Wednesday, December 11, 2013

JAWS Diorama



Final Cut 2013 - A Cinema Tribute

Tuesday, December 3, 2013

Movies I Want Everyone to See: The Court Jester 1955

Time marches on and history sometimes fades into vague memory and then is forgotten. If I asked anyone in my classes if they know who Danny Kaye was, my guess is that a couple of hands would go in the air and the other twenty-five would look at me blankly. This is no fault of their own, there are so many good films to catch up on, and if you are a fan of the Golden age of Hollywood, you probably want to absorb some film noir, or catch up on classic westerns that you have missed. Heck, maybe you would even want to see some of the socially relevant classics of that time period; films like "On the Waterfront", "Gentleman's Agreement", or "The Best Years of our Lives". Who could fault you with so many wonderful choices? I don't ever want this continuing column to be about scolding people for the films they have not yet found. My purpose is always to bring attention to a movie that I want others to share and enjoy. While Danny Kaye starred in dozens of movies and did television up till his death in 1987, it is this movie that makes me most love him. It is time for me to share the love.

Sunday, December 1, 2013

Homefront




A video review for a pretty standard Action film. Hope you enjoy. Also on KAMAD.
Not much to write about, but if you are interested I have a view things to say.





Friday, November 29, 2013

Frozen



Twenty years ago, I would have taken my small daughters to see this movie on a chilly day after Thanksgiving and they would have loved it. It has music and funny characters and two princesses. They would probably fight for the rest of the year over which princess they got to be when they played together.  I have no doubt that there will be 1000s of little girls and their parents enjoying the same kind of enchantment I might have enjoyed then. The problem however is my kids are grown, and while I did take my youngest with me (she is 25 now) we have grown more critical in our willingness to embrace a movie on mere concept. Execution matters. There is a lot to appreciate in this Walt Disney Pictures Release, but it falls far short of being a classic that you will want to return to time after time.

I love musicals, so when I say this film falls a little flat on the musical side, know that it is not because I object to the format. I have noticed that many musical films, especially children's films, start heavy in the first half and then as the narrative gets denser and more convoluted, abandons the musical sequences. Except for the Umpa Loompa song in Willie Wonka, once they go through the tunnel, the only distinct song is the "I Want it Now" Veruca Salt number. In "The Wizard of Oz", after they meet the Wizard the first time, there is only the guard song and it hardly counts as a song at all. This film has a dozen musical sequences in the first half and none in the second. When all those songs are stacked on top of one another in the first part of the movie, none of them gets to stand out. They are also pretty much the same style and sung by women's voices that are strong but not particularly distinct from one another. The Disney films of the early nineties knew that you needed a show stopper, not just a character piece. All the songs in this film feel like showcases for the singers but not for the story or the song. None of them advances the story or reveals anything surprising about the characters. They sound very "Broadway" with a little bit of contemporary teen pop to make them radio friendly. We need a "Prince Ali" or a "Be Our Guest" to make the show distinctive.

The set up of the dilemma with the two little princesses is nicely done but the reason for Ilsa having special powers is not explained and is taken as a given before we know it. There is a crisis that immediately follows our discovery of this gift and it is resolved by another unexplained phenomena, a village of rock trolls. The magic seems arbitrary and the explanations are rapidly zipped through. The loving parents are made to vanish for no particular reason and in a manner that seems to belie the circumstances in which they live. The whole first part of the movie skips over the relationship between the sisters after the opening incident. Since that relationship seemed so intense in the start of the story, it feels sadly underdone after that. The appearance of a love interest and the ease with which he is accepted by all but the new queen is another oddly undeveloped point. I also felt that the animation style, computer generated images, sometimes seemed to be used for display of ideas rather than telling the story. The best part of the artwork is not the magic of the frost covering the land, but the characters faces and the charm of the non-human characters.

As in most Disney films, the hero has a horse (or in this case a Reindeer) who has personality plus and steals the scene from under the lead. The nice touch in this story is that the hero provides a conversational voice for the animal and then carries on dialogue with himself as if the Reindeer were answering. Most of you with pets know what I am talking about. I liked the fact that this forces the hero Kristoff, to make decisions for himself but blame it on his reindeer Sven. The relationship between Kristoff and Princess Anna develops nicely through the adventure they travel through together. The introduction of the Snowman Olaf is a little less effective. As a character he provides comic relief and a narrator perspective on things, but he also seems to be obviously shoehorned into the story for just that purpose. There is also a villainous Duke from a neighboring kingdom who meddles in the affairs of Arendelle, the kingdom of the new queen and her princess sister. There is a sudden turn in the way the story plays out that is a bit of a mean cheat for the kids following along. It also feels like a convenient plot device rather than an organic twist in the narrative.

OK, enough with the grousing, the movie is perfectly fine family fare. I don't think it stand up next to "Tangled" or "Bolt", two other recent Disney brand films that have more going for them, but is is servicable for the holidays. I wanted to like the film more than i did, and I was inclined to because I was surrounded by parents with their small children who did seem to love it. The film was packed and there were lines for the next showing, so it will clearly be a hit with the audience it is made for. It just won't be as big a hit with those who have reached a different stage in their life. Enjoy it but don't expect to feel a need to revisit it. It is a clockwork piece of entertainment that has too many rough edges.
 

Monday, November 25, 2013

Thor: The Dark World



The God of Thunder returns in a film that features his own world for most of the story. Everyone will discuss how much the movie needs more Loki, and they will be right but it has a variety of other surprises as well. I am a couple of weeks late in getting here but it is an entertaining film and I don't think there are big secrets out in the webs that would spoil it for anyone.

