TCM Film Festival Day Four

 It's always a bit sad when you reach the last day of the festival. Even though you might have a full slate of events to attend, the knowledge that it is all coming to an end sometimes hangs over you. That's one reason to start the day off with something that you know is going to get you going on the right foot. I'd watched "Paper Moon" just a couple of months ago, when Director Peter Bogdanovich had passed away. My film salute that weekend also included "The Last Picture Show".  It was just five years ago that he attended the festival to talk about "What's Up Doc?", the second of a trio of films that had made him the hottest director in Hollywood. "Paper Moon" was the third film in this string of hits and it won nine year old Tatum O'Neal the Academy Award for Best Supporting Actress.

"Paper Moon" is a terrific film that is hugely entertaining, and it had the bonus of being a film my daughter had yet to see. It is my pleasure to have introduced it to her and to say that it was her favorite film of the festival,  what a great surprise and joy. TCM Host Ben Mankiewicz interviewed Louise Stratten about Bogdanovich and his career. She was his former wife, longtime collaborator and friend to the end of his life. She is also the sister of the late Dorothy Stratten, who Bogdanovich fell in love with before she was murdered by her husband. 

She spoke very highly of Bogdanovich and is trying to carry on his legacy with some film projects. Ben had recently spent a great deal of time talking with the director for the TCM Podcast 

"The Plot Thickens". It is worth your time to listen, especially if you are a lover of older films. 

After our first film of the day, we zipped upstairs to get inline for "Fly by Night", a comic thriller that I had never heard of before. Alas, we had a high queue number and it did not look promising for us to get in. We went over to the adjacent line to get a queue number for "High Noon" as a backup. Sure enough, with about seven people in front of us, we were informed that "Fly by Night" was full, so we zipped over and got seats in the back for the Gary Cooper Classic Western. 

So maybe it wasn't our first choice, after all we have both seen it numerous times before, but it certainly deserves a showcase at the festival. We were Ok with the substitute and then we got something we did not expect and which was one of the highlights of the festival for us. Country Music star Marty Stuart was doing the introduction and he was fantastic. He expressed all the themes that the film was about and talked about how engaging the music was. He got so wrapped up in the energy of the tune that is the theme, he practically played it out by slapping his chest, like Matthew McConaughey in the "The Wolf of Wall Street".

Of all the introductions of films at the festival, his was the most moving and generous and I felt really lucky to have been locked out of the other film. In addition to Mr. Stuart, we were introduced to Gary Cooper's daughter Maria Cooper Janis who had some stories of her own to tell about the film and her father. 

We had checked out of the hotel, but our luggage was with the bell captain and the lobby was available for the festival guests, so we took a brief break for a light snack in the lobby before our final film of the weekend. Amanda's friend Kili was meeting us for dinner at 6 pm and then taking us to her house for the evening before we got on our flight home Monday morning. 

The Academy Award winning best picture of 1973 was the ensemble comedy classic "The Sting". This was a nice pairing with "Paper Moon" since both center on con artists during the depression era, but they are vastly different stories with divergent tones. This film was an audience favorite in 1973 and it was delighting everyone who was here to experience it in the Big House at the Chinese Theater complex. 

This is a complex story about con artists and criminals and it requires that you pay attention. There are a dozen great character actors in the film, and I can only guess that Strother Martin was not available, because director George Roy Hill used him in both "Butch and Sundance" and "Slap Shot" which he made before and after this film, and there are a couple of roles that he would have been great in. 

The discussion of the film took place after the movie and that was the first time at this year's gathering, in which the feature preceded the discussion. The guests though were great. We got two of the surviving producers of the film, and the screenwriter of the movie. All of them won the Academy Awards for this picture. The missing producer for the film was Julia Phillips, the first woman to win an Academy Award for Producing the Best Picture winner. 

