A Girl Walks Home Alone at Night and [•REC] A Twofer during Panic! at the Paramount

 

A Girl Walks Home Alone at Night

Two more films during the "Panic! at the Paramount" Halloween Screenings, although technically, this should be "Panic! at the State". since they played next door at the State Theater. This was anot a double feature, but two separate shows, although I suspect many in attendance had done what we did, just plan on going to both.

"A Girl Walks Home Alone at Night" is a vampire film, set in Iran but filmed in Southern California. Directed by Ana Lily Amirpour, it tells the story of a dying town that is being drained of life by drugs and a vampire. In this case it is a lonely vampire woman. She seems to be able to be selective about her victims and chooses criminals, drug users and homeless people to feed on. All the while she is intrigued by the others she sees living in the area. She lives in an apartment filled with pop culture refernces on the walls and she listens to music that she has taken from some of her victims as she dwells on her life, alone in the dingy surroundings of the flat and her neighborhood. The idea that we might sympathize with a vampire who kills people is not new, neither is the perceived loneliness of such a life. That perspective was cover pretty well by  Tony Scott's "The Hunger".

Before we even meet the vampire however, we encounter Arash, a young man who seems to start the film by stealing a cat, and then proceeds to become more sympathetic in spite of his light fingered tendencies. Some of what motivates him is that he is caring for his father, a heroin addict incapable of doing anything other than remembering the past and shooting up his next dose of medicine. Deeply in debt to his pusher, a pimp who styles himself after the chic Eurotrash he wants to live like, Arash's father allows his son to shoulder the responsibility and the pimp takes his prized possession, his car. The car becomes a keystone in the story, later bringing together an aging prostitute, the vampire and Arash himself.

The film does seem to meander a bit, but most of that is establishing the environment and circumstances of the characters. The horror elements are very limited, with the creepy apparition of the Girl, appearing in the background and sometimes following other characters in the story. The Girl wears a Chador over more Western dress, so that when she is seen in public she simply seems to be a compliant woman, but when we see her in her apartment and at the party later, she is anything but that. Maybe there is some commentary implied about the rules that people live under in Iran, although it appears that there is plenty of privilege for those with means. 

Stylishly shot in Black and White, the film creates a foreboding atmosphere without ever provoking fear, just some anxiety. Lighting and shadow effects are used well to draw attention to some emotional points, and the sadness that permeates "Bad City", the town they occupy. My favorite scene in the movie occurs when Arash, dressed as Dracula for a party, drunkenly encounters the girl and the start of their relationship is funny as well as disconcerting. I'd seen this film before, but this was the first theatrical screening for me and I think, as usual, that the theater environment enhances the film in every way. 

[•REC]

This is a Spanish horror film that was remade in the U.S. as Quarantine. I never saw the remake and this was a first time watch for me. In essence this is a found footage film, since all of the content is recorded on a video camera by an operator we know as Pablo but who we never really see. The film starts out as an episode of a television program, that looks at everyday experiences. Ángela, is a reporter for this lifestyle news program and she is following a Fire Department crew on their nightly routine. Of course the experience turns out to be anything but routine.

Made up of edits and segments that would normally be culled down to a minimal running time, the realistic nature of the film technique enhances the excitement in the movie and it brings up the terror factor very effectively. We are only seeing what Ángela and her cameraman are able to record, hence the title of the film. She is committed to getting the truth out when dangerous things start happening in an apartment building that the fire crew has been called to. A Mysterious aliment seems to have befallen an elderly woman living on the top floor of the building, but anyone who has seen a zombie movie before, has a good idea of what is coming.

As the stakes get higher, outside authorities have closed off and sealed the building, refusing to let the occupants, the news team or the firefighters and cops inside to exit. Life threating injuries are being neglected and Ángela wants to document that neglect and find out the reasons. So often in movies, the reporters are annoying obstacles that are used for exposition and then treated as humor or fodder for the rest of the story. This film treats the press a little more fairly, although we do see that the two person team is deliberately ignoring the directions of the police during the events. 

The action scenes are quick but the after effects are shown in gruesome detail to make the film more horrifying. Towards the end of the film, we switch to a night vision viewpoint on the video camera because the power seems to have gone off in the building and at that point people are sequestering themselves inside the already sequestered building. There is a strange explanation of what might have originated the contagion causing people to become hyper aggressive monsters, but by the time those explanations arrive, they are irrelevant, except to set up a final sequence.

 [•REC] is an excellent example of both the found footage style of film making, but also the modern version of a zombies story. Actress Manuela Velasco has to carry much of the weight of the film as the on screen reporter who is essentially directing the movie by pointing her camera operator in the right directions. She does a great job of selling the character as a woman who knows the limits of her job, until push comes to shove and she levels up. This was a real discovery for me and highly [rec]ommended.