Twisters (2024)

 

I am perfectly content to watch a film that is not challenging but is entertaining and will allow me to consume way more popcorn than I should, enter "Twisters". A legacy sequel to one of the first digital disaster films of that long cycle. The movie can plug in all the pseudo-scientific verbiage it wants, you will not disguise the fact that this is a turnstile mechanism, made to bring in the crowds for a Summer day, and send them out without a care in the world except the calorie count of a large soda and buttered popcorn.  This movie delivers exactly what you want it to, entertainment. 

When the trailer first popped up I was mildly intrigued, because after all, it is a sequel to "Twister", but the preview did not have the same sort of demented energy that the 1996 film had. The teaser trailer told us nothing about characters, story or context, it just gave us a glimpse of the boogie monster. The trailer for the new film can't get away with that, so it tries to sell some star power with Glen Powell. That works a little, but it does feel a bit obvious. When you see the film however, it works much better and there is just enough of a story to make it fun.

Like the previous film, this movie introduces us to characters that we can enjoy and identify with, when we are never going to get much backstory about them. The opening disaster is just as compelling and frightening as  in the original film, and the main character takes a different path as an arc, so they have tried to change it up a bit. However, once you get past that plot device, the story beats are the same. Rival storm chasers, a twister at a big public event space, personal time with an older family member, and a race against the tornadoes at the end. Daisy Edgar-Jones as Kate, our main lead, gets the hero role here at the end, which is fitting since she really is the main character. Glen Powell as Tyler is a cartoon figure at first, but he becomes a more fully realized character as the film goes on. Anthony Ramos, who I first noticed in "The Honest Thief" and "In the Heights" has a more difficult role playing a conflicted colleague, and he is solid.

Let's face it however, no one goes to a movie like this for character development, rather we are driven by the action, and it is very effective here. The opening sequence, the rodeo twister and the climax tornado are the highlight sequences, although there are probably three or four more moments when the twisters are on the loose. Calling the movie "Twisters" reminds me of the choice to make the sequel to "Alien", "Aliens". It is completely appropriate given the number of events we get in the film. 

If there is any social message in the movie, it is very muted. This is not a climate change alarmism film. There is one slight nod toward villainess corporate culture, but it is barely memorable or understandable. To me, the real message of the film is in the vistas, small towns and music that fill the movie. This film has more respect for flyover country than any Hollywood production I have seen in years. The citizens are not presented as hicks who are ignorant, if anything, it is the city folk who follow Tyler on his YouTube channel who come off a bit goofy, but even that is restrained. This movie is carefully scripted to appeal to all four quadrants and all regions of the country, and those overseas viewers will get a much better picture of the middle of our nation as a result. So that is an unintended consequence in the movies favor.

The perfect Summer entertainment has arrived. There are no foul mouthed super heroes, there is no needless nudity, there is plenty of humor but it is very gentile. What more could you ask for? (Maybe some Hot Tamales to put in your popcorn). 

Hit Man (2024)

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Hitman is a Nifty little Neo Noir from director Richard Linklater and his star Glenn Powell. It is based on the case histories of an actual informant in Houston Texas. The movie is based on an article written in the Texas monthly, which chronicled the numerous incidents in which a college instructor impersonated supposed Killers for hire in order to arrest those trying to hire someone to murder another person.

Incredibly they were over 187 cases where this police informant managed to interact with potential customers sufficiently to incriminate them adequately to have them arrested. Most of the arrests resulted in convictions. The problem with this fantastic true story, is that it is basically a series of incidents where our protagonist portrays himself in multiple different ways so as to convince the contracting client that he really was a hired killer. Now, the movie contends that outside of cartel or Mafia connections, The hired hitman is a myth. So most of these people bought into a fantasy that they could solve their problems by finding someone who is willing to kill for money. As interesting as that might be, it's not a narrative that would sustain a movie. What's happened here is that Powell and    Linklater have created a Noir to go along with these real incidents.

The film is primarily a comedy but it does go into some traditional Noir territory when it introduces a femme fatale who gets involved with our main character. This results in comedies traditional structure of one person trying to hide something from another person and going through desperate measures to do so. The conceit in this film is that the character that our informant creates in order to draw in this woman, becomes a persona that he inhabits a little too comfortably, and with comic consequences. The film is actually quite funny with several ironic components to it. The jealous police officer who has been replaced in these kinds of sting operations by this previously milk toast college professor, is turned into a dangerous rival with an agenda straight out of a 1940s film. Of course it also has a comedic element to it that is quite amusing.

I'm not sure if you can call it a Neo Noir if the result of the story turns out to have a happy ending. That doesn't really fit with the traditional dark themes of that classic format. But because this is a comedy take on the form, it doesn't really feel disingenuous to go in the direction that it does. The characters that we encounter are for the most part very likable, and it would seem unjust for them to end up in the negative for the experiences that they've gone through. Powell and his co-star Adria Arjona, have good chemistry together and they make us care about the outcome. When we meet her husband, the man that she originally wanted to hire someone to kill, we kind of understand that she is not the bad person that we might have assumed simply because she wanted to hire a hitman.

