The Untouchables (1987) Revisit

 

This movie is as hypnotic as any DePalma film, with the added advantage that it is straightforward and to the point. Maybe it is just good guys versus the bad guys, but when the Good Guys are lead by Kevin Costner and Sean Connery, I don't know how anyone can turn away. Throw in DeNiro as Al Capone and you have a heavyweight fight that would break pay per view records if it were a boxing match.

Even before the first scene, the movie is pulling you in with a haunting and propulsive theme played over artistically rendered Titles. Ennio Morricone was Oscar Nominated for the score of this film and it should have been his. The background themes are  great at accentuating the heroes in their glory moments, and the action scenes are supplemented with exciting motifs that come up in various sections of the film. There are plenty of opportunities for the music to make an impact on you.

The botched opening raid is a nice way to set our expectations at a different place. Later, when the group of Untouchable Law Enforcement agents swoop down on smugglers at the Canadian border, we are amped up to see the results after the earlier futile effort. The key set piece is the train station shootout with the slow build and all the closeups. DePalma has studied the Serio Leone films meticulously and lets those beats play out at the same agonizing and tension filled pace as we got in the Spaghetti Westerns. Every complication adds to the suspense, every effort to get the accountant and keep him alive makes our anticipation of Andy Garcia as Stone worthwhile. Costner plays it so cool in this scene in comparison to some of the early moments of the film. You can see the character arc in his demeanor here.

Of course Sean Connery is the lynchpin for the film. His world weary folksiness and Chicago cantankerous nature were a perfect realization of the character. The combination of his story and that of Charles Martin Smith gives license to Eliot Ness to get a little dirty, in spite of his white knight image. Charlie Martin Smith and Billy Drago are the unsung heroes of the cast, one showing the exuberance of a puppy dog and the other reflecting the darkest elements of the Capone organization. Maybe Capone doesn't go flying to his death, but we know that his empire has crumbled because of the turning of his own tactics against him.

Filmed in the 80s, DePalma and Company make Chicago look like fifty years earlier, and the soundstage sets match up so well with the exteriors, you can believe it was all shot in the time and place depicted. This movie is just a lot of fun. Fidelity to the real story is lacking, and the conclusion in the court is a bit baffling, but you won't care because everything else is so rousing.