Beasts of the Southern Wild
I don't get it. There was some interesting cultural background here but the story is so full of abstract allegory that it made no sense to me. It was also nearly unwatchable. Does anyone use a tripod anymore? I need to stew on it some more but at the moment I am not really expecting any new insight and it may go on the pile of films that I just have no interest in.
OK, I thought about it overnight and I think this is one of those examples of people getting credit for being original without being particularly good. This is a little known culture that is being examined, and despite being American, it feels as alien as if it were from another world. There are many beautiful shots in the film but all of them are marred by the inability of the camera operators to hold still long enough for us to appreciate them. Certainly the director contributed to this. I posted on another blog about the least deserved nomination this year and I selected "Brave" a good film but not a great one. I would like to revise that opinion. Benh Zeitlin, the director of this movie is the most undeserving nominee this year. He contributed to the music which I liked but was ultimately responsible for the look and feel of this movie and it is terrible.
I got nauseous watching "Cloverfield" a couple of years ago, I would gladly watch it twice more before I subjected myself to this mess. Even shots that are of makeshift boats floating on calm water, are made to look as if you were at sea in a typhoon. Add on top of that the frequency with which those shaky shots are closeups on the actors and you wonder why anyone would like any performance in the film. The lead is a young girl with personality plus and she is as cute as can be. Her character however goes on a journey without changing much in the process. That trip is also prompted by the unlikely boogie man of global warming. That's right, this is in the same category as "Happy Feet", an environmental propaganda, disguised as something else.
The more I think about this movie, the less I like it. I see that many praise this film and believe it to be the best of the year. Everyone is entitled to an opinion, and here is mine: People who think this is the best movie of the year, don't like movies, they like ideas, and not very good ones at that.
Life of Pi
The movie is incredibly beautiful and I wonder why I did not see it when it was first out. There are images that will linger in my head for days at least if not for years. The story was nicely told, there are some very spiritual elements to it and I will also be thinking about the film in those terms as well. I never felt the time pass as it was very involving.
I never read the book, it is supposed to be quite good but most thought it would be impossible to translate into film. I can't comment on that translation, but I can say that the framing device used here worked really well at letting us see the story from very different perspectives. The philosophy behind the story is given more context and it is entertaining rather than portentous, which I imagine it could easily have been. The choice of telling the story this way gives it the feel of an adventure rather than a mediation on struggle. Ultimately the viewer will decide how they want the story to be remembered but the point of view of the writer and them director seems very clear.
If you click on the title or the poster, it will take you to my original review. I stand by my comments but I do think I was able to respond more emotionally a second time because I understood the limitations the story was going to impose on us.
Another film that got better on second viewing, and I thought it was excellent the first time I saw it. Jennifer Lawrence was more impressive than I remembered. If she wins tomorrow I will have no complaints. There is no way that Bradley Cooper will upset Day-Lewis, but again if it were to happen, it is because it was a really good performance. The love story was so much more obvious this time around. Even though the mental illness elements are so up front, the romance shines through.
The criticism I had originally, seems less noticeable to me this time around. I guess that may be the case with many films as it has been with three of the movies I saw during the Showcase. The other actors in the film also play the characters in very realistic ways. One blog I read claims that Jacki Weaver did not deserve her nomination here because all she does is simper and cry. They missed the deep caring that she brought to the Mother who is trying to hold a family together that probably would have come apart long before if not for her intervention. The fact that she is not as screwed up as everyone else in the story should not diminish the contribution she makes.
Zero Dark Thirty
The last of the Best Picture nominees that I saw. This is a complex story put into a narrative of just two and a half hours, but it covers a decade of real life intelligence information. Sometimes details get convoluted and names that are not familiar to most American ears may be confounding. The movie also has the temerity to acknowledge that enhanced interrogation techniques were a part of the process of finding the world most wanted terrorist. Just like in ARGO, the C.I.A. gets to be correctly labeled as heroes again. They deserve to be lauded for their efforts here, and people should recognize that inference is not a perfect science. That's how they got WMDs wrong but Bin Laden right.
The star of this movie is a terrific actress and she is very good here, but I think her part is not as vivid as it could have been. Jessica Chastain is trying to make a cypher of a human being into a memorable character, who serves as the audiences point of view in the film. The closest we come to being engaged with her character is in the final section, where she waits the arrival of the SEAL team and their cargo. The intelligence treasure trove is of course going to be something an analyst should care about, but she is the audiences surrogate. It is her visual confirmation of the bodies identity that is the catharsis we have waited for.
There are so many good actors in this picture and most of them are there for a very brief time. Kyle Chandler is in both this and Zero Dark Thirty. Two Best Picture nominees in the same year. He seems to have good taste and a good agent. All of the C.I.A. officers seem vibrant and intelligent. I liked the comment that James Gandofini's version of Leon Panetta makes, "We're all smart here". While it may be true it is also indicative of the posture of the ruling political class and it serves as a slapdown to anyone who challenges those conventions. Along with the implied criticism of the political bureaucracy and the spoken fear the operative had of the President's policies, this film was a heck of a lot more honest than I think most expected it to be.
Thanks to the Yennys for making this a great social day also.