The Paramount 50th Summer Classic Film Series The Phantom of the Paradise (1974) 2024 Revisit

Hope Springs Eternal that seeing "Phantom of the Paradise" on the big screen will be an annual event. It has been for me for at least the last 2 years, now let's keep our fingers crossed and pray that the streak can continue. This particular screening was opening weekend at the 50th Anniversary of the Paramount Theater Classic Summer Film Series. Since I got to Austin in the middle of the pandemic, I've discovered that the Paramount Theater in downtown Austin is my true second home. The theater is busy most nights with comedy shows and concerts from a variety of artists. In the summer however, especially during the week, the theater is filled with film fans who get a chance to enjoy some old classics in the way they are meant to be seen, on a big screen in a beautiful Movie Palace.

I started coming to the Paramount Theater in 2020 at the end of the summer when the lockdowns and the theater closures were finally dissipating. As it happened, the first two films that I saw at the Paramount were two of my favorite films of all time, Jaws and Lawrence of Arabia. Ever since then I have looked at the schedule for the summer series with anticipation. Last year my daughter and I sprang for the annual Club membership that allowed us to attend almost all of the film screenings in the summer series, as well as the Halloween "Panic at the Paramount" and the Christmas season offerings. This year we had no problem in deciding to renew, because this is how we live, and it's how I roll.

Last year's screening of "Phantom of the Paradise" was at an Alamo Drafthouse with an edited edition of the film done according to the specifications of director Brian DePalma. This version is unofficial, and the studio probably doesn't really approve of it being shared. The version we saw this week was the one that played in theaters in 1974. It includes some of the bad floating matte work that was required to cover the "San Songs" logo, which was a copyright issue with the band Led Zeppelin.  Steven Janice, the programmer at the Paramount, pointed out that the movie only made about $20,000 in its first week of release back in 1974. I'm pretty sure the $3.50 of that came from me, because I saw this film at the UA Theater in Pasadena in the fall that it came out.

It is hard for me to contain my enthusiasm for this movie. Brian DePalma was one of the most reliable directors in my formative years as a movie fan. This was the first of his films that I saw, and I loved it then as I do now. In addition to the outrageous premise the wild costumes and the over the top performances of some of the supporting cast, we have a fantastic score and a dozen songs from The Genius Paul Williams, who also happens to star as Swan, the villain of the movie.

I can never get "Goodbye Eddie" out of my head after hearing it in this movie. It's the opening song played under the titles, and if you look at the promo that I've posted here for the classic summer film series, you'll hear that it is the soundtrack for this ad. Winslow Leach may not approve of the "Juicy Fruits" but I was perfectly happy with their upbeat parody of a a 50s style lament about a rockstar who takes his life in order to increase his fame. Later on, the same band bastardizes Winslow's Faust score to present a Beach Boys Style parody song "Upholstery". This is another one of those Paul Williams tunes that gets hooked in your head and won't go away. This movie is full of earworms.

I was a little brought down by the opening weekend of the summer classic film series because our annual pass was only good for one of the three screenings. We could have bought tickets separately for Casablanca or for Star Wars, but we did have other films that we were seeing that weekend so we limited ourselves to the Phantom experience. It appeared that a lot of other film fans felt the same way we did because they were out in mass on Sunday for this movie. The reception to the film was enthusiastic, and frankly I was sad that it was over because I wanted to do it all again immediately.

I've written about the film in a couple other places here on this blog so I will give you the links for those posts, so if you are interested in knowing more about the movie and the things that make it so special you can visit those musings. For now let me just say at the summer season is off to a rousing start and I have the Paramount Theater, Brian DePalma, and Paul Williams to think for my elevated mood this week. I'll be seeing you regularly down on Congress Boulevard, if you see me say hi I'll be the guy with a big smile on his face wallowing in classic movies.

"Paul Williams and the Phantom of the Paradise"

Phantom of the Paradise Remastered 

Phantom of the Paradise (1974) Revisit

 

I have loved this film since I saw it in December of 1974 at the UA Theater in Pasadena, with my friend Art Franz. We were both movie buffs and the rock score and theatrical aspects of the trailer and the poster, lured us in with ease. I have since watched it a dozen times at minimum, including a screening in Los Angeles at the Silent Movie Theater in 2012.  Paul Williams, the star and songwriter of the film, made an appearance at that show. I found a notice of that show on the website of "The Swan Archives". 

