Monday, August 9, 2010

Bingo Long Traveling All Stars and Motor Kings 1976 A Movie A Day Day 69



We are back from the wilds of the U.S. northernmost state a place of great beauty and bountiful resources. I'd like to thank my padwan learner for taking over while we were gone. I checked in on line several times and enjoyed the posts at 75cents a minute. This is a good reason for her to take over, as slow as I type if I had tried to do the posts from the boat, I'd have spent as much as I did sending her to U.S.C.. It also helps that she did a bang up job on the movies she watched. You can check the comments sections for additional info, I'm sure you all enjoyed them as much as I did.

Today, Lando Calrissian faces down Darth Vader a year before either of them appeared in the Star Wars movies. This showdown tales place right at the start of this movie and you know these two will be the featured stars of the film from the dialogue and set up we get in the first couple of minutes. This movie is set in 1939, before World War II, before the breaking of the color barrier in baseball and well into the depression era. The times were politically charged and there is a strong socialist theme underlying some of the motivations of the ballplayers. The only way that it works though is if they are entrepreneurs and take some risks in order to get a profit. I guess that undercuts the revolutionary talk in the movie, this is really a story about how a group of oppressed people take charge of their own lives and try to make it work the old fashioned way, by building a better mousetrap.

It has been a number of years since I saw the movie but I remembered most of it pretty well. There are good guys and bad guys, tight scrapes, a old time car chase, and some fun baseball shenanigans for everybody. The actors are solid for the parts that they play except on the diamond. James Earl Jones looks like a ballplayer from the times but he can't really swing the bat convincingly. Lando, I mean Billy Dee Williams, is the All Star Pitcher, but there is nothing intimidating about him or his pitching style. He is our hero, the one with the chip on his shoulder that inspires the others to band together to form a barnstorming baseball team to compete with the owners of the negro league teams that they all come from. The Negro leagues had some of the finest players in the history of the game and it is a shame that it took so long for this country to grow up in regard to race. 71 years ago a black man could not play professional baseball with white men. Today, the President of the United States still can't play baseball, but that is because he is a basketball player, not because he is black.

The struggles of the characters against not only economic strife and racism, but against a group of owners that treated their teams like sharecroppers. I don't know how accurate the portrayal of the black owners is, but it helps make the film more accessible because it is injustice that the players are fighting against, not simply another race. The owners scheme to break up the all-stars as a threat to their power, and insensitive bigots take advantage of their racial power to cheat the team. At each juncture, the team comes up with creative solutions and makes a go of their enterprise as best they can. The two leads represent the moral conscience of their situation and are usually in agreement. The final breakdown of the team before it's resurrection, occurs because one of the leads will not tolerate theft, as justified as it might appear to have been. In the end there is a reconciliation because they face a bigger common enemy.

Richard Pryor is in this movie and he plays it mostly for laughs, but he is not mugging it up, his character is just a funny guy. Some of the same themes are in "Greased Lightning" which I wrote about earlier in the summer. There are a lot of familiar character actors working in this movie. One of them, Tony Burton, is best known as Apollo Creed's manager in the Rocky films. He was a customer of Bert Kaplan's insurance office when Dolores worked for Bert in the early 1980's. He is a good actor and was a very nice man as well. I always get Ted Ross and Reginald VelJohnson from "Die Hard" confused with one another. They both have those voices that work so well in these character roles. Ted Ross is the evil team owner in this movie, in "Arthur" a few years later, he plays the very sympathetic chauffeur. This was a mostly black cast in a movie that was designed for a broad audience. Some of that kind of film-making seems to be missing these days. It seems too often that the audiences are targeted too narrowly today. I still want to see the re-make of "Death at a Funeral" because I enjoyed the original, but why is it remade three years later with an all black cast? This is a marketing decision not a artistic choice.

The movie looks really good, the production is very authentic. The baseball parks and automobiles fit the times really well. I loved the uniforms of the team, the way they extended a rainbow theme and the name of the team across each player's chest so that you can see the rainbow and read the title when they stood next to each other in order was really original. I watched this today on my trusty laser-disc player and it was a good print with one terrible jump cut when the disc changes sides.This was the first feature film of John Badham, a director that made a lot of noise in the late seventies and early eighties. Originally, Steven Spielberg was going to do this film, but when Jaws broke open the money flood, he was given a chance to do his pet project "Close Encounters" instead. It is interesting to think how the movie might have been different if Spielberg had directed. I think Billy Dee Williams performance might have been stronger with a director who knew how to get the right emotions out of the actors. Billy Dee is not bad, but this movie could have been great instead of just really good if he had been more effective.