Tony Bill, David Ward, Michael Phillips along with Ben Mankiewicz

They talked about the casting issues and adapting the book to a workable screenplay. One story that they mentioned was that Robert Shaw's limp in the film was a result of an accident he had and instead of recasting the part, it simply became part of the character. Shaw got the part because the originally cast Richard Boone, mercurially vanished after being offered the part and no one knew how to get a hold of him. 

And so we say farewell to another TCM Film Festival. It was a blast. See you next year.

TCM Film Festival Day Two

I had a complicated time trying to get the tablet I brought with me to the festival, to interface with the blog site and allow me to both write and post pictures. The brief E.T. Post took longer than it should have, so I finally decided to just push the coverage until after I was home. 

Day Two of the Festival started with my favorite Disney film and a conversation with a key animator who is the subject of his own documentary. Floyd Norman is an amazingly spry 86 year old, who broke color barriers and became a favorite of the old man "Walt Disney" himself. 

The Venue for the event was the El Capitan Theater, across the street from the Chinese Theater, and right next door to where Jimmy Kimmel films his nightly show. The theater was only used this one time at the festival this year, and if you have not been here before you are missing a real piece of Hollywood Showmanship. In addition to being restored to a beautiful condition, this nearly 100 year old movie palace features an organist playing a pipe organ on stage, primarily Disney film tunes.

Mr. Norman was interviewed by film critic and scholar Leonard Maltin who himself is the recipient of this year's Robert Osborne Award at the Festival. 

You can hear a brief excerpt of their conversation on this Soundcloud Link.

After the discussion, the theater gets set for the movie by darkening and then this happens:

The film itself was just as great as when I first saw it in 1967. Most of the songs are by the Sherman Brothers and they are hysterical. Having had Buzzards dancing around over roadkill in front of our place in Texas, I have a new appreciation for the animated moptops who show up in the climax of the film. In the old days, before home video, we revisited the movie by playing the LP  soundtrack over and ove, so all of the songs are in my head from more than fifty years ago. 

This year, Amanda and I decided to add more of the Club TCM talks to our itinerary and that lead us back to the Roosevelt for a fun presentation by animation historian Mark McCray.  Looney Tunes in Hollywood featured clips of celebrities from the Golden Age who appeared in cartoons of the time. The combination of clips was entertaining and the talk was very informative and fun. 

We then got in line to see "Pride of the Marines" a John Garfield film about a real war hero who loses his sight in battle and almost loses his faith in the world as well. This was a project that Garfield championed and he reportedly said this was his favorite role of his career. It would be perfectly understandable if that were true because Garfield is excellent and although the movie has some rough edges, it is a stirring combat film as well as a tribute to those who returned from the war with some pretty heavy burdens. 

The presentation before the film was given by Jim Beaver, a favorite character actor from today, and also a veteran of the U.S. Marine Corp. We were in the second row for this screening and we were very happy to see "Bobby" give his talk about Garfield, the subject of a Book that Beaver authored. 

We headed back to Club TCM for our next event, which was a conversation about Actress Doris Day. We had skipped the screening of "The Pajama Game" but we got a chance to hear stories from several of Doris Day's friends, some of whom contributed to a photobook that was available for signing after the event. 

Eddie Muller hosted the four women as they shared memories and told their personal stories about becoming friends with Miss Day. All of them were charming and I was happy to recognize actress Jackie Joseph, from the original "Little Shop of Horrors" and "Gremlins". She had worked on Day's last film and Television projects. 

Amanda has a Moment with Jackie Joseph

There were several other programs we might have seen, but as luck would have it, my other daughter was able to come down to Hollywood for the evening and she brought Cheesecake from Canter's Deli. We spent the rest of the evening having room service dinner and visiting with Allison. 

