The Flash

 

Warner Bros. and D.C. find themselves in an odd place. They have cracked the nut of making a comic book movie both dramatic and fun, but they have done so with a star who has become problematic and in the middle of a regime change over the plotting of the DC films. With that said, lets get to the artistic issues before we come back to the social and political ones. "The Flash" is a bucket load of fun, it takes advantage of the premise and gives us a brief origin story, while addressing the dangling plot line left over from "the Justice League" (either version).

In the set up of the story, we discover that the Justice League is operating like an international law enforcement agency. Alfred appears to be in charge of coordinating assignments, and Barry Allen and Bruce Wayne, are operating in different cities but cross paths occasionally and their current assignment has them addressing a single crisis on multiple levels. Just as we are getting set up for another round of buildings being destroyed and multiple off screen casualties, the screenwriters, Christina Hodson and Joby Harold, inject a fantastic comic moment in the movie that allows us to relax and enjoy what is coming, instead of sitting in our seats and just anticipating the usual DC Strum and drang. The Flash gets to save a dozen people and a dog, in the most amusing manner that you can imagine. Suddenly, we know it is alright to enjoy the movie.

If there is a reservation about the plot, it comes from the fact that this movie is mimicking some of the multiverse concepts from the MCU. Instead of the quantum realm, we have a time travel variant,  akin to Doctor Strange. but based on physics more than mysticism. There is even a moment when we get some exposition to try to explain how the timelines work, and that they are not all parallel. The spaghetti visualization is both clearer and more entertaining than the walk though that we have had in other movies. Time travel stories are fun, but I frankly can't be bothered trying to learn string theory during a movie. I will let any logical plot holes pass by my eyes for the time being and simply focus on the characters and the story.   

The quirky Barry Allen has an endearing quality, despite also being slightly irritating. There is a great moment when one version of Barry confronts that quality in himself when he has to deal with his alternate version. That moment was worth a chuckle and there are several more where that comes from. Unlike "Back to the Future" which does get some amusing references in this film, Barry is not incapable of interacting with his alternate self, in fact, that relationship forms the spine of the story for us. The two Barry's have a clever brotherly relationship in the film. They are at odds on some things and partners on others. While having the powers switch was a little convoluted, it did give the story a lot of opportunities to have fun with discovering the limitations of The Flash's powers and also the possibilities. Ezra Miller playing both parts simply nails the tone and hits the notes perfectly. His persona is half of the charm of the character (and also the reason that DC/Warners might be in trouble if they have to let him go). 

It's not a spoiler to admit that an alternate Batman is present in this film. Michael Keaton has been prominently featured in the ads, trailers and posters. Keaton's return as Bruce Wayne/Batman is truly welcome because his version allows us to again mix the dramatic with the humorous. Is there a bunch of fan service as a result? Of course there is, but it was all welcome. The Wayne Manor production design was enough to get me cheering, much less the return to the Batcave. I did miss having a trip in the Batmobile as part of the story, but the Batwing gets used well, it has some nice innovations, and there is a great shot that reminds us of the first Batman movie with the moon in the background.  If you have seen "Spider-Man: No Way Home", you will get the idea about the alternate versions of the characters being plugged into the story. The most intriguing plug in being Kara, the cousin of Kal-el (Superman). The Butterfly effect is in operation at every level and that explains in part the absence of some of the Justice League members from the story, and the variations that do appear. 

The Speed Force environment, works a bit like the multiverse in "Quantumania" and "Doctor Strange in the Multiverse of Madness". We see bits and pieces of other realms, universes, and story lines. One thing that is true in these stories, you are often your own worst enemy and that is the case here as well. How much sense it all makes depends on a more complicated analysis of time travel that I am just not willing to engage in for the moment. It feels in the long run that the writers made the appropriate choices and Director Andy Muschietti, has put it together very efficiently for a film that is almost two and a half hours. 

Back to the marketing problem for just a moment. Ezra Miller is an odd duck, there are things in his life that are strange, bordering on evil and certainly questionable in regard to morality. Miller may also be suffering from some form of mental illness, so it is difficult to say he should be dismissed entirely because of some of his behaviors. It would be hard to imagine going forward with this version of the character without him, he is such a natural fit. On the other hand, the story closes out very conveniently, so there is not a dangling issue that will require another film. This will be a self selected conclusion if James Gunn and the new people in charge decide that the Flash is taking some time off.

I always avoid spoilers, but I will say there are some great moments of fan service that long time DC fans will appreciate. It is also a very good demonstration that the company recognizes that they are not just doing an action movie. We can get plenty of world wide destruction from Transformers or the Fast and the Furious. What brings people to a comic book based movie are the characters, let's pay attention to that from now on.