Four films in one day and I'm too tired and it is too late to complete all the reviews. I will fill in all of them this week.

Now I am finally catching up with the films from last weekend. I am planning on seeing some new things today and I don't want to be behind.  This is the simplest of the four films to review. If you liked "Thor", you should like this film. It keeps all the original elements in place and  lets the actors carry on with the parts that they have established. The only exception being Stellan Skarsgård, who's Erik Selvig gets turned into a figure for comic relief and as a consequence, is undermined when the weapon he has devised is brought into play. 

There was more Anthony Hopkins and Renee Russo in this film and that is an improvement from my point of view. Russo as Thor and Loki's mother gets a good dramatic story line and appears to fuel the temporary alliance of our two demi-god brothers.  It is not clear what the resolution for Odin's character means, it was not very clearly explained but that will probably be the basis of the next stand alone Thor movie. It looks for all intents and purposes as if Marvel has managed to succeed in making the films work as part of a collective universe but also maintain their stand alone story lines. I did not feel impressed with the "Dark Elf" antagonists in the film. They were satisfactory but largely cardboard cutouts. Loki remains the key ingredient in making this story of conflicted Prince of Asgard Thor work. 

The movie is much grander than the original film. It features more action in Asgard and other spots in the Universe, as well as more interesting locations on Earth than the desert town found in the first movie. I actually found Natalie Portman to be less annoying in this film as well. She seems to have lightened up a bit about working in a comic book story and that makes the film feel less like it is reaching for grandness and more like it is trying to entertain us.  Tom Hiddleston steals the movie as everybody expected to happen. He plays Loki just right, so at times we can believe him and then at just the right moment, his voice changes, his eyes gleem and we know that we have been suckered in by a trickster. There is a fleeting cameo that got a big laugh in the film and it worked completely for me because it features a character that I like better than almost all the other characters in this Universe. 

So, the movie is big and loud. It has some spectacular set pieces and there are a number of good laughs. None of the material will surprise you or elevate the movie above it's comic book roots but it will please fans and entertain those who have enough patience with some simplistic story telling. There is plenty of eye candy for the female fans, both Chris Helmsworth and his chiseled look and Tom Hiddleston and his dark eyes will make many fans want a return to the land of the gods in the nine realms. Go and have fun, there will be a new comic book movie in the spring, this one will tide you over until then.  

The Hunger Games: Catching Fire



This generation now has the equivalent of an "Empire Strikes Back" moment. The second film in a series, matches and in many ways exceeds the original and it ends in a cliffhanger that will leave the audience breathless in waiting for the next episode. Jennifer Lawrence is a rising star with an Academy Award in her back pocket and a hugely successful movie franchise to back it up. The movie is as creatively successful as it will be financially.

I'm still trying to catch up with the tsunami of movies that we saw last Sunday. The third film we saw was the biggest hit of the weekend and may turn out to be the biggest film of the year. It helps immensely that the movie is actually very good. It is far superior to the "Iron Man" sequels that it will be competing with for top box office honors. This is a young adult series that has not been afraid to tackle some serious issues. From my point of view there is a dangerous parallel between the fascist government in the story and the times we live in. People inside "the Capitol" (read "the Beltway") see the hinterlands as a source of resources for their own power and status. This is so much like the relationship of the current government to the rest of the country it should come with a political disclaimer. "The Hunger Games" are designed to remind the rebellious that there is a cost to challenging government authority. All the pomp and circumstance is made to be a distraction from the lack of jobs, freedom and hope that everyone is saddled with.

The second film in the series has clearly had an upgrade in budget and scale. The vision of the Capitol city and of the surrounding Districts is much clearer in this film. There is a strong sense of the technology and how it is integrated into the power structures. When the storm troopers arrive in District 12, the whole country gets a brief look at the clash that Katniss has provoked among the proles that have had their necks stood on for 75 years.This is a world ripe for revolt and the snakelike President Snow, recognizes it. His open animosity toward the winners of the games, makes it easier for the rebels to maneuver the star of the games into a position as a figurehead. The politics of the film are as important as the pyrotechnics of the games. Then, you add the games on top of this and the movie becomes entertaining as well as thoughtful. The ability to visualize the challenges of the new games, with their new rules and manner of selecting the tributes, is very praiseworthy. We get a little more insight into the motives of all the districts and we meet the contestants in more detail this time. The fact that many of them are old, middle aged, and still able to find a reason or a way to fight is pretty encouraging. It is another thing that moves this from being a one note love story for tweens into a full fledged science fiction epic.

Katniss is more conflicted in this story. She knows that the games are a death sentence meant for her and the only thing she wants to assure is that her counterpart Peeta survives. One big difference in these games is that the arena is much more focused on eliminating the competitors than they are interested in eliminating each other.  The alliances feel different this time and it turns out there is a reason why. It is not clear how all of the twists are managed but they seem to be leading to a very serious story conclusion that is not light hearted at all. There are a few moments of humor and some moments that provoke sadness but when the end comes, it will arrive with a sharp intake of air from viewers who have not read the books. This is another comparable element to the second "Star Wars" film, things take a turn and they don't always turn out well.

In reading the books, they declined in my opinion, starting with the strongest and devolving to a climax that felt unsatisfying. I get the feeling that the films are reversing that trend. There is hope that the weak finale of the story can be turned into a more admirable outcome in the films. I don't expect the story will change but it feels like the story telling is much more controlled and thoughtful. I expect, based on what I have seen in this film, that the plot will be more meaningful and the characters more interesting than they were in the book. I guess I will have to save that pronouncement until we get those last films, but "The Hunger Games: Catching Fire", has me hoping that the film makers can pull it off.