends, I think it was Lou Lancaster, putting up a new antenna on the roof and trying to get the color TV to have clear reception.

Although I know I saw an episode or two in our house on Kendall it wasn't until the show went into syndication and we had moved to Alhambra that I became a regular viewer of the TV series. It played in the afternoons after I got home from school and we watched it right before dinner time. I was excited when I heard but they were going to make a new series and then they turned it into a movie instead with the success of Star Wars. 

For a lot of years people believed that the best Star Trek movies were the ones that were even numbered. In spite of the success of the first film, it's often criticized for how slow paced it is. I however have always thought it was great but it is true that the second film “The Wrath of Khan" really captured the spirit of Trek effectively. Apparently the first six films were played in local theaters last weekend, and I just happened to find a chance to see “Star Trek III:The Search for Spock”. I've said it before, as far as I'm concerned this is an excellent film in the series and does little to say that the odd numbered films are weaker than the even numbered ones. This also has the advantage of coming out in 1984 , perhaps the greatest year of movies in my lifetime.

In spite of his absence on screen for 90% of the movie Spock continues to be a central character in the story. This movie gave Dr McCoy a chance to have a bigger role and explore the depth of his friendship with Mr Spock. Maybe there is a slight disadvantage in having to replace Kirstie Alley in the role of Lt. Saavik, but that character was not as clearly prevalent in this film. There is also a melancholy which hangs over the movie because the character of David, who is Captain Kirk's son, disappears from the storyline in a dramatic fashion. Also, the Enterprise itself is destroyed, so maybe the bummer of losing the captain's son and ship in the same movie is what gives many people a negative vision of this film.

While there are several dramatic and tragic points in the film there are also a few quite humorous moments. The other main characters in The Star Trek story all get a minute or two to shine. I love the moment when Mr Scott smirks as the Excelsior fails to even get out of the space dock to pursue the Enterprise when the crew hijacks it. If we were to make a list for the villain characters played by Christopher Lloyd in the 1980s, Commander Kruge would certainly be somewhere near the top. His dispassionate murder of David, and his feigned language of Honor make his character memorably loathsome.

The visual effects are very effective although they don’t stand up against some of the more advanced images in the Star Wars saga, they certainly did the job. The Practical effects on the Genesis planet are rendered very effectively. The battle between Kirk and Kruge, which takes place when the planet is destroying itself, looks terrific as they Teeter on the edge of a cliff, and part of the edifice is breaking off. 

Because the screening was connected to the 60th anniversary of the TV show, it was accompanied by an episode of the show which had a connection to the events of this story. “Amok Time" was the episode where we visited Spock's home planet of Vulcan, and circumstances led to a battle between Kirk and Spock. I suspected it was the fact that we had returned to Vulcan in Star Trek 3 that led to this being the episode which was featured. It looked terrific on the big screen too.

There were maybe two dozen people in the theater with me for a Sunday afternoon screening of A 42-year-old film. I happened on the screening by accident, so I was a little surprised at how many people showed up. But I was also quite happy to know that my childhood Heroes continued to live long and prosper on the Silver Screen.

Cars (2006) 20th Anniversary Screening

 

For some reason among the fans of Pixar, “Cars” appears to be a project that is widely dismissed. It may be because the movie was so successful at marketing toys that it was not taken seriously as a drama or a comedy. I frankly love the movie and my daughter Amanda marks it as her favorite Pixar film. So there, take that internet!

This revisit was a pleasant experience because I got a chance to go with my niece and her family and they all enjoyed the experience immensely , in large part because we were seeing it at the El Capitan theater in Hollywood. This venue is Disney's premiere theatrical location where all of their films get a special launch or in this case return visit. I have a little video to include to show you how cool the display is when they show a movie at the El Capitan.

I know that “Cars” creeps out some people because the idea of a car being alive is just alien to them, and let's face it if you think about it too hard there are some weird things that would be required. Fortunately for me I never think about it that hard, I just go with the flow and enjoy the experience that I'm watching. The song soundtrack is a blast, featuring a combination of soft rock and country music that works perfectly for the aesthetic of a Southwestern town being confronted by the NASCAR aesthetic.

It's so fitting that Paul Newman voices the veteran Hudson automobile which we discover late in the film was a champion from a bygone era. Newman of course was known as a racing enthusiast, and at this point in his life his voice conveyed not only confidence but an authority of age which worked perfectly for the character. I know there are people who are put off by the laid-back Surfer / stoner quality of Owen Wilson's persona, but I have always found him quite entertaining, and in the role of Lightning McQueen he seems to have found a niche that fits him quite well.

Maybe the reason that I appreciate the film so much is that I remember traveling with my family on Route 66 when we would go back to Battle Creek each year in the Summers. I think we did four or five trips in the early 60s before the interstates wiped out the old Route 66 Mother Road. Frankly for me, the magic hour is that Twilight moment in the summer when the sun has gone down but it is still light outside and the sky is a combination of Orange, purple and pink. In the desert of the Southwest it is phenomenally beautiful. This film takes advantage of the desert locale in the evening lighting. When the neon lights went on at the start of the third Act I was just delighted.