TCM Film Festival 10th Anniversary Recap--Day Four

Holiday

The last day of the Festival is always a bit melancholic, after waiting a whole year for the event to arrive, it is suddenly on the brink of departure for another year. However, just as we try to enjoy the days off after Christmas, the last day of the festival should be something to treasure as well. If you can find a romantic comedy starring Cary Grant, I think you are onto the path for success in overcoming your doldrums. If the movie also features Katherine Hepburn, my goodness you have hit the Jackpot.

There were a couple of things that were hard for me to believe about "Holiday". First it was hard for me to believe I've never seen this movie before. I've seen "The Philadelphia Story" dozens of times and "Bringing Up Baby" is also an old friend. Grant and Hepburn only made four films together. I don't have any memory of Sylvia Scarlett and I thought I might have watched "Holiday" at some point but as it played out, it was clear to me that I had not. The second thing that was hard to believe was that this movie was not screening in the main house for Sunday morning. This is just the kind of film that should bring all the classic buffs to a theater on a lazy Sunday morning at the festival. The crowd was quite large for the event, and I don't know if there were disappointed fans turned away. As far as I could tell, the big house was not being used at the time so it probably could be done. Well, I'm not in charge of programming and I'm sure someone wiser than I calculated all the relevant factors.

There is a sense of the same kind of madcap foolishness in this film as found in the two pairings of the stars I had seen. Grant is an investment accountant of modest background who falls in love with the daughter of a millionaire. She loves him back but it becomes apparent that she has reservations about his odd life plan. He hopes to score an economic windfall that will allow him to retire on Holiday as a young man, and then get back into work when he has that experience behind him. The eccentric sister of Grant's fiance is Hepburn, who approves of him when the others in the family have their doubts. As a critique of greed and convention, "Holiday" is a little light in themes, but when it comes to what a real love entails, Hepburn has it in spades over her bifurcated sister.

The morning hosts were Diane Baker and Ron Perlman. They talked generally about classic movies but did not have many specifics about this film. The conversation was fun but not essential to this experience.

The Robe

On the previous day, at the Fox Appreciation event, a nice clip of "The Robe" was shown, that highlighted the width of Cinemascope and the beautiful cinematography. I'd been a little uncertain about what we might see at this time slot, but that moment settled it for me. It was also fortuitous that this showing of the film was happening on Palm Sunday. There is even a sequence in the movie where we see Jesus arriving in Jerusalem and the crowd waving their palms in the air.

The crowd at the Egyptian was solid but not entirely packed. Our host for the screening was President of the Motion Picture Academy and celebrated cinematographer John Bailey. If you look at the list of movies he worked on you will be suitably impressed. Of course Amanda and I appreciated that he filmed the recent Lambcast Movie of the Month "Silverado". It made complete sense for a director of photography to talk about this film, since it was the first movie to be produced in CinemaScope. Mr. Bailey provided a brief guide to the process and explained how the focus has to be adjusted by the lenses that are used in the process. It appears that the Technicolor label on the film is a bit of a misnomer because there was a new film stock used that had been created by the studio for it's new process, it was simply that Technicolor had to do the corrections and prints.

The film stars Richard Burton in one of his first prominent roles. There is definitely a vibe around his character that is similar to Ben Hur, but in reverse. He is a Roman Tribune who is banished to Jerusalem because of a contentions relationship with soon to be Emperor Caligula. He and the slave that he has outbid his rival for, arrive in time to participate in the Crucifixion. What follows is a religious conversation and a variety of spectacular sets.  Victor Mature is quite good in his part but he is definitely a supporting player. The part of Caligula was played by actor Jay Robinson in his first big screen performance. He is incredibly over the top here that he might have had trouble getting subsequent work, except he has a distinctive voice and eyebrows.

The Killers (1964)

I had long heard of this movie but I have only a vague memory of seeing clips and those were black and white [at least in my memory].  This is supposedly a loose remake of an even more loosely adapted Ernest Hemingway story. I can't testify to either of the previous sources, not having seen them, but I can say I see some Hemingway roots. The men in this film are all tough and fatalistic. The woman is cold and duplicitous. I also understood the film to be a low budget TV production that instead got a theatrical release. Well let me tell you, it does not play like a TV movie at all.