You can read my own notes on this event here. It was a wonderful evening that reminded me of how much I love this film. So it is a pleasure to report that I had another great experience with Phantom, this time as a result of the Alamo Drafthouse here in Austin. 

The event on Monday night was billed as a special screening, but it was not clear what was going to be special about it. As far as I'm concerned, anytime you can see a movie you love in a theater, it is a special event, so I was just happy to get a ticket and attend. It turned out to be special for two great reasons. The screening was proceeded by a lecture from the Principal Archivist of the "Swan Archives". The discussion focused on the need for a re-mastered version of the film to be released on home media. The Archivist, Ari Kahan, has devoted much personal time and energy to keeping Swan's name alive., in particular by nurturing this film.

During the presentation, there were extensive demonstrations of changes that had to be made to the original release, due to an agreement by 20th Century Fox, and the representatives of Led Zeppelin. The band used the name "Swan Song" for their publishing rights, and to avoid a legal battle, some compromises were made to the film at the time of it's release.  Those included extensive use of floating matts in the film, to cover up references to "Swan Song" that could be construed as copyright infringement.  Of course that was a ridiculous mistake, and the shaky matts were very noticeable in the power point presentation. Additional flaws have to do with color correction and saturation that undermine many of the scenes in the film.

Finally, there is the issue of the title, which at one point would have been simply "Phantom", but someone was concerned with confusing the film with the comic book character (this was well before the Andrew Lloyd Webber musical). "of the Paradise" was an addition that referred to the theater that Swan had constructed to be his ultimate concert venue, much like the Fillmore East or West of the day. The original elements had to be recreated since the negative has the matts on it, and the editing had to be cleaned up as well. A remastered version has been created with the help of the original editor, Paul Hirsh, one of the crew who turned the original "Star Wars" into a success.  The films writer and director Brian DePalma, has been supportive of this restoration effort, and the current owners of the film rights would be willing to follow through, if the now defunct Led Zeppelin, would release the studio from their agreement. Even after a lengthy appeal, supported by a variety of film and music notables, the answer was no. So a remastered version of the film will not be coming to you anytime soon.

However, that doesn't mean that remastered version will never be seen by anyone. It appears that the screening on Monday night had all of the corrections that had been discussed in the lecture. The copy screened for us was the version that Kahan, DePalma, Edgar Wright, Paul Williams and a variety of others would like us to have. It was well worth the effort. I did not get a chance to speak with the Archivist as we left, he was chatting with some others, but I did shout out a thank you and give him a thumbs up.  

The Film  

If you have never seen "The Phantom of the Paradise" let's just say it is a version of Faust and Phantom of the Opera, set in the rock world of the early 1970s. Ambitious composer Winslow Leach, has his music stolen from him and in a series of complications, is disfigured and now hunts down his tormentors in the Rock and Roll Concert Palace called "The Paradise". Winslow is played with heart breaking sincerity by  the late William Finley, probably most recognizable from DePalma's film "Sisters".  His antagonist is simply known as "Swan", a musical producer who seems to have become a minion of evil, trading success for souls.

Swan is played by Paul Williams, who will be instantly recognizable to anyone over the age of fifty, but might be a new face to those millennials and Gen Z audience members, discovering the film for the first time. While Williams is terrific in the role, sufficiently  charming and repellant simultaneously,  it is his musical talent that makes the greatest impact on the film. He composed the score and the songs used in the film and they are well crafted, satirical, and very entertaining. The fictitious band "The Juicy Fruits" do "Goodbye Eddie" and "Upholstery" in do wop and surf styles, mining the then current nostalgia wave. Fans of the Broadway Musical that came later, will probably appreciate "Special to Me" and "Old Souls" performed by ingenue Phoenix, played and sung by Jessica Harper. Those moments foreshadow "Think of Me" and "I Remember" from the Broadway show. 