Sunday, August 8, 2010

Jesus Christ Superstar


Today is my last post. I have had a lot of fun watching these films and writing about them and I hope you all have enjoyed hearing my thoughts and opinions. The film I chose for today is one of my favorites. It's a musical and, it might even be my favorite musical. I always go back and forth on musicals because I think my taste in them is really dependent upon my mood at the time.

Jesus Christ Superstar was released in 1973 and is based on the musical stage play of the same name. Music by Andrew Llyod Webber, lyrics by Tim Rice. I love the music in this film. I've always been really picky about the soundtrack of a musical. If I like the film version, I usually don't like the stage version. I guess that's because I'm usually exposed to the film version first and it's what I base my rating system off of. I do enjoy seeing the stage versions of the stories though, seeing a live presentation of the story and music I enjoy so much. I just don't want their soundtracks. I do have to admit though that I've never seen a stage production of Jesus Christ Superstar.

I took a class on musicals at USC this last semester and we learned about the history of the film musical and the transformations it has undergone. We very briefly spoke abut this film. My professor used it as an example of the genre adapting to changing practices of the industry. After the studio breakup and the breakdown of the star system, musicals lost a lot of funding because they were so expensive to produce. The costumes and sets alone could cost the same as two sets of costumes and sets for two dramatic films. Musicals were all about spectacle, which meant they needed a lot of people and a lot of colorful props and fixings. So, once the studios broke up, musicals weren't affordable any more and it was hard to find a producer who would back such a risky investment. The musical genre had other issues to deal with as well, such as on location films. Musicals couldn't be easily moved from the soundstage to an actual location because of things mentioned before. However, some tried because that's what audiences wanted to see.

So, Jesus Christ Superstar is an example of a "runaway production." it's a film that takes its cast and crew out of the studio, and even country, to go to a location and film there. It was filmed in Beit Guvrin, Israel. It takes everything on location. This is done for many reasons. It helps compete against other genres that can show widescreen landscapes and, it's cheaper to shoot outside the US. So this film adapted to the times it was in.

I like that I was able to take a class that talked about some of my favorite films and teach me new things about them. But back to the film and why I love it. I'm not sure exactly what makes it so enjoyable for me. I love the music, the stylization and the atmosphere of the whole thing. I think its imagery is indicative of the time it was made in, and I don't think that's bad. The tanks and airplanes are war symbols and war and protest were prevalent during this time. Even the "den of thieves" scene was indicative of the time period. The items for sale date the film a little and I wonder what a modern version would have instead of some of the items seen in the film. Perhaps cell phones and iPods would be items for sale in a modern "den of thieves" but I still think guns, other weaponry and drugs would also still be there.

I know a lot of people love it and a lot hate it. Some people don't like what it says religiously, others hate the rock opera aspect of it. For me, both these things make it a movie I never get tire of year after year.



Also, I just have to say I think this is actually a pretty cool trailer.

Saturday, August 7, 2010

Live and Let Die

Today's film is my favorite Roger Moore Bond film. Live and Let Die was released in 1973 and was Roger Moore's first film as James Bond. Now, Moore isn't my favorite Bond, Sean Connery is, of course. Connery is, I think, the perfect representation of Ian Fleming's Bond. He has just the right amount of charm, sarcasm, badassery and dickery (Allison's word). Moore is also good for the interpretation that he does. I like the puns and gimmicky stunts and gadgets. He's the "funny" Bond, which works well for the stories told in his films.

Live and Let Die is an interesting film in the Bond series because, not only does it have to introduce a new Bond, it has to do so after the filmmakers already tried a new one, and went back to the original. Moore is very different than Connery and Lazenby, although more so like Lazenby. They had to establish him as a different character and I think they did a pretty good job. He is still the charming, flirtatious Bond but now with a little more humor and corniness. It works, and so does Live and Let Die. It has Jane Seymour, a pretty cool boat chase, and the amazing alligator/crocodile stunt. It drags a little at some points but I think it makes up for those moments during the action sequences. It's also restricted by a lot of 70s' trappings like costuming and some of the technology. However, I think the Bond films still work years later because the action is still thrilling, the women are still beautiful and Bond is still every one's hero.