Director Don Siegel was the right man for the job. The story is told through a series of flashbacks and there are some brutal moments of violence that the camera does not turn away from. Just as in the future collaborations with Clint Eastwood, the possibility of violence floats under almost every scene and the characters are not sentimentalized at all. This was shot in color, and it does look like the kinds of color timing and saturation that you might get in a TV movie but it all worked well.  There are a half dozen really solid actors in their parts and I was impressed with the cast list as it came up on the screen during the titles.

Norman Fell and Claude Aikins are well known television actors, and both made frequent forays into the theatrical film as well. Clu Gulager is also a staple of television but has been in some of my favorite movies over the years including "The Last Picture Show", "Into the Night" and "The Hidden". He is also still working, he is going to be in the Tarantino film coming this summer. I think his role here was maybe the biggest part he had. He is a sadistic hit man who is partnered with Lee Marvin, so he is in the film for most of the running time. The image he cultivates with the ever present sunglasses is one that is always threatening. Lee Marvin owns the picture although you never think of him as a hero, he is clearly a bad man, he is also however a clever man. The two killers figure there must be a financial reason behind the hit they pull off at the start of the film and they plan on getting a part of the pot.

John Cassavetes is the doomed race car driver who gets involved with a mystery woman played by Angie Dickinson. He is very low key in this part until the final sequence of flashbacks that shows us when he ended up being dead, long before his actual death. Angie Dickinson plays a femme fatale who has eyes for more than one man in the story. She was the guest at the screening

The real revelation in the movie was Ronald Reagan. This was his last film, and although he reportedly hated playing a heavy and the slap he gives to Dickinson, he was really quite good in the part. Reagan always had charisma on screen, but he was usually most effective in a secondary role rather than trying to carry the picture. This movie shows that in addition to the charming comedic parts he usually played, his range could be broader.

This was a heavily attended program and we were in the last group to be admitted to the theater. I felt we were fortunate to get in and see a great star like Dickinson, who was generous in her praise of everyone in the movie. She said that even though she is a Democrat, she thinks everyone can agree that Reagan was a good President, but she also thought he was a good actor. Someone in the crowd is a friend of Clu Gulager, and we got a little shout out from him via a text message of greeting to Angie.

Although there were still opportunities to see some more films at the Festival, Amanda had to be at work early on Monday, and all the screenings were not going to finish until nine. We skipped another film and the closing party, and headed home, completing the 2019 Festival with a very satisfying piece of crime film and history.

TCM Film Festival 10th Anniversary Recap--Day Three

When Worlds Collide

Starting off Saturday morning with a 1950s Science Fiction film just seems appropriate. This George Pal produced extravaganza features many of the disaster tropes from future films like "Armageddon" and "2012", but the human story is actually more the point. There are a few brief sequences of disaster when the planet orbiting the star that is approaching Earth is near, but most of the drama is in the decisions about who gets to ride in the Ark spaceship and who loves who.

The screening was hosted by Dennis Miller, an avid film fan and the perfect stand in for me. His gee whiz enthusiasm for the movie and his fanboy crush on movie star Barbara Rush, reflected exactly how I would have felt if I were sitting in his seat. They talked about her career quite a bit and she still works. She had kind things to say about Producer George Pal and she seemed to be a fan of the movie as well. Maybe we can get a screening of Robin and the Seven Hoods next year and it can all be about working with the Rat Pack.

The special effects in the film are really quite good and the miniatures and photographic effects are convincing up until the climax of the movie. The survivors arrival on the new planet is a bit rushed and the background art matte looks like a coloring book rendition of another world. It was flat, overly simple and the colors were garish. Before this, the movie looked great and the cinematography was top notch. Actor John Hoyt, who will be familiar to anyone who has watched a TV show from the 50s, 60s, 70s or 80s because he was in everything, plays the cartoonish bad guy in a wheelchair. When he gets his comeuppance, everyone was happy.