I can recognize  “Cars 2” is an abomination. It gives us too much of a secondary character and misses the spirit of the first film. It may also be that people resent the fact that “Cars” got two sequels and even though the third one restored the quality of the film story, there are other pics that people might have liked to have seen a sequel to First.

The look of the film, The Music, and the voice cast are enough to sell me when I was glad to revisit the movie in such a spectacular location.

Amadeus (1984) Hollywood Bowl

 

I had a special experience last week. I had a chance to see my favorite movie of the 1980s, which is also my seventh favorite movie of all time, on screen accompanied by a live Orchestra, and it just so happens that the movie is about classical composers and orchestral music. Isn't that perfect? The movie of course is “Amadeus”, the mystery / thriller / musical about the rivalry between Wolfgang Amadeus Mozart and Austrian Court composer Antonio Salieri.

As an extra bonus , the presentation was at my favorite place in Southern California, the Hollywood Bowl. This outdoor venue was my destination for a recent trip to Southern California. I made it to two shows at the bowl, as well as getting to celebrate my daughter's 40th birthday.  The Los Angeles Philharmonic Orchestra accompanied the film along with a choir which sang sections of choral music presented in the film. And of course they were all consummate professionals who did an outstanding job.

The film version of this play has significant advantages over the stage presentation. The way the music can be visualized is more elaborate and creative, and the music can be edited into the film in a way which allows it to add more life and make the story more vivid. When it plays out on the scale that it does in the movie this is incredibly rich and memorable.

The greatest strengths of the film however are the two central performances. Tom Hulce, as Mozart, is delightful and frustrating simultaneously. Headstrong and egocentric, and a bit of an infant, Mozart can't see his own best interests, and continuously trips himself up with the Austrian musical hierarchy. Regardless, it is clear that he is a superior musician and composer to any of his contemporaries, he's just not a better man.

Salieri could be the better man, but his professional jealousy prevents him from finding a place in the musical hierarchy that is satisfying. F. Murray Abraham, is one of the greatest performances of the last half century, as a conniving rival who seems to be the only person of his era who recognizes that Mozart is not only talented but on a completely different level musically than anybody else. Salieri’s frustration at being able to recognize genius but not replicate it is conveyed by Abraham throughout the film, and his performance in the end is ultimately heartbreaking in spite of his uncharitable behavior.

Let me happily recommend you to a post I wrote a dozen years ago when I was covering the year 1984 on a different project. You will find a much more complete description of my thoughts about this film there. Meanwhile you can appreciate a couple of moments from the bowl experience, cuz I celebrated with my daughter and connected with one of my friends from the Lambcast.

The Dog Stars (2026)

 

I'm not sure why a Ridley Scott film, featuring some terrific action sequences, isn't hitting with audiences or why it's being released in late August. Theatrical presentation is a little uncertain these days, which is too bad because I think this film hits on most of the points that it's trying to make and many people would find it entertaining if they took the time to seek it out instead of seeing Spider-Man for the fourth or fifth time.

Maybe the reason the film isn't working for audiences is that it is repeating a dystopian future that seems less likely now than it did a few years ago. The world is still a screwed up place, but it doesn't seem as likely that we're going to get wiped out by a plague or nuclear war or chemical accident, which for all kinds of reasons seemed possible a decade ago. 

Jacob Elordi is the star of this film and he's good at quiet and mournful,  he still manages to to convey a sense of decency in spite of his PTSD. I am going to warn you right now Jasper, his canine companion, does not make it out of the First Act. That's probably a spoiler but it's a spoiler that people who are sensitive to these things probably should be aware of. Although I'm never a fan of seeing an animal being sacrificed in a story like this, it is better that it comes early in the film, so that the dread does not hang over the entire Enterprise.

Anybody unfamiliar with the three act structure that is often found in films is not going to have any trouble picking it out in this particular movie. The location literally changes twice, giving us a series of events in three different locations with occasional flashbacks to our original launching point. Josh Brolin is the co-star in the first third, and he basically plays the grumpy Josh Brolin version of himself, which seemed completely acceptable to me. Guy Pearce is in the second act along with Margaret Qualley, as a father and daughter trying to survive on their own in a completely different environment.  Elordi's ability to move from place to place because he has a plane and is a pilot, is what makes this dystopian movie a little more unique. 

The third section of the film reminded me a lot of the second half of “A Boy and his Dog” from 1975. As usual the point of the movie here is to show the different ways that people try to cope with disaster. Some become predators, some become isolates, and others try to remain as normal as possible. I thought there was enough creativity in the story to justify one more of these dystopian nightmares. It looks however from the reviews and box office returns that I am one of the isolates.

There are two or three very exciting sequences in the movie, and a couple of very satisfying outcomes to conflicts. There is however some sacrifice that comes along with this, which is only natural in a movie of this type. I did think there was a little bit of a cheat at one point, but in the long run I felt better about that and if it had played out the way I expected it to. This movie is not going to win any awards, and it won't take a place on the top shelf of all these kinds of films, but it's at least as good a movie as the Will Smith version of “I Am Legend”. If you wait to see it at home it won't destroy the experience for you, but I kind of like the idea of extending summer with a movie like this.