Showing posts with label #superman. Show all posts
Showing posts with label #superman. Show all posts

Friday, June 7, 2024

Paramount Summer Classic Film Series-Superman II



We had a special trip to the Paramount this evening, see Superman 2, but that was not the thing that made the trip so special. We were invited to a tour of the theaters projection booth before the movie. This tour was supposed to be for several guests over the course of the evening, but we were the only ones who showed up and as a result we got a special personal tour, including a half hour conversation with tonight's on duty projectionist Chad. More about the tour in a minute, first a few words about the movie.

Superman 2 is one of the first movies that I heard people say as a sequel, it was superior to its original film. For a number of years I've believed that it was certainly a good film and maybe it rivaled the original film. This evening though, looking at it through fresh eyes, I have to say it's not nearly as good as I remembered it being. There are still some great sequences, and Christopher Reeve continues to be the definitive Superman, but so much of the movie is spoiled by clunky exposition, cartoonish bits that have been soldered onto the good action sequences, and a severe shortage of Gene Hackman as Lex Luthor.

Mr. Hackman's hammy performance as Luther was one of the joys of the original Superman. His scenery chewing and one-liners were enough to make the film feel fun, even well a truly dastardly plot was being carried out. Hackman gets to flex his muscles a little bit in the early part of the film, and then disappears for the entire second act of the movie. He does get a few zingers in during the last section of the film, but he should be getting more screen time. Maybe if there were fewer jokes about ice cream cones flying into faces, or roller skaters being forced backwards by the breath of the villains, or worst of all a guy continuing a phone conversation as the phone booth is knocked over and blown Away and he keeps talking while lying on the ground. These were dumb bits that could have been disposed of, and then Gene Hackman could have a little bit more screen time.

Unfortunately that kind of humor permeates several sections of the film. The opening sequence of the three escaped villains from The Phantom Zone actually plays pretty well even when there are some jokes. They never seem hokey. Once we get to Earth however, the hicks that the villains encounter in a town called East Houston, seem like stereotyped caricatures from the very beginning. We are supposed to be laughing at them even before they do anything funny. I never felt like laughing during this sequence. I did like the scene where General Zod and his two accomplices come to the White House to confront the president. When the president finally steps forward and takes a knee in the hopes of protecting human life, he utters the phrase "Oh God", and the general corrects him by simply saying his own name... Zod, now that was funny.

After establishing Lois Lane is a fearless reporter in the first act during the terrorist take over of the Eiffel Tower, she and Clark gets sent to Niagara Falls to cover a story for the magazine section of the Daily Planet. This is really just a justification for building the romance between Lois and Superman and setting up the dilemma that Kal-El faces when he has to choose between being Earth's protector or Lois's lover. Some of it works, some of it is a little too clunky. You do feel Clark's frustration and desperation when he has given up his powers and discovers that the three villains from Krypton are now on Earth. The trek he makes back to his Fortress of Solitude, is a little on the nose and of course unrealistic for a mere mortal. Those are questions however that don't really matter, because there's a bigger story coming.

A fight in New York City/ Metropolis is actually pretty nicely staged given the effects that were possible at the time. The problem is that the director, Richard Lester, keeps inserting moments of humor which take away from the drama of the sequence because they don't reflect something witty, but instead something that is too on the nose and preposterous. In the final act, Superman manages to accomplish several things with powers that we never knew he had before and that just feels a little too easy as a way of resolving the conflict. Oh, by the way, we are left wondering what happened to Gene Hackman's character after the villains are dispatched. We really don't know. But everyone was happy to cheer Superman returning the flag to the roof of the White House.

Back to the tour for a minute, we arrived promptly at 6:00 p.m. believing that that's when we were expected, but it turns out that it was open for an hour and that any group could arrive during that time for the tour. We waited a few minutes for somebody else to arrive and while we waited we chatted with several of the employees of the Paramount Theater. Krystal was one of the guides/ hosts for the tour and she was happy to listen to my stories about old movie theaters and the kinds of movies that Amanda and I like to go to. Danielle, who's in charge of the fan services for the Paramount was also quite happy to talk to us as she turned us over to one of the other employees to take us upstairs to the projection booth. Wendy was responsible for giving us the tour of the projection booth, and she introduced us to Chad who is the digital projectionist, and is working on becoming more proficient with the film projectors. They have some 35mm projectors and are also going to be doing five 70 mm presentations during the summer.