Fox: An Appreciation

No one seems to want to acknowledge that Twentieth Century Fox exists in name only right now. I suppose, much like the once potent United Artists, the logo and masthead will continue to appear on theatrical releases, but as an independent film studio, Fox is no more. They will be a Disney brand for films that Disney does not want to have the Disney name on. I thought the event would be a bit more bittersweet, but instead, it was a celebration of the restoration efforts of the Fox Archive project, and that was certainly worthwhile.

Our guide for this review of great Fox films was Schawn Belston, who is the Executive Vice President of Media and Library services at Fox. This was a clip presentation with maybe twenty to thirty films getting a few moments of special attention. The opening of the program featured all of the 20th Century Fox logos and the fanfare that have opened their films since the founding of the studio. The first clip also reflected their greatest success, "Star Wars" which did play at the Festival but I skipped to see something else.

From Shirley Temple to Die Hard, a long list of distinguished movies were honored and a little bit of history about their restorations was thrown in as well. I especially appreciated Mr. Belston singling out the amazing score for the original "Planet of the Apes" and naming it's composer out loud. Jerry Goldsmith is my favorite movie music man and this was a nice little bonus from my perspective.




This presentation was at the newest venue to join the TCM FF, American Legion Post 43.  Now you might think a Legion Hall is just a bar, a hall and some pool tables, but in this case you would be wrong. The main hall has been fitted out to be an elegant theater which would be capable of handling live productions as well as film presentations.

I did not get a shot from the back of the theater but the proscenium is quite large and you can see how cavernous this place is.


This was the only event that we attended at the Legion Post but there were films playing here all weekend. The only real drawback was the hike to the location. It is not actually any further than the Egyptian Theater is from the Roosevelt or the Chinese Theater, but the trip is a little up hill and the grade made it a bit intimidating. That plus the fact that the weekend featured typical warm California Spring days, probably deterred a few souls from attending events here.  I know my blogging friend Kristen Lopez bailed out on Wuthering Heights because of it. She has a chair and moving uphill was not going to be comfortable for her. Maybe nest year there can be a shuttle for those with mobility issues.


Those who did make it to the venue, I hope you went downstairs to use the bathroom. That would have given you a chance to see an old school hospitality room.

All About Nora

This was a panel presentation about writer/director Nora Ephron. She was responsible for some of the biggest adult targeted films of the last couple decades. I already mentioned "When Harry Met Sally", but she wrote and directed two other famous and worthy romantic comedies, "Sleepless in Seattle' and "You've Got Mail". She passed in 2012 and the last film she worked on was "Julie & Julia".

This event took place in Club TCM, the main meeting room in the Roosevelt Hotel. There were a number of items on display that are going up for auction through Bonhams pretty soon, so while I was waiting for the discussion, I browsed but made no purchases. 

When the presentation began, it was hosted by one of the rookie hosts on TCM  Dave Karger. He introduced a distinguished panel of Ephron experts. Lauren Shuller Donner, who produced several of Ephrons films, J.J. Sacha who was her personal assistant for 14 years, actress/producer Rita Wilson who was cast in "Sleepless in Seattle" and has a great scene in the movie and Jacob Bernstein, her son and the creator of a documentary on her work. 

Karger led the discussion with some appropriate questions and everyone had stories to tell. There was also a Q and A with the audience and some of those questions were worthwhile. There was a very nice touch for the conclusion of the program. Nora Ephron produced her own memorial service and had very strict food and drink guidelines. There was a pink champagne that she specified to be served at her memorial. At the conclusion of this event, everyone in the audience was served a glass of that beverage and we all offered a toast to the missing honoree. 

