From where I sit, the best things about this series are it's most recent additions. I missed the film where Dwayne Johnson first showed up as a character in these, but he is a guy that oozes charisma. Jason Statham is in his third one of these movies, having a brief cameo in 6 and then being the main bad guy in 7. Whatever they are paying these guys it is worth it because they inject the most energy into the movies of any of the actors. Kurt Russell shows up in a suit and tie for a few scenes, and his swaggering smarminess as a spook with no name, brings a smile to my face. If only Scott Eastwood were as much fun as the intern version of Russell's character.
Two new additions for this film are the ladies that figure heavily in the plot. Charlize Theron steps in as the villain for this edition of the story. She has tightly weaved hair extensions and a badass attitude. It looks like she was saving all her action chops for "Atomic Blonde" later this summer, because in her role as Cipher, she primarily barks orders and frantically types. In another of the mindless film sequences over the years, cyber hackers attack, block and outwit each other as we see who can really reach 70 words a minute on their laptop. Maybe if we edit it together tightly enough and inject some screen shots of computer graphics, it will feel like an action piece. [No it doesn't]. After giving us a dozen reasons to hate her and be ready to cheer for the comeuppance that we have been waiting for, there is an unsatisfactory close to her story. In all probability, we will see the same plot twist that has happened in every one of these films happen in the next one. Also stepping in in a brief scene is Dame Helen Mirren. She doesn't get to do much but she can act everyone else in the film right off the screen just by sitting there.
For thirteen years people have piled on Pierce Brosnon's last outing as 007, for some of the same reasons that they have embraced this franchise. CGI cars that defy gravity, preposterous super villains with all powerful knowledge, stunts that induce as much laughter as excitement, and jokes that don't produce either laughter or much character. With the exception of Statham's sequence on a plane, the humor here largely falls flat. Since I am at heart a sentimentalist, I sometimes find myself being drawn into the "Family" motif that strings these films together. Who doesn't like a hardy laugh as you celebrate your victory of a new bad guy by breaking bread and forming an alliance with the last bad guy. As I said earlier, it doesn't make a lot of sense but cracking the whip on a movie like this is a little like kicking a puppy. It ties so hard to please you that it is just wrong to punish it when it drops a turd on your carpet.If you think you can take a giant grain of salt and choke it down, than you will almost certainly enjoy a car chase with a submarine, or a parachute jump that would make D.B. Cooper proud. You probably won't care that a convoluted double cross is arranged without any explanation or that people leaping out of cars traveling well in excess of the speed limit results in no physical consequences. "The Rock" doesn't need the force to levitate his opponents off the ground, Statham doesn't need gravity to interfere with a good fight or foot chase, and Vin Diesel doesn't need to act to star in a movie. All of these things are still more believable than finding enough clear road to chase on in New York City on a weekday afternoon.