Chad was very good about telling us the history of the projectionists at the theater and he balanced the history with some nice technological information about the spotlights, the projectors, and the other equipment that we were getting a chance to see. When we got back downstairs we got a chance to chat with Monica who was the bartender in the Houdini Lounge area where the guests were supposed to congregate. It was a smaller crowd than I was expecting in the theater, and it was an even smaller crowd upstairs in the lounge, since it was just Amanda and me.

The employees were all interested in listening to us as we talked about theaters and movies and streaming and assorted other cinematic issues. I was very grateful that they took the time to pay attention to us. We felt special just getting a chance to do the tour, and when it winded up that it was just the two of us, we felt even more special. We got to hear a couple of ghost stories, see the scary bathroom for the projectionists, and got treated to some new friends at our favorite place in Austin Texas, the Paramount Theater.


Wednesday, December 5, 2018

Superman 40th Anniversary



It was 40 years ago this month that I trooped down to the Chinese Theater in Hollywood with my band of friends and my girl, to see this comic book movie. More than a decade before the launch of "Batman", the D.C. Universe started with their most iconic hero. This was a highly anticipated film and we knew before we even saw it that there was going to be a sequel. This was the beginning of a comic book franchise that ends up setting a high standard with the opening two films and then trailed off with subsequent efforts. Regardless of how you feel about the revived D.C. films, the first two Christopher Reeve Superman films stand the test of time.

Unlike forty years ago, this trip to the theater was solo and on a Monday night of all times. The Fathom Event included an opening cartoon from Max Fleischer Studios, featuring an animated version of the Man of Steel. This efficient ten minute adventure looks like it was the template for the TV series to come. It certainly had all the tropes we expected including the opening narration. As it turns out it is available on YouTube so if you want to see it, gaze below.



With the appetizer out of the way, we are ready to begin our adventure. I have never made a secret of the fact that I am a nostalgia fan. Classic movies are one of my passions and one of the reasons is the period setting. "Superman" opens not with a pre-title adventure sequence like a James Bond film, but rather a simple curtain in black and white, being pulled open to reveal a movie screen, just like they used to do. The picture scrolls up like an old newsreel to the narration of a child reading the opening of what might be a comic book. Our viewpoint sweeps past a neoclassical skyscraper housing the Daily Planet, with a rotating globe on it's peak. We zoom out into space and we finally see color, and the John Williams Theme that may be one of the greatest movie themes ever. It is synced with titles that were hugely innovative at the time.


http://www.artofthetitle.com/title/superman/


You can read about the titles and look at them at the above link.

Most of you I'm sure have seen the film, so this is not really intended as a full review. I just want to highlight a few of the pleasures of this 40 year old treasure. The whole sequence on Krypton is imaginative and futuristic in the way movies have always been. The budget and effects are certainly bigger than the serials of the past, but the aesthetic is very much the same. The sentencing of the three Kryptonian criminals serves as an Easter egg for the second film and we get to the earth story with just enough background to see how Kal-El ends up with his powers.  Glen Ford is only in two scenes but he is terrific in both of them. The Norman Rockwell Kansas grounds our strange visitor from another world, and his adopted father gives him the values that will guide him with as much influence as his biological father's teachings will in the Fortress of Solitude section.

When Christopher Reeve finally emerges as the adult version of Superman, we get our first taste of flight in these movies. One of the advance tag lines was "You will believe a man can fly!", well I did, and it was thrilling. The long action sequence where Clark turns into Superman, saves Lois and the President as well as a neighborhood cat is just nicely paced fun. The real treat starts however an hour into the film, when Gene Hackman shows up and proceeds to steal every bit of every scene he is in. Hackman walks off with the movie in an out sized portrayal of Lex Luthor. The fact that he is surrounded by a band of idiots adds some comedy fun without diminishing the threat that the villain presents.

The special effects in the climax are dated and modern audiences might laugh a bit, but if you are in the grip of the movie you will hardly notice those little things. The models, rear projection and practical effects work just fine at giving Superman a task that makes some demands on his abilities. Forget how implausible the reversal of time is and just enjoy the moments when Lois looks at Superman when she has been rescued and doesn't even know it. This is another thread that leads us to the sequel. At the end of the credits, we are promised Superman II next year, boy do I hope that Fathom follows up on that forty year old promise.