The early part of the film drives most of its comedy from Powell's disguises, characters, and the potential clients who are is inept, venal, and delusional as you might expect. The second half of the film the comedy derives from Powell's attempts to keep his true identity secret, and to hide the romance that has grown between him and the woman that he is steered away from committing a felony. The final third of the film does take a darker turn, but not so dark as to diminish the romantic comedy that has been growing up inside of this movie.

I found this movie to be completely delightful, cleverly acted and very intricately plotted so that it is engaging throughout. It may not be to everybody's taste but it's certainly fit mine, and as far as I'm concerned it is one of the critical hits of the year. This is a Netflix film that is getting a limited theatrical release, which is the reason that it got covered on this site. The screening that I went to was actually the premiere in theaters, and included a live broadcast to other theaters around the country, featuring the tars Glenn Powell, Adria Arjona, and director Richard Linklater. It was a lot of fun to be in the theater with the creators of this film and listen to their stories about how the movie was put together. Hopefully you'll get a chance to see this in a theater, but if you don't go ahead and take advantage of its availability on Netflix, it's better than hiring a hitman.

Anyone But You

 

For some reason romantic comedies get a bad name, especially among cinephiles. I suppose the reason is that they are so formulaic and as a consequence hold very few surprises for the audience. Of course comfort food is the same way, not very challenging but something that people still enjoy. So to me, a good romantic comedy is like enjoying a familiar entree of a favorite food type. It may not be as interesting as something new, but it offers a lot of satisfactions, if done right.

The new romantic comedy “Anyone But You”  follows a large number of paths created by the films that have come before it. An attractive couple gets together, develops a relationship, but then some unexpected antagonism separates them and the rest of the film concerns whether or not they will overcome that barrier. Of course it's also necessary that the two people involved appear to despise each other when in fact they are very attracted to one another. So it is no big surprise that this is exactly what happens in the current movie. The only things that are innovative are the scenarios and the characters that come into play, in attempting  to make it a more interesting path.

In the case of this film, the couple who were initially brought together and then separated, turn out to be connected to two people who are going to connect with one another. One person is the sister of a woman who is getting married to the sister of the other person's best friend. Naturally they then must travel to a destination wedding, providing them with opportunities to show how much they dislike each other well at the same time being surrounded by romantic trappings that will bring them together. In a somewhat farcical nature, the other people in the wedding party are interested in pushing the couple together, for their own reasons.

Glen Powell and Sidney Sweeney play the attractive young people who do have a connection, but through their own faults have pushed one another away. Since it's a contemporary story, the wedding that the two are involved with will be between two women, and it will take place in Australia. This gives plenty of opportunities for outlandish behavior, and for the other characters to plot, plan, and tell stories, which will prove embarrassing but also set the stage for reconciliation. Some of the plot devices are completely ridiculous, and some don't seem to go very far. The bride's parents are interested in seeing their daughter, who is the sister of the bride, back together with the boyfriend that they have known since they were children. The ex-girlfriend of the boy in the story also shows up creating a romantic complication, along with producing a physically imposing romantic rival to offer amusing comparisons with.

I don't know Sydney Sweeney from any shows or films that I can remember, but she's as cute as a button and a nice match for Powell. Glen Powell has been in two or three movies in the last year where as a supporting character he stood out enough that he now deserves leading man status. He may be in the early Matthew McConaughey stages of his career. Hopefully whatever other romantic comedies he does will not sink to the depths of some of the movies that McConaughey made, but will stay relatively solid like this one.

It's amusing to see Dermont Mulroney and Bryan Brown as the elder Statesman in the film, when 30 years ago, they would have been the lead. They still have some of that charisma that made them charming in the 70s 80s and 90s, but they have aged out of most romantic plots and now are consigned to the Geezer role. Nothing in the story is hurt by the fact that it takes place in Australia, with its beautiful coastlines, fantastic vistas, and interesting local fauna. There's a great scene, at least from a romantic comedy point of view, that takes place with the Sydney Opera House in the background. It's an example of some of the striking views that can be found in parts of the world that haven't been used to the death for locations in movies.

There are a few good laughs in the film, and the story is not too insulting to our intelligence. The leads are attractive, some of the supporting cast is appealing and there are some funny moments that deal with a musical cue. That should be enough for a pleasant afternoon at the movies, or date night with your honey. It was the day after Christmas and I was happy to say that the theater was full, there were lines at the concession stands, and I saw lots of families and couples going to see other movies. Maybe the film business isn't doing as well as it might be hoped, but this screening at the theater that I went to gives me hope. All you need is something that's mildly entertaining, maybe a little provocative, and gives you a couple of laughs, and the audience will show up.