  

Butch Cassidy and the Sundance Kid

Right off the bat I need to tell you that this was going to be on my schedule from the moment it was announced. I love this movie so much that one of my dogs is named after the outlaw played by Paul Newman. Another reason is that it features a performance by character actor Strother Martin, and as the keeper of the flame on the Strother Martin Film Project, I could not very well miss it. The frosting on the cake however was the appearance of the composer of the Academy Award winning song and score for the film, Mr. Burt Bacharach.

The film holds up marvelously and I can't imagine I need to tell anyone reading this how entertaining it is. It was the biggest hit of 1969 and probably even better remembered for pairing Paul Newman and Robert Redford than "The Sting". This was another packed house at the main Chinese Theater.

Bacharach is ninety-one this year and he was a little unsteady but his mind was sharp and his wit was keen. Eddie Muller conducted the interview and of course there was a lot of talk about all of the hits that Burt had written over the years. If you think you don't know his work, guess again, you have heard dozens of his songs.

At the time the movie was made, he was married to Angie Dickinson, and she was theone who sort have got him the job. They were staying at a hotel in NYC when she ran into George Roy hill and she mentioned that her husband was a composer. The story Bacharach tells then involved sending information back and forth and ultimately getting the gig by chance.

Bacharach also said that his favorite composition was for the theme for "Alfie" another Academy Award Nominated song, again with lyrics by Hal David.

As we watched the movie play out, once again i was caught up in the cleverness of the dialogue and the effectiveness of Paul Newman's comedic timing. He apparently thought he was miscast in a comedy, but this showed that he was capable in the right vehicle. He and director George Roy Hill would do another comedy in the 1970s, "Slap Shot". That movie also features a performance by another co-star of "butch and Sundance, Strother Martin.

I was really pleased by the fact that when Strother showed up on screen, there was a smattering of applause for him. We had gotten those bits of audience approval for the stars of the film when they first show up, but leave it to a TCM Film crowd to know that they were seeing one of the great character actors of the second half of the Twentieth century.

Escape From New York

I know there are fans of the channel who will be aghast at the fact that this film is playing at the festival. It is not from the golden age of Hollywood, it is a low budget film and it is a genre that is probably not well loved by some of the TCM fans. Well the hell with all that, I am perfectly happy this was on the program and so were a number of other people. This was a high priority for Amanda and I, we are both big fans of the star and the director of this film, and both of them were going to be at the screening.

This is an mp3 file of the conversation that took place before the movie. I have not included any video because frankly, we were well in the back of the theater and just happy to get in.

The stories were fun and Carpenter pointed out that the only reason that the sequel exists is that Kurt Russel wanted to play the character again. Fans of the film have probably heard the legendary commentary track that came from the Laser Disc release originally and then appeared on DVD versions of the film. John Carpenter and Kurt Russel are friends and they seem to enjoy the heck out of each others company and it showed on that audio track and in this interview as well.

At one point the film was censored because of the presence of the World Trade Center Towers, and Carpenter thought that was a silly thing to have happen for the kind of fantasy film this really is.

We stayed for the film, even though I practically have it memorized and it was getting late. It's just hard to skip an opportunity to watch it all on the big screen. The cast really is terrific, and it's interesting that both Kurt and John's former wives have roles in the movie.  So ended the long Saturday at the Festival. Next up, Last Day.

TCM Film Festival 10th Anniversary Recap--Day Two

The Postman Always Rings Twice

Although I've seen this film several times before, my daughter had not and it is one of those essential film experiences so this was a choice for Friday morning. The screening was hosted by the Eddie Muller, the TCM Czar of Noir, and let's face it, "Postman" is the prototypical noir. John Garfield is a genial drifter who happens into a job at a roadside diner. The wife of the proprietor is played by Lana Turner and the sparks immediately begin to fly. Suddenly, sex and murder are in the air and romance makes a root for two people who kill a genial old man for being in their way.