"The Juicy Fruits" and "The Undead" are two bands that are background characters in the story, the same actors portray both bands and they get to do some funny satire in the opening song, and a great deal of stage theatrics in the debut of "Faust" on the Paradise stage. One of whom, Peter Ebling billed as Harold Oblong, also did the choreography. The stage sequence and makeup for the song "Somebody Super Like You" is a blast, reminiscent of Alice Cooper and Kiss.  All of that gets shuttled aside when Beef makes his appearance. The Glam/Metal rocker is played by Gerrit Graham, and he practically steals the movie. He is supremely confident at times, and manically insecure and fearful at other moments. He has some of the best comic moments of the film and he gets maximum milege out of them.

I smiled with delight as the movie opened, and I nodded my approval at the altered titles which indicated that we were getting the remastered version of the films. I had to stop myself from singing along and humming the melodies, so as not to disturb the other members of the audience, but it was an emotionally satisfying 90 minutes and I am pleased to share what I can of it with you. 

10 Music Related Posts From the Last Ten Years

I am not a musician, unless you count two years of piano lessons when I was eight. I do however love music and I really love film music. One of the things I’ve done over the past ten years is include musical movie related material on the blog. What follows are posts that highlight a musical event more than the visual splendor of a motion picture. Travel back in time [or measure] and check out some of the posts that should strike a right chord with you.

Like everyone, I love John Williams and his music, but my favorite film composer happens to be the late Jerry Goldsmith. 

Here you will find a tribute I wrote about him, his music and a DVD Concert that I owned and shared my thoughts on.

Jerry Goldsmith-A Few Notes

Another composer that I have been aware of for fifty years, but did not appreciate as much until more recently is Paul Williams. 

The actor, singer and composer has also been President of ASCAP, and late in his career, people thought he had passed away years before. He was the the Subject os a documentary that I reviewed on the site, but before that film came out, I had a chance to experience the music from his film with Brian DePalma, and see him interviewed as well.

Paul Williams and the Phantom of the Paradise

In recent years, many orchestras have created presentations of film music by replacing the scoring track on the film with live accompaniment. Inspired by that practice, some Film Archives have made Special Presentations out of films they control with their own cultivated orchestras. "The Godfather" is one of those films, this presentation played at several venues across the country.

The Godfather Live

Of course the greatest source of these types of presentations for me will be with my hometown heroes the Los Angeles Philharmonic. For a dozen non-consecutive years, I have been a series subscriber to the L.A. Phil at Walt Disney Hall. We always tried to include a presentation like this with our subscription, but if it was not available that way, we bought stand alone tickets. 

L.A. Philharmonic West Side Story

We usually look for a special Christmas Event to share as a family each year. This sing-a-long presentation of "White Christmas " was a lot of fun but there was no orchestral accompaniment. That seemed strange but a good time was had by all. 

"White Christmas" Sing-A-Long

 The masthead on this site tells you how important the movie "Jaws" is to me. The fantastic score to that film by John Williams is famously memorable with just a couple of notes. There is of course a lot more to the music than those notes however. This time the LA Phil is in their Summer Home, the Hollywood Bowl, hallowed ground for our family, we visited eight or ten times a summer for most of the years my children were growing up. This visit is bittersweet because it was the last time I went with my wife of 38 years, just a few weeks before her passing. 

Jaws In Concert: Part 2 of the 2018 Jaws Posts

One more visit with the LA Philharmonic, this time it is mainly a concert rather than a film presentation. Oh there were film clips but we were not seeing a whole movie, rather the concert featured music that Stanley Kubrick included in his films. Some of it is very familiar but there were some esoteric choices as well. 

Stanley Kubrick's Sound Odyssey

This post is not strictly a film related post because the subject is the artist not a movie. Jeff Bridges is a fantastic actor, but he is also a talented musician and let's face it, a fan like me can't really miss an opportunity to spend some time with a film star, even when they are not acting. It was a weekend trip to Vegas and the Concert was a gas,

The Dude Abides in Vegas

The most recent of my music related posts is from earlier this year. Again, it is not strictly a film experience, but since I have seen several versions of Hamlet on screen over the years, I felt obliged to share it on this site. I think it was a One Off booking, but if it shows up anywhere near you, I think you will enjoy the effort to make it work on a limited budget.

Hamlet The Rock Musical

I had an insight on a Saturday morning a few years ago and I followed thorough with a post. There are some interesting similarities in the music of these two films and I just wanted to talk about it at the time. Maybe you will want to as well.

Random Thoughts, I Think Not: The Silence of the Dead Zone