I just saw that Tom Mankiewicz passed away on July 31st. I had the good fortune of seeing Live and Let Die on the big screen a few months ago for a class I took on the James Bond phenomenon and right before we watched the film, he did a Q & A with us. I also saw him at a panel I attended with my dad that USC set up for the James Bond Festival they put on that my professor actually hosted. I realize now how lucky I am to have had the opportunity to hear him speak on something he seemed to take much pride in. He told us many stories and he was a joy to have come to our class. I just can't believe that I saw him just a few months ago and now he's gone. I really enjoyed hearing the stories he told us about working on the Bond films. His favorite seemed to be the one where Albert Broccoli made sure he got a suite when working on Diamonds are Forever. I believe he said Broccoli spoke to Harry Saltzman, who explained that the suite would cost more than they were paying Mankiewicz. Broccoli responded with, "I don't care. He's writing the f*@king movie."

I really like this film and I am so happy I had the chance to hear from the writer, not once but twice. I can't believe he's gone. He seemed so happy and full of life when I saw him and he seemed incredibly proud of the work he did. I have enjoyed his films over the years and I expect that I will enjoy them for many more.



I love the James Bond character and I have enjoyed all the interpretations so far. I was worried though, and even asked the creators of the last two Bond films at the panel whether or not they were concerned, that the films were getting too serious. I love the new style and approach taken but I worry that some of the things that make Bond so fun and enjoyable to watch is being lost in these new films. I think each Bond has contributed to what the character should be, and is. Connery personified the character by lifting him from the pages of the novels and onto the screen. He gave the character life. Even Lazenby contributed by showing a different side of the character. And Roger Moore made the character light and funny. I know the character's main sensibilities come from the writing but I really do think the actors make the writing real for the audience and contribute just as much. Both are needed and both are just as important and I just worry a little that all the work done on the character by all these great actors and writers may be tossed away in the upcoming films (if we even see a new one). I just hope the creators remember what the character has been through and how it has grown. Bond really is the world's hero. He deserves the best because he has provided material for many entertaining stories that generations and generations of people have enjoyed. Every time I see a James Bond film I am surprised by new things I discover about the film. I hope that in the future, I will continue to enjoy these and future films and be able to share my love of the character with those I love.

Friday, August 6, 2010

The Longest Yard (1974)


Football film today! I love football and I love football films. Of course, I don't love all football films. I really hate it when a film gets something wrong or asks its audience to suspend its disbelief too much. If I'm watching a sports film I want the sports parts to look like sports. Luckily The Longest Yard didn't do anything like this to piss me off.



I really enjoyed today's film. It had football, a car chase and Burt Reynolds. Where could it go wrong? I was surprised by how violent it got at some points. For example, when Caretaker is killed, I was really taken aback. It was a harsh reminder that these guys are in prison because they are bad people who have done bad things. I think that's one of the things that made me like the film so much. It is so funny at times and then it can quickly get serious. There is the murder scene and at the beginning Burt Reynolds attacks the woman and throws her to the ground. There are even slight moments like when they're in the file room. They're going through the records on the inmates and listing off some of the things they did. I liked that it could balance those funny and really serious moments well.

The football scenes were good too. I jumped up at one point and was screaming at the player on the screen saying, "Go! Go! Go!" Allison watched the film with me and at this point she looked at me and told me it was just a movie. I can always tell when a sports movie gets the sports parts right because I usually end up standing on furniture yelling at the tv.

I'm sorry about the trailer today. I couldn't find the actual film trailer but I found the one for the DVD. All I found film related were a bunch of clips from the movie and the trailer for the 2005 remake. I have to say even though I haven't seen the new one, I am pretty sure I would not like it. I'm not a huge Adam Sandler fan, in fact I usually hate his films. We saw the trailer for this one before the film started and I kept thinking "man I hope the film isn't like this." And, it wasn't!



Thursday, August 5, 2010

Battle for the Planet of the Apes


This was the last of the Science Fiction films for me this week. Next we have a football movie, a Bond film and a musical. Hope these posts have been entertaining in some way, and now on to today's film.

Today's film, released in 1973 is the last in the Planet of the Apes series. I don't really know how I feel about today's film. I really liked Conquest of the Planet of the Apes and its underlying messages but today's film wasn't as ... eloquent? I don't think it was as cohesive as yesterday's movie, both in its story and message. It fell a little flat for me. I wasn't as caught by the anger between the apes and humans as I was yesterday. It was okay, not great.



I don't know why but the ape faces really bothered me in this film. They looked especially fake and I don't think it would have been as distracting as it was to me, except that, as I said, I felt the story was lacking. But it is hard to be the last in a series that starts with such a groundbreaking film as Planet of the Apes.

To give the film a little break, I did like Lew Ayres as Mandemus. I thought the questioning required to obtain the weapons was a nice touch. It is also the last in the series so it has questions to answer or paths to change. It ends fairly hopeful and I guess that's a good thing.

