Skyfall Revisit

I am particularly piqued with Great Britain today, they get "No Time To Die" now, and we have to wait a week. I suppose it is acceptable since Bond is a UK export, but since we have added 18 months from the originally scheduled release, I feel like I have been more than patient. Anyway, as it turns out, AMC noticed that we were being tortured so in an effort to put balm on the sore, they are running "Skyfall" for a week at a discount price. This is good news since "Skyfall" is the best Bond film since the early 60s.

There is so much to love about this film, regardless of what you might think of the story (which I think works great). The addition of Eve Moneypenny as an active part of the story may have been easy for most to spot, but I still liked the fact that they wait for the reveal until the end of the film. 

The fact that she nearly killed 007 makes for an interesting dynamic for future stories, and her active status makes her involvement down the road more believable. 

When John Cleese was introduced as the new Q back in the Pierce Brosnan era, it was clear his persona would mimic that of Desmond Llewelyn, that of a prickly bureaucrat with technical know how. Ben Whishaw is still a bit officious as "Q", but the humor is more a part of the story and less punchline delivery. His youth in contrast to Bond also makes some sense and adds some more places for natural repartee to exist. 

I also thought it was a clever move to show us how "M" could have gotten the job in the first place. Gareth Mallory starts off as the political hatchet man for the administration in moving the previous head of MI-6 out of her role. When he picks up the gun and starts shooting back at the attackers in the Parliamentary hearing room, it is clear he is not simply a political animal. Ralph Fiennes could have easily been the choice for 007 a decade earlier, at this point he was much more appropriately cast.

The real treasure of the film however is the redoubtable Judi Dench, who made Eight appearances in the role, including one after having vacated the position. This is the meatiest storyline for the character in any of the 24 films from EON. I liked that she never lost her sardonic tone, even when the character is besieged by politicians and the antagonist of this film.  

This film came out nine years ago, on the 50th Anniversary of James Bond on the Big Screen. Much was made of the fact that the gun barrel sequence did not appear until the end of the movie, but that was really just the exclamation point for the anniversary. There were so many things that were special about the film, it was nice to be reminded of them today. It may be a bit of fan service, but calling the Aston Martin DB5 back into action was a thrilling moment. The final act confrontation was very well staged and technically looked terrific. We also got a great 007 Theme song from Adele. 

For me, the final thrill is in the new office for "M", when Moneypenny takes her place and Bond enters through the padded door that felt so familiar, and he addressed Mallory as "M". I was ready for the next film that minute. It happened again today when my screening was finished. 

Somehow, I have to get through the next six days. 

007 Double Feature At the Egyptian

For the second week in a row, I made it down to Hollywood to catch a classic on the big screen at the Egyptian Theater. Actually there were two classics, both James Bond films from the heyday of the 1960s. These are the two films that most turned 007 into a a massive popular cultural phenomenon and the most consistently successful film series of  all time. The pairing was irresistible to me and although I could occassionally hear the snickering of hipsters in the audience over the costumes in the movies or a piece of plot line that seems a little fantastic, the general response was one of love from the hundreds of us who managed to make it there and see the first and greatest James Bond, Sean Connery.

Goldfinger

It was just last June that I saw Goldfinger on the big screen along with another Sean Connery feature "Indiana Jones and the Last Crusade". I can and do regularly watch this film. It is as entertaining as any movie you are likely to see and it is in my opinion the greatest of all the James Bond films. I won't relive the entire countdown to Skyfall that I did in 2012, but there are a few posts that you might enjoy here.

This first is a memory piece and review that I did early in the year leading up to Skyfall.

This is the KAMAD Video Blog that I posted after the Father's Day visit to see 007 and Dr. Jones together.

I did notice something a bit odd in last night's screening. The end credit did not list the correct movie coming up next in the sequence.  Here is the way it looks in the DVD remaster from a half dozen years ago:

It properly lists "Thunderball" as the next film. On last night's print the film listed was "On Her Majesty's Secret Service". Amanda and I talked about this and she is of the opinion that this was the original listing because they did not know that "Thunderball" would be next due to all the legal issues surrounding the property. I tended to agree with her except that "You Only Live Twice" came before "OHMSS" and "Thunderball" was released the year after "Goldfinger" so they should have been in production at the time they did release the third film. The answer according the IMDB is:

 In the original end title credits, which featured the famous "James Bond will return in..." teaser, the next film advertised was On Her Majesty's Secret Service (1969). However, when the producers began pre-production, they were unable to secure the Swiss locations needed for the film and decided to make Thunderball (1965) instead. The end title teaser was later changed to advertise "Thunderball".

 So that mystery is solved for the moment.

Thunderball

I don't think I have a previous post exclusively on "Thunderball".  I do however have this section of a post that I have copied over for you:

The original "Thunderball" was one of the biggest blockbusters of the 1960s. When adjusted for inflation it stands as the most financially successful of all the Bond movies. The audacity of Goldfinger was multiplied by a bigger canvas for the story telling. More exotic locations and bigger set pieces are put into place. As a kid I wanted the 007 lunchbox with all the frogmen fighting underwater. It was an image that sold all of us on the adventure we had coming. As far as I know, this is the first story to exploit the idea of nuclear terrorism. It was not of course the last. Here was SPECTRE as a real organization, with a board of directors and a chairman presiding over crime and doling out death as a punishment for failing the company. In a way, with all of the numbers, and secret locations and passwords or codes, it is the mirror image of MI6, and the bureaucracy that Bond actually represents.
There are great sequences in the picture and some real imaginative gizmos in the story. The jet-pack is just so outlandish that it gives the ejector seat a run for it's money as the most over the top toys of 007 in the early films. The miniature breathing apparatus looks like it could be practical for emergencies. Bond gets taken for a ride in an early Mustang, he has an underwater version of the jet-pack, and he gets yanked into the sky forty years before Batman uses the same technology in "The Dark Knight". The problems with the film have to do with pacing. A slog through the stuff at Shrublands, hide and seek in the Mardi Gras like parade in Jamaica, and the underwater battle looks cool but needed some editing. "Thunderball" is like one of those great Thanksgiving meals with so many choices, that are so rich and you want to try them all. When you do, you feel a little sick afterwards. "Thunderball" doesn't exactly make me sick, but my blood sugar is usually a little high after I watch it. I should get up and go for a walk, but I usually just fall asleep contentedly. Another blogger El Santo, did a fantastic piece on the music from "Thunderball', that goes way beyond the theme song. I hope he is OK with my linking it here, you should read and listen.

I will also mention that this film was one from my youth that I know gave me a nightmare or two. When Angelo Palazzi playing the doppelganger of Major François Derval gets stuck in the seat belt in the plane he just hijacked and landed in the ocean, Largo cuts his air hose and he drowns flailing away for help and oxygen. It gave me the creeps watching it and I dreamed about that death on more than one occasion. 

Sometimes there are little things that might slip by on the television screen that will not escape your attention on a screen thirty feet high and seventy feet wide. Last night I remembered one of those weird little details when the image came up for just a brief couple of seconds. There is a dog, taking a leak in the middle of a scene, and it either was too complicated to shoot it over or the editor just thought it was a lark and left it in. I went in search and fopund it on my DVD of the film and thought I'd share it with you here.

 As Bond is trying to escape in the confusion of the parade, two of his pursuers are bisected in this shot by a random animal lifting it's leg and letting it out. Amanda missed it but I have now made sure that none of you reading this will ever miss it again. 

We have a long wait until the next James Bond film, but with a rich 50 year history and opportunities like this screening at the American Cinematique  at the Egyptian, we will always have plenty to talk about.