Like many classic films, you do have to accept some dramatic flair that goes along with the plot. The audience is supposed to laugh a bit at the cop who sympathizes so much with a cat that is collateral damage in the scheme, but it goes on a bit more than contemporary audiences will be used to, and it is the screenplay and direction that ends up being the source of mirth in the end.  The story is also pretty convoluted with double crosses and reversals galore. Frank and Cora are a little too clever for their own good, but they are not more clever than the D.A. or their own attorney.  There are too many trips to the hospital, accidental encounters with cops and nefarious background characters to keep track of. I think the film is vastly entertaining. My daughter enjoyed it but thought is was way too long and that the plot reversals go a bit too far at times.

There is little doubt that this is the film that most people will remember Lana Turner for. Although she was nominated for an Academy Award for "Peyton Place", that melodrama is largely a misty memory for most. Her appearance here in the white shorts and the turban, is iconic and a reveal that will echo for decades down through other films like "Dr. No" and "Body Heat". The house was packed and everyone seemed to have a grand time with this quintessential noir thriller.

Sleeping Beauty

This Walt Disney Masterpiece is Amanda's favorite "Princess" film [as you should be able to tell by her wardrobe choice this day],so naturally we stuck around to
see it in the same theater we started the day in. The meticulous drawings of the characters and the vivid background make this one of the most beautiful animated films you are ever likely to encounter. The host for the discussion was author Mindy Johnson, who wrote a fantastic book on the women of the golden age of animation that we bought last year and had signed by all of the guests on last year's panel. 

Her two guests this day were Jane Baer and Floyd Norman, two artists who worked on the film. Both of these guests were well into their eighties but had vivid memories of working on the project. Baer remembers doing the flames on the candles of the falling birthday cake, although she was not sure if her work was used or if other artists work was preferred. Norman was graciously polite by offering that the women animators where better at the facial details of the characters and that their work exceeded that of most of the men on the project.

Some nice photos of the guests in their time working on the project were shared with the audience and produced the requisite aaahs from the audience. 

Academy Conversations: Raiders of the Lost Ark

Not only is one of my favorite films of all time being screened at the festival, it is featured in the Academy Conversations program, which is always one of the best features at the TCM Film Festival. This year is extra special because the two perennial hosts of this series, Ben Burtt and Craig Barron, both worked on the film. So in addition to the archives they were able to raid for information and picture, they have a treasure trove of personal stories and photos to add to the presentation. I may go a little overboard in covering this event, but it was hard to resist all the details that we were being given. Burtt is the Academy Award winning sound designer and he made substantial contributions to this particular movie. In fact one of the Academy Awards he possess is for this film. Barron was almost a newby by comparison. His one previous film was "the Empire Strikes Back".  Both of these veterans of ILM are respected experts in their fields.  The very first presentation at a TCMFF that I attended was their presentation on "The Adventures of Robin Hood", which just so happens to be my favorite film. 

The whole Indiana Jones mythology is deeply rooted in the serials and B pictures of the 1930s and 40s. There was an elaborate comparison of pictures from some of those films to the images that ended up in Raiders and some of the subsequent sequels. The truck chase for instance was right out of an old Zorro serial, and the whip work is also cleverly mimicked in the movie. They showed some behind the scenes photos of them as young men working on the film, these shots were highly entertaining.

Even the sound of the whip is a complicated process as you can see from the clip above. Nothing in a movie is exactly what you expect it to be, and the additional sound that Burtt talks about here takes the scene up a notch. Another illustration that he provided concerned the gunshots and ricochets heard in the gun battles. 

Depending on the environment in which it was being recorded, the gunshots come across as mild whistling sounds or booming blasts from a cannon. To get the ricochets, they fired along a dirt road in the desert, with a series of microphones along the path to pick up a distinctive echo effect. 

