It's been almost a week since I saw this film, and I'm still not sure how much I liked it. To be honest, the faults of the movie are largely a result of a screenplay which is based on a book. Unfortunately, it is a photography book and it has no narrative structure. Writer/Director Jeff Nichols has attempted to create a story to match the looks of the 60s motorcycle club, but it feels like a set of tableaus rather than a fully formed plot. The choice to have it told through a series of backward looking interviews, by a subject who would not be privy to some of the details or events, is also a bit befuddling.
The three stars of the film all have something to offer, but there is also a drawback to what they are doing. Tom Hardy plays Johnny, a motorcycle racing enthusiast who commits to forming a riding club. The people who join this club are largely outsiders who are looked down on by others and frequently spurned by their own families. Hardy has the attitude and look of a tough guy who is really a family man, but his articulation in the film comes with a voice that sounds like a feckless Elmer Fudd, more than the cool Marlon Brando that the character admires. Everything he does feels like he has to be pushed to do. The most powerful action he takes, in retribution for an attack on his protege Benny, is done as a collective action, and it is clearly their numbers which gives him the upper hand. Is that power going to be used for somethin? Can Johnny hold onto the power? Will the authority of his position corrupt him? Some of these get a little attention, but are not deeply developed because there really is no story. Johnny is an incomplete character.
Speaking of incomplete characters, Benny is basically just a cliche dressed up as Austin Butler doing James Dean. As a laconic, nearly mute protagonist, Benny has the look of the character he is supposed to be, but there is even less depth to him than to Johnny. Butler is promising enough early on, where his good looks and quiet demeanor suggest sexy bad boy. As the film plays out, we just know him by his anti social ways, rather than his character. He is a walking stereotype of the dangerous sexy boy that the girl is attracted to. When it comes to physicality, Butler is great, when it comes to emotions, there is only one scene, near the end of the picture, where we get the slightest insight into how he really feels.
Jodie Comer is the real star of the film. Her character, Kathy, is the narrator for the events, and she has a couple of incidents in the movie where she gets to show her chops. Her choices may be the most controversial because of the accent that she uses for the character. I know that it is based on the actual voice of the real Kathy, because of an interview we got after the advanced screening. In the live stream event, she told the story of listening to a tape of the woman who was the source of the material about the club/gang. The approach is disconcerting at first but I thought she sold it pretty well. Others may have difficulty living with it.
The movie looks terrific. It is shot in a way that accentuates the images so that they look like they came from a picture book. This choice may also undermine the drama of the film. There are dozens of needle drops that reflect the times and the subculture of the motorcycle club. Very few of them are the biggest hits of the artists that are being played, they rather are strong lesser known tunes that fit the themes and images of the film. You won't be hearing "Leader of the Pack" by the Shangri_Las, but you will hear that group frequently in the film. Steppenwolf is nowhere to be found but Gary U.S. Bonds is. These were good choices to avoid a paint by the numbers motorcycle movie. It's just too bad that the narrative and the visuals make the movie feel like a slideshow rather than a story.
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