Thursday, February 15, 2024

Lisa Frankenstein

 


I didn't hate this movie but I didn't love it the way I wished I had. Diablo Cody has written a couple of films that I do admire quite a bit, both “Juno” and "Jennifer's Body" are regular visitors on our TV screen. So it was with some enthusiasm that I looked forward to this newest film penned by this talented screenwriter. I can't say the fault for this film's failures is entirely with the director, because the screenplay is a mess. Instead of being funny or cute or sexy, it's just gross and it relies on obnoxious stereotypes to sell some of its jokes.

The premise is a cross between “Heathers” and “Warm Bodies”, two films with horror at their heart that also try to slip in some romance. Maybe “Heathers” can successfully pull that off because its black heart is clear from the very beginning. “Warm Bodies” just didn't work when it was released a few years ago, and this film has the same problem, dead bodies are just not sexy or romantic. Dress them up in period clothing and try to style them as if they were poets of the era, they are still decaying, oozing, cold bodies that would not be attractive to anyone.

This film takes the idea of a wicked stepmother, and tries to update it into Dawn of the Dead. There's not enough humor to make it work when the film's tone changes dramatically after the first murder. At first the film seems to want to be a wacky romance between a girl who's an outsider and a little odd, and the idea of a Lost Boy from the old days, you know, when men were cravats and vests. The idea that a short circuiting tanning bed will substitute for the elaborate Laboratory of Dr. Frankenstein, is funny at first, but the joke gets repeated several times and it never really makes sense in the story why this would work. I know this is supposed to be a fantasy, so I shouldn't take most of these things seriously, and I don't, but come on. There needs to be a little bit more of an explanation about why a body that's been in the ground for almost 200 years suddenly rises from the grave because of the lightning strike. Lisa, the teen girl who is the protagonist in the story, is suffering from PTSD after the loss of her mother by an Ax Murderer, and the acquisition of a sister and mother when her father remarries. So okay, she's not stable, but her reaction to the character that shows up in her bedroom makes no sense at all.

Speaking of teen comedies that this film borrows from, we also get a little bit of “Pretty in Pink”, where there is a romantic interest, but not the one that we should be rooting for given the setup. It just doesn't make much sense that Lisa continues to want the editor of the school literary journal, after practically engaging in voodoo to get the corpse of Victor Frankenstein animated. Expecting the corpse to go along with this, without any jealousy also makes no sense. This is just a series of scenes that are supposed to be funny but don't work. We get ax murders that aren't funny, and characters who act as if there's no consequence to their actions, when in fact anybody can see the consequences coming from a mile away.


Oh, and another team comedy that we can throw in, “She's All That", where the dowdy little girl turns into a teen Queen that all the boys at school want to be with. Not sure that this is the right way to go from a screenwriter who came up with the clever premise of “Jennifer's Body”, and the terrific contrarian “Juno”. This movie feels like it was manufactured by somebody who is trying to make a successful Teen Movie by doing the same thing that Dr. Frankenstein did, sewing together the parts of dead films and hoping to revive them as something new. It's been tried before and rarely is it successful.

Comedy in horror, it's hard to pull off well. When it happens, like in the film “American Werewolf in London”, we are lucky that we can laugh and be scared at the same time. Lisa Frankenstein doesn't pull this Balancing Act off, it's not as disappointing as Five Nights at Freddy's, but the number of laughs is almost as low, and despite the cute actors, and three or four clever lines, there's just not much here to recommend.

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