The sound of an egg being peeled was used to make the crackling noise as a desiccated corpse turns toward Marion when they are escaping from the "Well of Souls".  Ben Burtt  also explained how he was inspired even as a kid by sound effects. The class clown in his elementary school would take a ruler, slide it partially off the desktop and then pull it up and release to make a repeating twang sound. Burtt used this school day technique to create the sounds of the darts in the opening sequence of Raiders.

Craig Barron revealed some of the secrets for the visual effects, including the elaborate fishtank used to film oil and cloudy water together in different gradients to produce the well known cloud effects found in several early Spielberg films, including "Close Encounters" and "Poltergeist."

 Of course the days of matte paintings and rear projection are largely behind us due to advances in Computer generated images, but it was not so long ago that they were the height of visual miracles in films. The example Barron shared is maybe one of the most famous end shots of all film history. The crated Ark of the Covenant is rolled down an aisle between dozens of other crates and as the camera pulls back, a warehouse full of similar crates is revealed, suggesting that the Ark is about to be lost again. 

The team created blocks of wood as models for the artists to follow. A actual set of crates on either side is filmed with the Ark crate being rolled down the aisle and then the matte work is added to give the impression of an enormous room filled with similar looking boxes. 

With the Famous Real "Indiana"

These two also did a presentation on Tarzan and His Mate for the festival, but that conflicted with another program that we wanted to see. If you ever get a chance to see them at work, be sure to take advantage of it. 

As a side note, this was the program where I stumbled walking up the aisle of the Chinese Theater and took a tumble on the landing between the front and back sections of the theater. I was less worried about my dignity than I was about the impact I had on my righjt leg which began to stiffen up later that evening and threatened my mobility for the rest of the festival. It all worked out, but for a few hours I thought I might have to see a doctor this week, and not Dr. Jones. 

Day For Night

I have a number of blind spots in my film going background and a lot of them are made up of foreign language films. I knew the name of Francois Truffaut from back in the day, even though I'd never seen any of his films. Of course he was recognizable to me from his role in Spielberg's "Close Encounters of the Third Kind". This Academy Award winning Best Foreign Language film has been a movie that I looked forward to seeing for years. I even knew the reference that the title makes well before I knew anything else about the film. 

The host for the program was again Eddie Muller, who basically identified this as the movie which cemented his desire to be a part of the film industry in some capacity. His guest was the International Star of the film Jaqueline Bisset. This is a woman who has accurately been described as one of the most beautiful women to grace the screen. In person, she lived up to that praise. She was also loquacious and honest in sharing her story about the film and the actors she worked with. 

It turned out that the film is one of the highlights of the festival for me. It was completely charming and full of the kinds of behind the camera sorts of details about movie making that make the subject so interesting to all of us. The performances were first rate and the movie is very funny at times. I did not realize that there were going to be so many comic elements to it. This may have been Amanda's favorite film of the Festival as well. 

Goodbye, Mr. Chips

This was a sentimental favorite to close out the second day of the festival. The program was hosted by Michael uslan, a prolific film producer and fan of classic movies. He mostly told stories about the actors in the film and about the original production's history. He also briefly mentioned to remake featuring Peter O'Toole, but the focus was on this 1939 classic. This is the performance that won Robert Donat his Academy award, famously beating out Clark Gable's iconic appearance i "Gone With the Wind".

The storytelling is a little old fashioned from the perspective of mu daughter, and frankly I think I understand what she means. Somethings do not get well explained and the passage of time is often shown in a way that might be parodied by a modern film. It all still works but the film does feel a bit longer than necessary. At nearly two hours it does try to encapsulate several decades in the life of our title character.  Greer Garson is terrific in the film, but she is probably only in it for about forty minutes in the middle and we will miss her substantially in the back half of the movie. 

This was our longest day at the festival and while watching the film, my leg started tightening up as a result of the fall I had earlier. I limped back to the car, and Amanda was worried that I could not drive home but I was fine. Luckily, a nice dose of Advil helped me get to sleep. So I finished the evening with more "Goodnight Mr. Slips" than I wanted.