The film also attempts to answer the question of whether or not people (or apes) can outrun, change their destiny. Throughout the film it is suggested that the paths may change but the end result will be the same but the ending suggests that people/apes can, and did choose their futures. That's a more positive outlook than most Science Fiction films of this time. Of course, the film does start off with the end of a nuclear war and people and apes at odds with each other, though trying to live peacefully.

So, the two Planet of the Apes films I watched were entertaining, I liked one a little more than the other, and thought it was a little more developed but, in the end they both had the same effect on me. They made me want to watch the original Planet of the Apes.

Wednesday, August 4, 2010

Conquest of the Planet of the Apes


Today's film came out in 1972 and stars Roddy McDowall, Don Murray and Ricardo Montalban. It is the fourth in the Planet of the Apes series and was quite interesting. This was the first time I had seen the film and I was struck by several things while watching it. First off, it doesn't really feel like a Sci-Fi film. It feels more like a action/resistance film that just happens to have advanced apes as characters. The story is really about racism and slavery and I think both those themes are just as relevant today as they were back then. It is a little dated in that it's set in 1991 and it's a 1991 envisioned by filmmakers in the 70s but its message is just as important today. I was quite surprised at how well it communicated feelings of oppression and hate. I think the original Planet of the Apes has some racial undertones as well but they aren't nearly as pronounced as the ones in today's film.



Conquest is an interesting part of the Planet of the Apes series. It demonstrates why the apes overtook the world and it makes you sympathize with them. It works well both as an addition to such a great Science Fiction series and a social awareness film. The story of the series is continued and better explained and emotions are explored that must have been high around the time the film was made.
Another aspect of the film I found interesting was that it was kind of the connecting piece. Sort of like how Episode III was the film that explained why the story of the first three Star Wars films came about. Of course, neither is necessary for the originals to be great and make sense but it's nice to be given a back story and to see how the creators intended the story to be understood. Throughout the film, whenever the governor said something about protecting humans and ensuring that the prophecy of a planet run by apes didn't happen, I was reminded of a quote from Kung Fu Panda of all things. The quote is, "One often meets his destiny on the road he takes to avoid it." By repressing the apes and turning them into slaves, the humans only increase their resentment and will to fight. In trying to kill Caesar, the governor fuels his rage and encourages his idea for revolution. And, of course this will lead to the rise of apes and the downfall of humans. All in all, I thought it was a well made film that satisfied on multiple levels. A great addition to the series and the genre.

Tuesday, August 3, 2010

The Omega Man


Released in 1971 and starring Charlton Heston, it's a second interpretation of the novel I Am Legend by Richard Matheson. I have seen all three of the film versions. The Last Man on Earth (1964), I Am Legend (2007) and now The Omega Man. Although, I have not read the book, or graphic novel. Allison has and we had an interesting conversation about the different interpretations. She has an issue with The Omega Man and I Am Legend because she thinks the message changes too much from the novel. I don't want to give too much away and as I said before I haven't read the novel so I can't confirm anything but I trust her. She said the novel is kind of hopeless, where as both the film versions she has seen, The Omega Man and I Am Legend are hopeful at the end. In both films people run off into the sunset, so to speak, to a brighter future. I can see where this might bother Allison.
I liked all three versions, though they each have their set of issues. The Last Man on Earth moves slowly and I Am Legend has a few unexplained story elements. The Omega Man has similar issues that yesterday's film had. It has a lot of elements that are so apparently 70s elements. The music, special effects, costumes and even the background story of the war between China and Russia are things that trap this movie within the 70s. Now, I Am Legend has some things that will restrict it to the time period in which it was made. All the technology used in it from weapons to the television and even the movie the kid watches are indicative of the society during the time in which the film was made. Again, these aren't necessarily bad things but I do think it's things like these that prevent films from this genre from being able to cross over from year to year. Everything in the Sci-Fi genre has to predict some future and that is always going to reflect what the current society expects the future to look like. In the 70s, it seems apocalyptic was the main theme.
I liked The Omega Man. Even with its imperfections, it was still entertaining and creepy. I liked that Heston talks to himself and that the vampire/zombie creatures actually think and plan. In I Am Legend the vampire/zombie things don't really think like humans but rather like animals and having them plan and think critically in The Omega Man adds another level to the issue. The creatures aren't just animals, they are human-like and killing them off isn't like killing off another zombie. Heston's character is murdering but he's murdering because they are trying to kill him as well. So, in a post-apocalyptic world, there are two races, each trying to survive. One attempts to "purify" to world by getting rid of everything from the past. The other is trying to survive and killing anything that gets in his way. There's a plague and an end-of-the-world feel. What's not to like? Plus Charlton Heston is in it. Everything else is just cosmetic.