There is a long history of seeing "Indiana Jones and the Last Crusade" on Father's Day. Here is a link to a video blog post on one of those visits several years ago.
This film has a couple of great ideas, that play out perfectly for a Father's Day screening. The opening sequence, featuring a Young Indiana in what must have been his first big adventure, sets up both the character, and his somewhat contentious relationship with his father. We hear Dad's voice but barely see the back of his head. When Sean Connery returns in full force later in the picture, he is the personification of the impervious father figure. It is as the adventure plays out that Junior and his dad start to mend fences and build bridges to a more familial relationship.
I love the sequences in Venice, the Austrian Castle and the rally in Berlin, they all remind us of the time and places that Dr. Jones lived in and how he boldly traversed the world. The action scenes that take place in the deserts of the Middle East however, are the most memorable, including a tank/horse chase that is choreographed brilliantly.
The film is loaded with memorable moments, some of which have become memes that are used all over the internet. This is not a full blown review, but there are other remarks you can find on the site if you like.
Fifteen years after the last Indiana Jones movie set some fans on fire and lead to a mass hypnosis that it never happened, we once again pack our hats and whips and head off on an adventure with our favorite archeologist. Some fans expect to hate this as much as the "Kingdom of the Crystal Skull", some are hoping it will wash out the bad taste they have in their mouths after experiencing "Crystal Skull" but no one seems to think this movie will in any way live up to the first "Raiders". You can't capture magic in the bottle over and over without running dry at some point. Pixar proves that and most other franchises confirm that premise. If however you hold your animosity about the last film aside, recognize that time marches on, and accept that human frailty will be a part of even the most staunch heroes life, you can enjoy "The Dial of Destiny" for what it is, a final Indiana Jones Adventure featuring star Harrison Ford.
Although CGI de-aging threatens to keep certain characters on the screen after the passing of the stars that created those roles, it has not yet come to pass. It is true that for a few segments in this film, computer trickery is relied on to restore Indy to the robust figure we remember from our childhood. The real story however takes place late in Dr. Jones life, and he is a figure that is a little time worn and dispirited. Someone I know said the most unbelievable part of the movie is that an aging Professor is retiring. So many undergraduates have experienced a faculty member who is not as sharp as they must once have been, because tenure and comfort make it easy to hang on past the most productive teaching years. Indiana is not exactly enthusiastic in the classroom, and neither are his students. That does not make him a failure, it just reminds us that time marches on. I saw one on-line discussion where one of the participants was ticked because Indiana was turned into a broken old man, and the critic in that point of view thought it was a betrayal of a character and a reliance on an overused plot point for similar films. Let me simply say that as one gets older, it is easier to fall asleep in the armchair, that does not mean we have expired. The fact that someone is bored with a part of their job that has become unrewarding is also not just a trope, it is a reality for some people in certain occupations. Artists can change their technique and try something new, that is harder if you are a contractor, physician, lawyer or college professor. Fortunately for Indy, he has other options, he just needs to be pushed towards them. Near the end of the film, there is an exposition reveal which also explains his demeanor. Too many parents will know what a burden some things in life can be. The fact that Indiana is still fighting through it is not an indication that his character is a loser. If you try to put this movie in the same corral as "The Last Jedi", I think you are making a mistake.
On the plus side, the opening sequence with the younger Indiana in a WWII adventure is solid. The train effects at time may be a little wonky, but the characters are great, I thought Toby Jones was just right, and we get a set up of the later villain played by Mads Mikkelsen that works for the later part of the story. In essence, Indy gets to keep fighting Nazis thirty years after the war is over. The McGuffin in this adventure is an interesting concept, that gets a little confusing along the way, but it does lend itself to the phantasmagorical climax of the picture. I don't know if the people who hated interdimensional aliens will care for this any better, but the sequence is not overwhelmed by visual CGI that is all about creating an impossibility, but rather special effects that are designed to show us somethings that are possibilities. Along the way there were a mixture of practical and CGI moments that kept me involved. Maybe there were a few too many car chases, and maybe the transitions seemed a little too repetitive, but that is typically the fault of the quest structure, not necessarily the screenwriters.
If there is something to be concerned about, it is that sometimes the movie turns into Indiana Joan. Phoebe Waller-Bridge as Helena, Indiana's goddaughter, is frustrating as a main character because we barely understand her motivations. Indy is as befuddled as we are as to why she has simply become a not very pleasant adventuress, rather than someone who has a better appreciation of the antiquities that she trades in. I suppose her story arc can't take up too much time, but by the end her position on things has changed and it is not particularly clear why. She has her own less appealing version of Short Round as a side kick, and she does a lot of the heavy lifting in the adventure department in the last third of the film. I can see some people legitimately complaining that Indy has been turned into the damsel in distress by this turn of events.
John Rhys-Davies comes back into Indiana's life as Sallah, but he is really there for fan service rather than the plot. Still it was nice to have him in the story. Antonio Banderas is in this movie, but if you blink, you will miss him. There is no character for him to play, he is simply a plot device to get to the next action moment. At one point, Indiana wants to have a chance to breathe after the loss of this character, but we have little idea about why this is supposed to be a meaningful moment. I suspect some footage has been excised to move the story along. The same can be said for Shaunette Renée Wilson, who seems to be developing a character story, but then it goes nowhere.
It is an example of the nostalgic pull the character has for me, and the failure to always take advantage of that, when we do not get a visual joke at the start of the credits, based on the Paramount Mountain. It's a small thing, but it is one of those moments that is noticeable for shifting the humor tone down a bit. The best example of continuing the right sort of humor is the use of the whip to freeze deadly opponents into place, and their response to it. Just like that moment in "Temple of Doom" when Indy reaches for his empty holster, we get the joke. Phoebe Waller-Bridge should be contributing more humor in the story, but her character is too off putting at first to get much warmth from humor centered around her activities or lines.
I like Indy riding the horse to escape the motorcycles in NYC. The Tuk-tuk chase has some good moments but it goes on a little long. The airplane action feels the least realistic of the action spots in the film, but whenever Indy is lighting a torch and crossing a bridge, I was glad to be back in his company. So "Indiana Jones and the Dial of Destiny" is only the fourth best Indiana Jones film, that still puts it miles ahead of most action/adventure films. Director James Mangold has made some films before that I really admire, "Walk the Line", "Ford vs. Ferrari" and "Logan" all worked for me. His stepping into Steven Spielberg's shoes is perfectly fine, I did not feel neglected when it came to the action bits. What complaints I have are mostly about secondary characters and how they were used. Those things won't matter if you will just surrender to the idea, which is what I did.
